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Capitaine Alatriste

Titre original : Alatriste
  • 2006
  • Tous publics
  • 2h 25min
NOTE IMDb
6,1/10
14 k
MA NOTE
Viggo Mortensen in Capitaine Alatriste (2006)
Regarder Tráiler [VO]
Lire trailer1:44
1 Video
32 photos
Period DramaSwashbucklerAdventureDramaHistoryRomanceThrillerWar

Viggo Mortensen incarne le capitaine Alatriste, soldat espagnol devenu mercenaire, une figure héroïque des guerres impériales du 17e siècle dans le pays.Viggo Mortensen incarne le capitaine Alatriste, soldat espagnol devenu mercenaire, une figure héroïque des guerres impériales du 17e siècle dans le pays.Viggo Mortensen incarne le capitaine Alatriste, soldat espagnol devenu mercenaire, une figure héroïque des guerres impériales du 17e siècle dans le pays.

  • Réalisation
    • Agustín Díaz Yanes
  • Scénario
    • Arturo Pérez-Reverte
    • Agustín Díaz Yanes
    • Carlota Pérez-Reverte
  • Casting principal
    • Viggo Mortensen
    • Elena Anaya
    • Unax Ugalde
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    14 k
    MA NOTE
    • Réalisation
      • Agustín Díaz Yanes
    • Scénario
      • Arturo Pérez-Reverte
      • Agustín Díaz Yanes
      • Carlota Pérez-Reverte
    • Casting principal
      • Viggo Mortensen
      • Elena Anaya
      • Unax Ugalde
    • 94avis d'utilisateurs
    • 34avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 20 nominations au total

    Vidéos1

    Tráiler [VO]
    Trailer 1:44
    Tráiler [VO]

    Photos32

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    + 24
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    Rôles principaux80

    Modifier
    Viggo Mortensen
    Viggo Mortensen
    • Diego Alatriste
    Elena Anaya
    Elena Anaya
    • Angélica de Alquézar
    Unax Ugalde
    Unax Ugalde
    • Íñigo Balboa
    Eduard Fernández
    Eduard Fernández
    • Sebastián Copons
    Eduardo Noriega
    Eduardo Noriega
    • Conde de Guadalmedina
    Ariadna Gil
    Ariadna Gil
    • María de Castro
    Juan Echanove
    Juan Echanove
    • Francisco de Quevedo
    Javier Cámara
    Javier Cámara
    • Conde Duque de Olivares
    Antonio Dechent
    Antonio Dechent
    • Curro Garrote
    Blanca Portillo
    Blanca Portillo
    • Fray Emilio Bocanegra
    Francesc Garrido
    Francesc Garrido
    • Martín Saldaña
    Pilar López de Ayala
    Pilar López de Ayala
    • Mujer de Malatesta
    Jesús Castejón
    Jesús Castejón
    • Luis de Alquézar
    Cristina Marcos
    Cristina Marcos
    • Joyera
    Luis Zahera
    Luis Zahera
    • Pereira
    Pilar Bardem
    Pilar Bardem
    • Monja
    Nadia de Santiago
    Nadia de Santiago
    • Angélica 14 años
    Nacho Pérez
    • Íñigo 14 años
    • Réalisation
      • Agustín Díaz Yanes
    • Scénario
      • Arturo Pérez-Reverte
      • Agustín Díaz Yanes
      • Carlota Pérez-Reverte
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs94

    6,114.3K
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    10

    Avis à la une

    6zigoraldama

    Big spending, irregular film

    This is, to date, Spain's most expensive film, a two hour fifteen minutes long story based on some of the most important bestsellers of the country, the series of Alatriste.

    Whichever point you look at it, the film becomes disappointing. The pace is slow, the story gets twists difficult to follow for non readers, and there are some sequences where there is an important lack of realism.

    Still, it has some strongholds. The photography is good, and it draws a good painting of what Spain was at that moment. Most of the film is watchable, although we were expecting much more from it. I also think actors and actresses could do better, even Javier Cámara and Elena Anaya look impressive.
    vmm-1

    Spanish cinema's illness: The usual suspects turn out the same sad joke

    Congratulations to the marketing department. I bit the hook and contributed my 6.5 Euros to this calamity. Awfully acted out sketches of what should have been characters, disastrous editing, horrible script, dreadful muzac, even the locations are terrible and terribly shot! What a sad joke. Worst of all: boring. Even the darkest epic needs some humor and wit. Quevedo on prozac? Let's forget about it and let the great man rest in peace. Sorry about that, Don Francisco. The premise was inspirational, the money was there, of course that alone does not produce another "Barry Lyndon", "Master and Commander", or "Unforgiven", not even "Cyrano", but at least I think we could expect something better than "Curro Jimenez", a Spanish TV series about andalusian "bandoleros". "Curro" turns out to be a grand epic when compared to this fiasco. 10.000 extras? Someone ran away with their paycheck or the dp forgot to bring the wide angle that day to fit them in. I firmly believe the problem is the same as always. The same "amiguetes" with their unresolved complexes, telling each other how great and daring the other is. Bring a friendly international Star to the mix (one that is acceptable because walks barefooted, drinks mate, and again, tells all the others how great they are and how great it is to be in such company) and see how it adds to the disaster. Viggo (as every amiguete "in the know" friendly calls him) can't pronounce a decent syllable, but he is, oh well... VIGGO, and that's what matters to our provincial "you are so great o' you" actors and director. I heard a few of the actors talking about how wonderful "Tano" (the director) had been on set, letting every one contribute and understanding how film making was a team effort. Yes, film making is a team effort, as well as a classical orchestra is, but IT NEEDS A DIRECTOR. Where were you Mr.Tano? If you ever have another chance (of course you will, you are an amiguete and a great guy), please at least DIRECT. Really "triste".
    8malaksabo

    A good history film

    XVII Spanish Century is too rich to be told in two hours and a half, and that's what the film has tried. Perhaps too many characters that unable us to be identified with them. Alatriste is too many things in just one: the brave, the hard, the rebel, the lover, the good father... but far from us. I don't think it is Viggo's problem. If you read the novels you will find the same lack. Although we have expected more of this film, it would be unfair to say that this film is not worthy watching it. Actors are great, also wigs and customs (sometimes Spanish people cannot forget them without wigs!). Battles and photography are excellent. The films' atmosphere is much more better than other history films, the fog, the use of light. Go, watch it and make your opinion!
    6ma-cortes

    The fictitious Spanish hero magnificently played by Viggo Mortensen and exceptional Juan Echanove as Francisco Quevedo

    The film concerning captain Alatriste (Viggo Mortensen), a Spanish soldier turned into mercenary . The picture is developed through the Spanish empire which took a time for the decadence and downfall , however during century XVII it was a battleground for rival powers : Luis XIII with his favorite Cardenal Richelieu who are backing Flandes independence against Philip IV and his Count Duke Olivares (Javier Camera) . The movie is set throughout the ¨Thirty years war¨ (1618-1648 ) between Catholics and Protestants which finished in the treatise of Westfalia . The flick describes various events and battles from the epoch as the ¨Breda surrender¨(in 1625 and Spanish army commanded by Ambrosio Spinola) that imaginatively is brought the life on the famous Velazquez picture , as the ¨Rocroi battle¨ (1643) which signified the fall Spanish main and pretty well filmed in spectacular and violent images as the last stand for the imperial Tercios .

    Scenarios are breathtaking but no the plot , it is slightly confusing with some flaws ; besides , being sometimes slow-moving that makes it a bit tiring and dull . Screenwriter-director Agustin Diaz Yanes tried to condense the five novels from Arturo Perez Reverte in a runtime of two hours and some but it is a little embarrassment . However , the production design including palaces , streets , slums , homes , canteen , rooms are sensational and realized by the great designer Benjamin Fernandez who has got a successful American career (Man of fire , Uprising , Enemy of State). Painting-photography and colorful cinematography by top-notch cameraman Paco Femenia (Juana la Loca) though a little dark and excessive use of interior . In addition , brilliant and luxurious costume design was made by Francesca Sartori , she is a great specialist on Italian costume films . Atmospheric and sensitive music score by Roque Baños (The machinist , Crimen Ferfecto , 800 bullets) is finely fitted to the story . The motion picture was well directed by Agustin Diaz Yanes , as it is entertained for the Spanish history buffs . At a cost of 24 million Euros, this is the most expensive Spanish film ever made. Director Agustin called that amount enough for 'a European super-production and an American rubbish-production'. Agustin Diaz Yanes has directed some good films such as ¨Don't temp me¨, ¨Solo Quiero Caminar¨ and ¨Nadie Hablara con nosotras cuando Hayamos Muerto¨ . Rating : Acceptable picture , well worth watching
    8jorgddh

    Come on...

    All the time complaining about the lack of commercial movies in the Spanish industry, and when a nice effort comes trough, everybody is bashing it!! Now, it's true that the movie has his share of flaws: The story feels disjointed, but in the second part it takes more time to develop it; There's a well known actress playing a man ( which is something obvious). But the main reasons of complain seem to be two: The action sequences: The intention of the filmmakers was to make them look raw and cruel, not stylish and hollywoodesque. This is not Kill Bill, or Lord of the rings. The story takes place in a real time in history, and i'm sure that the sword-fighting wasn't like in the middle earth.

    And Viggo: I think he's great in the role. Yes, the voice, the pronunciation of the "s", is strange. But the stance, the expression, the looks, and the physical work in general is pure gold.

    Final conclusion: This isn't a great movie, but a good and solid commercial one, a movie that needed to be made ( and to be watched and discussed). A movie that, finally, we Spanish people need to support. Don't let the envy blinds you, and take out your own impressions.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      At a cost of 24 million Euros, this was the most expensive Spanish film ever made until Agora (2009) surpassed it. Director Agustín Díaz Yanes called that amount enough for 'a European super-production and an American rubbish-production'.
    • Gaffes
      During the opening of the Battle of Rocroi, the matchlocks muskets are firing without the serpentine or "hammer" holding the match moving. To fire a matchlock the burning end of the cord/match must swing down to the priming pan by the side of the matchlock.
    • Citations

      Conde Duque de Olivares: Without Flanders, there's nothing... Captain.

    • Connexions
      Featured in La noche de...: La noche de... Wonder Woman (2020)

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    FAQ15

    • How long is Captain Alatriste: The Spanish Musketeer?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 juin 2008 (France)
    • Pays d’origine
      • Espagne
    • Langues
      • Espagnol
      • Flamand
      • Latin
      • Portugais
      • Néerlandais
    • Aussi connu sous le nom de
      • Captain Alatriste: The Spanish Musketeer
    • Lieux de tournage
      • Baeza, Jaén, Andalucía, Espagne
    • Sociétés de production
      • Estudios Picasso
      • Origen Producciones Cinematograficas
      • NBC Universal Global Networks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 24 000 000 € (estimé)
    • Montant brut mondial
      • 23 482 607 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 25 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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