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Ajouter une intrigue dans votre langueAn adaptation of Bishop T.D. Jakes' self-help novel, chronicling a woman's struggle to come to terms with her legacy of abuse, addiction and poverty.An adaptation of Bishop T.D. Jakes' self-help novel, chronicling a woman's struggle to come to terms with her legacy of abuse, addiction and poverty.An adaptation of Bishop T.D. Jakes' self-help novel, chronicling a woman's struggle to come to terms with her legacy of abuse, addiction and poverty.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 8 nominations au total
T.D. Jakes
- Self
- (as Bishop T.D. Jakes)
Philip Bolden
- Todd, Age 8
- (as Philip Daniel Bolden)
Avis à la une
10ven2s
When my girlfriend dragged me to this movie, I went with her to treat her to part of her Birthday present; but secretly, I was dreading to see this movie. I thought that here's another "Christian" made production, many of which seem to suffer from lack luster acting and weak direction.
None of those elements exist in this riveting drama based on the composite experiences of various women encountered by TD Jakes through out his ministry. From the stunning beginning of the movie to its hopeful and heart warming end, I was enthralled by the very realistic characters(especially the main character), their various struggles, and their varying Faith, or lack there of, in God.
This movie does not milk-toast the church or sugar coat those who are True Believers, but shows us for what we truly are; real sinners saved continually by real Amazing GRACE and the Great Mercy of God.
For those who think you have to be lilly white to be accepted by God, I highly recommend this movie as a big dose of reality. But for those who just see the church as full of hypocrites, you'll come away with an appreciation for how much God loves us imperfect beings and why the Church is full of us!
None of those elements exist in this riveting drama based on the composite experiences of various women encountered by TD Jakes through out his ministry. From the stunning beginning of the movie to its hopeful and heart warming end, I was enthralled by the very realistic characters(especially the main character), their various struggles, and their varying Faith, or lack there of, in God.
This movie does not milk-toast the church or sugar coat those who are True Believers, but shows us for what we truly are; real sinners saved continually by real Amazing GRACE and the Great Mercy of God.
For those who think you have to be lilly white to be accepted by God, I highly recommend this movie as a big dose of reality. But for those who just see the church as full of hypocrites, you'll come away with an appreciation for how much God loves us imperfect beings and why the Church is full of us!
Renowned minister and author Bishop T.D. Jakes of The Potter's House of Dallas, Texas has brought to screen his best-selling novel that has been a major hit amongst women in his ministry for nearly 10 years. Written at a time in his life when he doubted if he could (read: should) be the 'voice' of the forgotten women, the broken woman, the fallen woman, ...the woman that is often invisible in most church congregations, after the release of his novel, the overwhelming answer was 'preach on, T.D., preach on'. And preach he did, to thousands in his Woman Thou Art Loosed conventions all across the country to sold out stadiums. It's not really a surprise when one knows the history of the journey that this project would be his first feature film effort. Some might argue that this is his most anointed work, especially given the numbers that most lower income minority households now are single parent households and that translates more than likely to often being led by mothers. What happens when these 'mothers' fall into hopeless situations that seem outside the confines of the normal assistance that most churches are only equip to handle? It's in that chasm that Bishop Jakes found his voice.., and calling.
Woman Thou Art Loosed, the movie, is an ambitious project. Well written, and acted by a stellar cast (more on that later), it only suffers from a few minor problems that are mostly cinematic issues. The lighting throughout the movie was uneven and could have benefited from an overall continuity of theme, but all in all, this problem is minor in contrast to the action and dialogue on the screen. The outstanding casting of Kimberly Elise as the troubled lead, Michelle Jordan, who opens this movie, pistol in hand, in the midst of an altar call at a revival meeting of Bishop Jakes, is both tragic and heroic as you learn of her desperation to make sense of her life's choices and conflicts. Kimberly brings a new definition to pathos, and in several scenes proves that she's an actress of great skill and technique, while never allowing the mechanics to be noticed. Adept at emoting with just a look or turn of her brow, she breathes life into Michele's often difficult and challenging scenes with the ease of someone who's really been 'there' in the depths of despair. At it's core, WTAL is a love story. Love gone bad, love gone wrong, love unrequited and love never fully developed. Michelle wants her mother, Cassie, to love her, to see her and acknowledge her. Formidable actress Loretta Devine, portrays a mother that needed mothering, and unfortunately can't give to her daughter what she's never experienced. Failing her daughter at a most critical moment in their journey, creates the rift between mother and daughter and sets into motion that incredible opening scene. Pay close attention to the scenes that include these two actresses, together, for a master's class in scene study.
But make no mistake, the heartbeat of this film is Bishop Jakes and his sermons. Whether being delivered in the pulpit or in a prison cell, his message of restoration is ever present. The moments that soar in this film are those that center on his fiery, common-sense sermons and his ability to touch the very core of issues in simple and succinct analogies. Much more could have been made of these moments and I think the direction in the services suffered a bit, but then again, how do you really direct the holy spirit? Director Michael Schultz is legendary and yet this might be the problem: his style is a little dated and isn't as edgy as some of the more modern films of our times. That being said, I did appreciate his use of the close-up that allowed us to 'see' every nuance of emotion.
It might prove a little difficult to find this film, but it's worth a diligent search. If for no other reason, for the sheer inspiration of the story and to observe major talent acting for once in material that they obviously believe in. I sensed that many of those tears that were shed, weren't all about the characters they were inhabiting. More than a few actors were most likely 'loosed' in the process, as well. It's that powerful of a movie. Highly recommended.
Woman Thou Art Loosed, the movie, is an ambitious project. Well written, and acted by a stellar cast (more on that later), it only suffers from a few minor problems that are mostly cinematic issues. The lighting throughout the movie was uneven and could have benefited from an overall continuity of theme, but all in all, this problem is minor in contrast to the action and dialogue on the screen. The outstanding casting of Kimberly Elise as the troubled lead, Michelle Jordan, who opens this movie, pistol in hand, in the midst of an altar call at a revival meeting of Bishop Jakes, is both tragic and heroic as you learn of her desperation to make sense of her life's choices and conflicts. Kimberly brings a new definition to pathos, and in several scenes proves that she's an actress of great skill and technique, while never allowing the mechanics to be noticed. Adept at emoting with just a look or turn of her brow, she breathes life into Michele's often difficult and challenging scenes with the ease of someone who's really been 'there' in the depths of despair. At it's core, WTAL is a love story. Love gone bad, love gone wrong, love unrequited and love never fully developed. Michelle wants her mother, Cassie, to love her, to see her and acknowledge her. Formidable actress Loretta Devine, portrays a mother that needed mothering, and unfortunately can't give to her daughter what she's never experienced. Failing her daughter at a most critical moment in their journey, creates the rift between mother and daughter and sets into motion that incredible opening scene. Pay close attention to the scenes that include these two actresses, together, for a master's class in scene study.
But make no mistake, the heartbeat of this film is Bishop Jakes and his sermons. Whether being delivered in the pulpit or in a prison cell, his message of restoration is ever present. The moments that soar in this film are those that center on his fiery, common-sense sermons and his ability to touch the very core of issues in simple and succinct analogies. Much more could have been made of these moments and I think the direction in the services suffered a bit, but then again, how do you really direct the holy spirit? Director Michael Schultz is legendary and yet this might be the problem: his style is a little dated and isn't as edgy as some of the more modern films of our times. That being said, I did appreciate his use of the close-up that allowed us to 'see' every nuance of emotion.
It might prove a little difficult to find this film, but it's worth a diligent search. If for no other reason, for the sheer inspiration of the story and to observe major talent acting for once in material that they obviously believe in. I sensed that many of those tears that were shed, weren't all about the characters they were inhabiting. More than a few actors were most likely 'loosed' in the process, as well. It's that powerful of a movie. Highly recommended.
If you loved DEAD MAN WALKING as much as I did, then you'll also appreciate this prison-set film based on a book and a play by AME Bishop Jakes. Like Matthew Poncelet in Sr. Prejean's story, this one features a character who is a composite of several real life abused women whom the good bishop ministered to through the years. Michelle is on death row when Bishop Jakes visits her. At first she almost ignores him as she works on a model house made up of match sticks or small pieces of wood. She had not expected him to come, he being so big time--his face was on the cover of TIME Magazine--but it soon appears that their paths have crossed before and that her mother is one of the clerks who works in his evangelism campaign. Before going any further I should reassure any readers made nervous by the fact that a real-life bishop is a main character, that this is not one of those syrupy Billy Graham films. It is an unabashedly religious, no, a Christian film, but it is gritty in its realistic detailing of drug addiction, child abuse, prostitution and such, well deserving of its R rating. It is a compelling story of a woman's descent into hell and of her slow journey back. The cast is excellent, with Bishop Jakes playing himself--not just in the pulpit, but in some intense scenes in Michelle's prison cell that demand more than pulpit oratory. In another life he could have made it as an actor. The crew members are all Hollywood pros, so the production values are excellent. A neat symbol is the house on which Michelle labors so long over--it is the last thing we see before the fade to black and the credits roll, so it serves as a good symbol (far better than the full scale house in LIFE AS A HOUSE). There are plenty of interesting male, as well as female characters, so you shouldn't look at this as a "woman's film," nor as an African American one. Exploring the terrible damage those close to us can do to one another, and of the almost impossibility of forgiveness, it's a film that I will be thinking about for some time to come.
10bxmpph
This movie (as well as the book and play) addressed sensitive issues that touch the lives of men, women and children everyday. However, theses issues are usually not openly discussed and are often hidden, which leads to mental and emotional break-downs or destructive behavior.
The movie not only captured several issues, including sexual abuse, verbal abuse, abandonment, low self-esteem etc. It also demonstrated the negative effects of covering up the issues through lies, misplaced aggression and denial. I liked the way the movie displayed the effect that the revival incident had on each character that was involved. I was also touched by the positive and encouraging words offered by the minister which ultimately had an effect on the main character.
The movie not only captured several issues, including sexual abuse, verbal abuse, abandonment, low self-esteem etc. It also demonstrated the negative effects of covering up the issues through lies, misplaced aggression and denial. I liked the way the movie displayed the effect that the revival incident had on each character that was involved. I was also touched by the positive and encouraging words offered by the minister which ultimately had an effect on the main character.
I really enjoyed the movie and got a chance to see Bishop TD Jakes from a different perspective. I believe this is the side of ministers that we don't see, where they visit the sick, prisoners, etc. And unless we have a crisis in our family probably will never see. Since I missed the first few moments I was a little confused by what was going on since the scenes jumped from the jail cell to the church to the past. However, the plot is not hard to follow. The characters were all great and did an excellent job in there parts.
I sure many feel its a movie for women and that is not necessarily so. After watching the movie I am definitely interested in reading the book.
I sure many feel its a movie for women and that is not necessarily so. After watching the movie I am definitely interested in reading the book.
Le saviez-vous
- Citations
Cassey Jordan: Don't you come bringing those old lies into the House of God!
Michelle Jordan: How can it be the House of God when hypocrites like you live here?
- ConnexionsFeatured in The 20th IFP Independent Spirit Awards (2005)
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- How long is Woman Thou Art Loosed?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Женщина, ты свободна!
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 6 879 730 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 500 000 $US
- 3 oct. 2004
- Montant brut mondial
- 6 879 730 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
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By what name was Woman Thou Art Loosed (2004) officially released in Canada in English?
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