La Vie des autres

I do agree with all the other positive comments, and just need to add that this is the very first movie about the former GDR I saw that is not something like a comedy. Flicks like "Sonnenallee" or "Good bye Lenin" definitely were great and funny, but unconsciously left myself (a West German) with the impression that the GDR has been a sort of "Mickey Mouse State" full of stupid but charming characters, not really to be taken seriously. After seeing "Das Leben der Anderen" this impression shifted quite a bit: there actually was suffering, killing desperation and a terribly claustrophobic atmosphere behind that wall. This might well be the most realistic depiction of the dark side of the former East Germany. Thanks to the Producers, actors and director for making this movie. 10 out of 10.

I've been taking German lessons for about 2 months now, and since movies were great in helping me learn English language I'm always looking for German films to watch (as well as German music to listen to) in order to educate my ears.

Anyway, I went to this place where I get all sort of rare movies and this one caught my attention... and I had no idea it got the Oscar for foreign language film this year! So I watched it without prejudice and... what did I find? A MASTERPIECE! This is the kind of movie that gets your attention from the first moment, and makes you interested in understanding the characters' psyche, which is very varied: you have the idealistic good guys, the idealistic bad guys, the people that broad their minds understanding that no political dogma is better than individual freedom, etc. And even though the movie has very tough moments it is all so well done and presented with such a good taste that in the end you feel some sort of relieved.

In this present day, when the ghost of authoritarian regimes still fly over our heads (in my country we're getting closer and closer to that reality), this movie will make you think about how important love, life and freedom are.

A must see!

I wonder why there has been so little written and publicized about this movie. This should be seen in every country and its merits trumpeted from the skies.

It starts off slowly and the locale is the former East Germany, inhabited by 16 million people who are being spied upon relentlessly by their secret police. In this very real world of the Berlin Wall, there are many Stasi, 90,000, overseeing the populace, aided and abetted by hundreds of thousands of informants. Many of these snitches were blackmailed or other pressures exerted (threats to children and loved ones) and a few obliged voluntarily.

What is truly amazing is that this is Florian Henckel von Donnersmarck's directorial debut, and he maintains a masterful hand throughout and keeps the story and the tension rolling from the first scene of interrogation which is filmed back and forth between a tape educating new Stasi as to interview techniques and to the actual cell itself where it was recorded.

The movie circles around three main characters and there is a wider circle of the powerful who pull the puppet strings for a variety of reasons which become clear as the movie unfolds.

First is Georg Dreyman, a playwright on the verge of celebrating his 40th birthday. Sebastian Koch, a tall,handsome actor dressed in writerly rumple, shares an apartment with his actress girlfriend, Christa-Maria Sieland (Martina Gedeck), and exists within the strictures of the state-sponsored theatre. He is a decent man, and tries to win support for his blacklisted friends.

For reasons that become quite clear, Dreyman falls under suspicion and the whole sophisticated Stasi spying system comes into play in the era of 1984. His whole apartment is bugged and every sound is monitored.

The man in charge of all this is Captain Gerd Wiesler,(Ulrich Mühe). Ulrich's performance is nothing short of stunning. He starts as an almost robotic presence, dressed in gray, he almost disappears into every scene he's in. But one detects a clear intelligence in his bright eyes, the only part of him that's alive. Captain Wiesler lives in a non-descript arborited apartment, much like himself. He squeezes his food onto a plate from a tube.

But the captain starts to awaken slowly as he listens surreptitiously on the state of the art equipment secreted in the attic of Dreyman's building. He starts to fall in love with the couple and then pressure from above is brought to bear on him to dig for the dirt in Dreyman's life.

And he is in a dilemma now, as he is drawn further and further into the life of Dreman and his girlfriend.

I won't throw spoilers down. Suffice to say is that the story is enthralling right down to the very last frame. The acting is superb, the direction impeccable and the world of East Germany meticulously drawn with the viewer respected enough to find his or her own emotional path through the plot.

The ending is truly one of a kind. So right and true that I was left nodding, it was the only one possible.

A must see, I will sing the praises of this film to all I know. 10 out of 10 from me. Right up there in my top 50 of all time. I find it so disappointing that these movies don't get wider release AND compete for an Oscar in the best picture of the year and not just for best foreign film. Now there's a heretical thought!

I saw this film in its North American premiere in a packed theater at the Toronto Int'l Film Festival this past week and was pleased to be part of a standing ovation at the end for the director and star, who were both on hand.

"The Lives of Others," set in East Germany not long before the fall of the Berlin Wall, tells the moving story of a police investigator forced to confront himself and the work he does. In a society poisoned by secrecy, fear and the abuse of power, a number of the movie's characters -- artists, actors, writers -- must look deep inside and decide what they are made of; none more so than the investigator.

This is a movie that took me to a place and time that felt very authentic, for a tale that was very satisfying.

Ulrich Muhe, who plays the investigator, is mesmerizing, and the young director is to be applauded for this, his first full-length film. Some have compared "The Lives of Others" to Coppola's "The Conversation" but the two have completely different story arcs and are only superficially similar.

Both my companion and I felt this was our favorite of the six films we had a chance to see at the festival.

Memories of the 70's and 80's visits in the German Democratic Republic (GDR) flood my mind while watching this film. Some are revolting, some comical and others are frightening. As a student of German, I visited the GDR several times to see pen pal friends. I remember one friend looking around and whispering to me in the S-Bahn - just in case one of the many "IM's" (unofficial workers of the Stasi) was listening in.

I visited a representative of a magazine for western countries about the GDR and spent one memorable weekend sightseeing with her. Near the end of my visit, she asked me if I would work for them regularly by writing my opinion of "GDR Review" and its suitability for readers in the West. I would be paid in GDR money to use during further visits. After politely refusing this "offer" ("The police at home might not like it!"), I always had a sneaking suspicion that that was an attempt by the Stasi to recruit me.

Years later I applied to see my "Stasi File". I will never forget the feeling deep inside me when I read in it: ".….is not suitable for our use due to his apparent connection to the police in his homeland." The beautiful, friendly lady in Dresden had been a Stasi informer all the time! All of my visits to the GDR and the people I visited were listed in that file. For me "The Lives of Others" is an authentic representation of that totalitarian state. I am glad that those times have ended.

Congratulations on a well deserved Oscar!