Ajouter une intrigue dans votre langueIn 1950s Ohio, a mother of 10 enters jingle contests to support her family, while her alcoholic husband struggles with a dead-end job. She faces poverty and abuse, but remains optimistic as ... Tout lireIn 1950s Ohio, a mother of 10 enters jingle contests to support her family, while her alcoholic husband struggles with a dead-end job. She faces poverty and abuse, but remains optimistic as she tries to keep her large family together.In 1950s Ohio, a mother of 10 enters jingle contests to support her family, while her alcoholic husband struggles with a dead-end job. She faces poverty and abuse, but remains optimistic as she tries to keep her large family together.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
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It's one of those rare family movies that really feels authentic. There's nothing hokey here, and no obvious, cheesy dialog. The little directorial flourishes are sweet and unobtrusive and flow naturally with the story, which although sometimes whimsically told, has a deeply moving center.
Julianne Moore deftly handles an extremely tricky role. She manages to convey the complexities in a character that on the surface, and in lesser hands, could read as drippy and one-dimensional. Instead as we see this woman's challenging life play out, we respect her more and more, and truly feel invested in what becomes of her remarkable spirit.
All in all, a wonderful surprise, beautifully executed. See it.
Well, folks. When I go into a theater and I can't take my eyes off the screen and the movie goes by without me ever even checking my watch, I know I've seen a good movie.
Moore plays a woman with 10 children. Although her husband works as a machinist, she basically provides for the family by winning all sorts of contests for all kinds of big prizes, including big cash prizes. The woman is a master of winning these things. It's the one thing that's keeping her family together. She's definitely the hero and the one person everyone looks up to. Definitely an inspiration. I don't want to spoil anything, so I'll stop at that, but I will say that Moore does a great job with her role.
Moore's husband in the movie, played by Woody Harrelson with emotional conviction and healthy dose of humanity, has a drinking problem and is a big source of tension inside the household. To the movie's credit, it doesn't paint the father as the typical one-note, evil, hateful,abusive, drunken father. There's a real character in there who loves his wife and kids and the movie does its best to portray him as fairly as possible despite his drinking problem and fits of rage.
The movie does bring out strong emotions from its audience, not quite a tear-jerker but close. It's not the sort of movie I would watch again and again because it's not my type of film, but I was glad for having seen it.
There's good acting, good pacing, a good story and possibly most important of all, it is told in an entertaining, gripping fashion. I wouldn't be surprised to find out if there is an Academy Award nomination in store for Julianne Moore and Woody Harrelson.
At the end of the movie, there was a nice round of applause from the audience. I told one lady, "Wow, the two hours just went..." and I snapped my fingers. She said, "It just zipped by." I also heard several different people talking as I left the theater, "Did you like it?" "Yeah, it was great."
Go see it.
"Prize Winner" is adapted from a book of the same name, a real life account of Evelyn Ryan's life. The book is authored by Ryan's daughter Terry, who appears in the film and is also re-incarnated as her younger self in the character Tuff, played with strength by Ellary Porterfield who makes her feature film debut. Terry Ryan admits thats her book's "intent was to bring her mother back to life..." and certainly the film is also a vehicle for this. Thankfully, and unexpectedly, the movie does not suffer from over sentimentalization, thanks to brilliant script adaptation and direction on the part of Jane Anderson who, although lacking feature film experience, creates honest and captivating scenes that beautifully depict the Ryan's family life. Anderson is so expert at using symbols within the film to shape an audiences opinion of the characters, it is barely perceptible on the first viewing. The film is beautifully layered with symbols of motherhood and Catholicism, none of which are so obvious as to interfere with the lighthearted moments that make the film captivating. Anderson deftly transitions from the high points of the family's success to the terrible depths of their despair, capturing the audience as they share in the Ryan's joys and sorrows. Anderson's hard work in showing the families dynamic is most evident however in the cohesiveness of the Ryan children, all of whom look like a potential genetic pairing between Moore and Harrelson, and all of whom seemed enthusiastic about their work in the film. when asked what he learned from his more experienced co-stars, Robert Clarke, who plays the Ryan's oldest son Dick, mentioned Harrelson's multitude of approaches to a scene and Moore's constant professionalism. Ellory Potterfield (Tuff) commented that for her, working with Moore emphasized that "there is no acting, only reacting."
Writers, Directors, and child stars aside, it is Julianne Moore who brings the role of Evelyn to life and real humanity to the film. "She was an extraordinary woman who lived an ordinary life," Moore said of the real life Ryan at the movie's premier in Manhattan, "I think anyone can relate to trying to raise a family." The Prizewinner also bears the distinct mark of Producer Robert Zemeckis, and this film is moderately reminiscent of the Academy Award winning Zemeckis feature, "Forest Gump." As seen in Gump, Zemeckis is fond of the triumphant underdog, the everyman who perseveres thanks to their unique outlook. Zemeckis's initial reaction to the book was that "it seemed like an almost impossible but wonderful story...it was Evelyn's unshakable optimism and her love of life- the spiritual quality that allowed her to get through a life of hardships."
While Prizewinner is certainly not a new take on the BO-flick , the film relies heavily on it's more than capable cast and is a very sensitive portrayal of what must have been a remarkable woman. Although there are a points at which the storytelling is inefficient, and the exposition clunky, (at points it borders on downright awkward) I left the theater feeling as the though the movie could have told more stories of the Ryan's. I wanted to know more of their lives, and it was that fascination with the characters and events of the film that left me satisfied. The film is as pithy and poignant as one of Evelyn's jingles. Ultimately, Julianne Moore's stoic portrayal of Evelyn is so breathtaking and passionate that any audience member left unmoved should check their pulse.
If you see one film on sheer recommendation this year, this is the film to see. I own a movie theatre in Kansas City and I am playing the film. We had 7 for the matinée that I sat in on one Saturday afternoon-I emailed my customers on Monday and implored them to see this wonderful film. The next Saturday I had 116 for the matinée! It goes on and on and I hope that it will be one of those undiscovered gems for many people this year.
Le saviez-vous
- AnecdotesSome of the dresses worn by Julianne Moore in the film belonged to the real-life Evelyn Ryan. Her children had saved them and offered the use of them for the film.
- GaffesRay the mailman is severely under dressed for that era, with short-sleeved shirt; he should have been similarly dressed like the milkman--jacket, tie, a hat very much like his.
- Citations
Evelyn Ryan: I don't need you to make me happy. I just need you to leave me alone when I am.
- Crédits fousBefore the ending credits roll, updates are given of all the children and of Ms. Schaefer along with their real life photos.
- Bandes originalesSitting on Top of the World
Music by Ray Henderson
Lyrics by Sam Lewis and Joe Young
Performed by Woody Harrelson
Meilleurs choix
- How long is The Prize Winner of Defiance, Ohio?Alimenté par Alexa
Détails
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 627 844 $US
- Week-end de sortie aux États-Unis et au Canada
- 159 056 $US
- 2 oct. 2005
- Montant brut mondial
- 750 212 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1