A Christmas Carol

When I first watched this movie I didn't even get to see the whole thing but even without the ending I knew this was worth watching again so when Hallmark repeated it I naturally sat back down and didn't move from beginning to end. This is a beautifully put together film and the cast is fabulous. Jennifer Love Hewitt as Emily was the best rendition of the role I'd ever seen. The role is small but she managed to do something with her two short scenes that I have never seen done in any version of this story. The score is something I could listen to for weeks on end especially my two favourite songs: The Nights Of Long Ago and A Place Called Home. Both these songs were beautifully performed especially by the two main ladies (The Ghost of Christmas past and Emily). The weird thing is that when I first heard the score I didn't realize it was written by Alan Menken. I have been a fan of this composer for years ever since I was a kid watching the classic Disney movies like 'The Little Mermaid' and 'Aladdin'. I swear that when I first watched it I said "Wow! this sounds like something Alan Menken would write". So you can imagine my delight at finding out it was in fact him who composed the music for this film. I say that if you read reviews before seeing the movie it's a waste of time because someone's always going to disagree with your final decision of what you think of the film. So don't take my word for it... Watch the movie and make up your own mind about it. It will be repeated on Hallmark on the 25th and 26th of the month and early next year as well. I hope you'll/you'v Enjoy/ed the film as much as I have. Merry Christmas and a happy new year.

There have been so many productions of Dickens' classic that it is hard to be different and good. This one surprisingly was both. Most striking was the seemingly very authentic settings--sets, decorations, costumes, characters all seem to take us back to Dickens' London. The music was quite good overall, some songs not as strong but most were hummable and the lyric captured the story and mood. Choreography though anachronistic at times had some very good moments. The women soldiers in the theater seemed a take-off on the Rockettes. The leads performed well, especially a strong K. G. in acting and (yes) SINGING (surprise). Those who hated this will find flaws to pick at, but perhaps we expect too much from an overworked Seasonal classic. It was entertaining and worth the viewing!

I have read, and I am surprised by the content and tone of a lot of commentary on the Christmas Carol Musical.

I'd like to express my opinion within the tone taught by the work of Charles Dickens. To do otherwise is just a lot of noise (bible says clanging cymbals).

I enjoyed the TV program very much. I had seen the Madison Square garden production 5 times, excepting 2001 after 9/11. I think Dickens' decision to call his sentimental romance a 'carol' makes it quite fittingly a musical. I do love the 1951 Sim version, and I watch all the others each year; I think they all have a lot to offer in painting the texture of yearly reclamation and redemption for all of us.

Complainers are correct to ask why redo this story over and over in the same way. The Musical adapts the theme and tone of Dickens' novel for today's sentiment; I hope a new crop of actors will do the same in another 20 years for best serving that generation.

As I am reading Dickens novel currently, I am aware that each of the presentations (1930's, 1950's, the various musicals) take liberties with the text of the novel. The adaptations don't bother me as I appreciate the meaning of the words "based on". In the case of the current musical i think the composers and actors have built a touching presentation which, by Dickens' standard, should depict the emptiness of greed and the fullness of caring, even in poverty. The scene near the end in the cemetery is particularly moving, when all of the children enter holding candles and are then joined by Scrooge's mother and sister. The energy of those anticipating Christmas, the energy of the dancing at Fezziwig's, and the simplicity of eager yet simpler anticipation by Crachit's family seems to me a bit more real in our time that earlier filmed versions. (I still enjoy the other versions, however).

I was sad to hear the Madison Square Garden production was to end after Christmas season, 2003, but I am happy to know I can still see this warm, enjoyable production each year to drown out the typical holiday noise and refocus on family, togetherness, and good will.

Perhaps those who only respond with harsh criticism need to reread Dicken's novel and see where his lesson has fallen on deaf ears.

just my 2 shillings :) Ric

I want to start out by admitting I really don't like musicals. I usually find them silly, boring and they give me a headache. Thankfully none of these happened any of the times I watched NBC's enchanting musical starring Kelsey Grammar as Scrooge. What a delight! The songs were very good, the production values superb and the true spirit of Dickens' novel came through! I was particularly impressed with Grammar's Scrooge and Jesse L. Martin as the Ghost of Christmas Present. I really only watched this because I adore Jennifer Love Hewitt, I'd watch her in hour-long commercial for fruit! But I really thought this was just great. Every time I watch I like it better!

While this is not the most faithful of adaptions by a long shot, nor is it a version I intend to return to, this version isn't without its merits. The bumpy start include some very weak lyrics and less than stellar songs, but the movie finally gets its legs under itself when Marley arrives.

Returning back to it being a less than completely faithful adaption, that doesn't mean there aren't some interesting choices made in this movie--Kelsey Grammar tries to reach out to his past in various heart wrenching scenes which have fallen flat in other versions and show that this Scrooge has a heart that you can cheer for and wish for him to complete his turn around by the ending. This continues on with the other ghosts, although the Future segment is presented in a very stripped down (as in it's all in one set instead of bouncing around various locations) fashion that might leave some wanting more.

Again, not the most faithful or the best version of this tale, but fun for a completionist who wants to compare various adaptions or for someone who just found the movie while flipping channels or picking through a streaming menu. Also, I appreciate the interesting costume for the Ghost of Christmas Yet to Come, who isn't just a shadowy, skeletal figure in a shroud, which makes her stand out from other versions.

Although, I do have one strange gripe--some of the at night scenes are shot in broad daylight with no attempt to hide the light coming in through the windows. And yet, there are other scenes that are at least shot on dark sound stages. There HAD to be better ways to at least disguise the day-for-night shots.