Huff

Sometimes US TV shows just click, and produce something that goes beyond the slick, expensive productions and network push that define such forgettable water-cooler 'classics' as Desperate Housewives, Lost, and most reality TV. Here, Huff brings together a fascinating set of actors who are really allowed to flex their abilities on this riveting, passionate and touching show.

Despite the development of plot generally feeling slow and episodes ending with slightly over-the-top and shocking twists, the dialogue in particular is expertly written and interpreted in standout performances from all of the leading cast, from Hank Azaria in the lead to the delicious extremes of Blythe Danner, Oliver Platt, Paget Brewster and Andy Comeau, with a full introduction to a remarkable young talent Anton Yelchin. The only shame so far has been the under-use of Kimberly Brooks as Huff's secretary, given how much fun has been had with her opposite number in Platt's character's office.

Destined to be cruelly overlooked throughout its run on television as a 'cult show', this is a real treat for fans looking for something original, made by people who care about their work and perform it with mastery.

I started watching the show to get me through to the next major shows, i.e. HBO Sundays. From the first episode, I was hooked. Not to mention the line and sinker that goes along with being hooked. You love characters... You hate the characters.

By next season... this show will rival any on television. Many Emmys and Golden Globes to come.

I don't know which I love the most.

Huff's Nobility

Izzy's Prejudice's and Flakiness.....(she great!)

... Russell's .....what can I say? (Oliver Platt continues to be one of best actors I've ever seen).

Nigel Cleveland

Like HBO's The Sopranos, Showtime's HUFF shows us as much about the interior lives of its characters as it does their exterior relationships and problems.

Azaria is brilliant as a well-known, highly paid psychiatrist whose practice overlaps into his family's life in countless ways, often at the expense of his own interior self-expression (except through fleeting appearances of a phantom character) and his family's safety and security. The rational approach he has to display at all times -- in other words, is practiced in displaying -- almost becomes his downfall.

Oliver Platt -- as Huff's longtime friend and successful, raunchy attorney -- and Blythe Danner -- as Huff's mother -- practically steal the show because they're both great actors and they've both been given off-the-wall, fascinating, likable characters. Platt and Danner provide some of the funniest moments. Swoozie Kurtz guest stars as the mother of Huff's wife, and is compelling in her struggle with cancer.

Drama, marital conflict, mother/son problems, unmet needs, occasional frightening violence, drugs, teen sex, kids acting more mature sometimes than their parents: HUFF has it all. And it's relieved by quirky, sometimes laughing-out-loud comedic moments. As well as the consistent solid acting and interesting story lines.

I'm not sure I can wait a year to see what happens next. The last episode left me on the edge of my chair.

Frankly, I signed up with Showtime so I could get the Sundance Channel. But, I'd keep subscribing just to catch HUFF.

I got a chance to see the pilot film for Showtime's new series "Huff". The film is about a psychiatrist (Hank Azaria) who deals with the violent suicide of a patient while managing his wife, son, and overbearing Mother. There was less going on here than meets the eye... a good pilot should set up a series' premise and leave you wanting to tune in next week. Even after watching the entire episode I could not understand exactly what the "premise" of the show was.

Maybe in future weeks they will improve on the format of the show, but in the pilot the events surrounding Huff at work, home, and play had little to do with one another and left me wondering, "So what?" On the plus side the acting in the show is great... Hank Azaria is the rare leading man who knows how to convey the full range of human emotion. He is the glue that holds the whole thing together. Paget Brewster is g r e a t as his wife... she is one of the rare actresses who can be both funny and dramatic, sometimes at once. Oliver Platt I do not "get". He's always got this half-drunken smirk on his face and he tries so hard to act hip that I lose interest very quickly. Blythe Danner- a usually lovely actress- is wasted here as the "outrageous," ball-breaking, suffocating mother of her adult son Huff. She needs to stop speaking lines that would get her thrown out of a biker bar and start becoming a real human being.

In conclusion I think this show has a lot of potential... they have the heart, they have the soul... now all they need are stories that will highlight the characters, especially Hank Azaria's Huff. In the final scene of the pilot Huff goes to visit his brother, and while I will not ruin the story by going into detail, it is one of the most touching scenes you will ever see. Good luck to Hank and "Huff"... I hope it gets the audience it deserves.

GRADE: B+

"Huff", a truly excellent show, contains some of the best acting you'll ever see on any screen, large or small. Every one of the cast members is astonishing in their ability to illuminate the human condition, and those on the show who won awards prior to cancellation - the peerless Blythe Danner, Oliver Platt, Hank Azaria, et al - deserve all the praise that has been heaped on them.

That being said, can we please hear a HUGE round of applause for Andy Comeau? Mr. Comeau's embodiment of the nightmare world of schizophrenia - the euphoric highs, the paralyzing lows, the terrible logic of a psyche at war with itself - has been such that, when he's on screen either alone (as he's been required to be a great deal given the nature of the role) or with others, he is such a convincing vortex of desperate, heart-rending activity that you simply can't look away, no matter how painful. His changes, his reactions are so subtle that he becomes the centre of every scene he's in, no matter what else is happening.

In short, his portrayal of Teddy Huffstodt is a remarkable achievement. Congratulations, Andy. May significant roles be yours for years to come. I suspect that I'm not the only one who noticed - not by a long shot - and predict that plenty of people will be watching whatever it is you choose to do next.

Cheers,

K.