Faux amis

When the name Harold Ramis is mentioned, a lot of people will probably say "Harold who?". When explained to those people that he directed the wonderful romantic comedy GROUNDHOG DAY and wrote the screenplays for GHOSTBUSTERS I & II, they'll probably say "Oooh, that Harold!". After the redundant De Niro-wrecks ANALYZE THIS & THAT it got a little quiet around Ramis. Now he's back with THE ICE HARVEST, a movie that somewhat differs from his other work. It's been a while since I've seen such a successful mixture of black comedy and film-noir/thriller.

Charlie (John Cusack), a Kansas attorney on the verge of a burn-out, and his associate Vic (Billy Bob Thornton) have just stolen 2 million $ from their boss on Christmas Eve. They're planning on leaving that same night to enjoy their money elsewhere. Charlie also is in love with the beautiful stripclub-owner Renata and hopes that his newly earned dollars will make a fine argument to persuade her to go with him. But an upcoming ice storm makes it very difficult to leave the town immediately. On top of that, a mysterious figure has arrived in Wichita informing all over the place about Charlie. It will turn out to be a night full of surprises where everyone seems to be playing dark and deceiving games.

This movie relies on the statement "Money is the root of all evil". It's slightly disturbing to see how far one will go when a considerable amount of money is involved. Maybe not all of the twists and turns in the plot are unpredictable, but there are enough of them to keep it interesting, all this at a fairly high pace. They provide enough enjoyable moments, with the trunk-scene as one of the highlights. This particular scene leads to a funny discussion between Charlie and Vic about a Mercedes and a Lincoln. All this in order to say that the script and dialogues are more than decent.

Cusack and Thornton deliver the goods, never over-acting it. Besides them there's also a striking performance by Connie Nielsen as femme-fatale Renata and I never thought that a completely drunk Oliver Platt, as Charlie's drinking buddy, could be so hilarious. And it was nice to see Mike Starr and Randy Quaid in some smaller roles. So the complete cast pulls it off quite good.

Maybe THE ICE HARVEST (with the appropriate tagline "Thick Thieves. Thin Ice.", by the way) isn't a movie for a wide audience, because of the grim & black humor and the occasional pretty violent outbursts. But it sure is a welcome alternative for mainstream movies and highly recommended for film-noir-fans.

Take the sardonic wit of "Prizzi's Honor" or "Body Heat." Combine with not-too- bright characters working a shady deal for quick riches in a caper that could have been written by Elmore Leonard. That's what you have in "The Ice Harvest," a highly entertaining dark comedy.

It's Christmas Eve during a terrible ice storm in Kansas City. Charlie (John Cusack) and Vic (Billy Bob Thornton) have stolen a bundle from the mob. This could create an awkward situation for Charlie if they don't get out of town fast. He's the lawyer for the local mob boss, Bill (Randy Quaid), who has a terrible temper.

So as not to arouse suspicion, Vic and Charlie go their separate ways early in the evening. Both have family duties and Charlie has other things to take care of. There's the beautiful Renata (Connie Nielson), for one. And Pete (Oliver Platt), who shares part of Charlie's past. Life becomes more complicated as the night goes on and Charlie meets up again with Vic. More twists and surprises follow.

I almost didn't go to this movie, because the teaser for the Austin Film Festival made it look like a Cusack-Thornton buddy movie, and I'm tired of the character Thornton keeps playing. Happily Thornton is not on screen much. This is John Cusack's movie and he has created an interesting, unhappy man looking for a way out. Oliver Platt, who steals every scene he's in, provides comic relief and story exposition.

Director Harold Ramis introduced the film and did a Q&A afterwards. He talked about how the snowstorm in the book became an ice storm because that's the weather they had to work with. He talked about the many ideas Cusack and Platt brought to their characters. New to me was Connie Nielson, originally from Denmark. Ramis said she told him she was channeling Jessica Rabbit in the part of the femme fatale. I think she succeeded. Kudos also to Pulitzer-prize winning author Richard Russo and Robert Benton for a snappy script.

I also saw this film at the Virginia Film Festival, but I must disagree with the other fellow who wrote it up. I loved it. I'm not a huge Cusack fan, but I have to say he does a great job carrying this small, gritty, character-driven film. And I thought Oliver Platt was great throughout. It's a terrific script, too, co-written by none other than Robert Benton. Kudos to Harold Ramis for having the guts to make this indie film! Is it commercial? Is it going to make a lot at the B.O.? No, it's not. It's another WONDER BOYS. It's another BIG LEBOWSKI. It's another CUTTER'S WAY. It's another NOBODY'S FOOL. Won't make money, but who cares... It was a delight to watch and I'm sure I'll see it again on a big screen and own it on DVD.

John Cusack stars, and his performance is pretty much what you expect from him: quick-witted and cynical. But, as far as I'm concerned, as long as that's what the role calls for, he's always good. He plays a mob lawyer who has just stolen over $2 million from his boss (Randy Quaid) with the help of a strip club owner (Billy Bob Thornton). For a good ways into the picture, I thought I was seeing one of the best films of last year. It does start to stumble after about the halfway point, but it still finishes pretty strong. All the actors are strong, but I have to give special kudos to Oliver Platt, who is always a delight. He plays a drunk friend of Cusack's who is now miserably married to Cusack's ex-wife. I don't normally praise drunk acts, but Platt is particularly believable – and hilarious. This movie is a lot of fun and well worth seeing.

I had heard this movie described as a black comedy by some. And when one thinks of Harold Ramis, they think of his ingenious work as a director of comedies. But this is a different Harold Ramis. What he has fashioned is "film noir" all the way.

John Cusack works perfectly with the material, not so much in a Humphrey Bogart kind of way as in a Fred MacMurray sort of way. He's the average guy protagonist. He just happens to be a Witchita attorney for a Kansas City political boss.

The film begins when Charlie Arglist (Cusack), with over two million in stolen cash, jumps into the car with partner-in-crime Vic Cavanaugh (Billy Bob Thornton). Throughout the evening Charlie encounters strip club owner Renata (Connie Nielsen) and drunken colleague Pete Van Heuten (Oliver Platt, his fist scene-stealer in a number of years).

The character of Pete offers some great comic relief to the story. He's Charlie's best friend, drunk on Christmas Eve. He's also married to Charlie's ex-wife, and hating it. This leads to an awkward encounter with Charlie's kids and former in-laws.

Thornton is still finding new ways of being corrupt and amoral. Connie Nielsen is a classic femme fatal in the 1940s style. Mike Starr is good as usual, playing a menacing mob enforcer. Randy Quaid does his usual best as Kansas City mobster Bill Guerarrd. And bit player Ned Bellamy, cast as a strip club bouncer with Mom issues adds some fine scenes.

This is about the most straight-forward "noir" I've seen since Lawrence Kasdan's "Body Heat," but as directed by Ramis, it feels slightly like a Coen brothers movie, with the occasional comic twists to the genre, and the casting choices of Thornton ("The Man Who Wasn't There") and Starr ("Miller's Crossing").

It's not the best movie of the year. But it's good for people who aren't so anxious for a "white" Christmas.