Headspace

Where do I start...??? Very simply: Decent concept that could have been very intriguing EXCELLENT beginning to set the pace of the film I really like chess, so I thought that would be a neat added element to the film... GEEEEEEEEZ...

TOTALLY disintegrates into an EXTREMELY poorly written, directed, and acted film. PERIOD.

Very sad too; I REALLY, REALLY wish I had read more of the comments and especially the message board MUCH more carefully. Usually I do, but I musta REALLY screwed up on this one : ) I can excuse a film completely for being aimless and even pointless, ***IF*** it at least has style, mood, and is done with SOME bloody competence. It is SO dang funny how some of these film makers snag a bunch of these 'B' actors whom we'd immediately recognize and then they have a combined screen time of about 8 minutes. When will I learn... I felt sorry for Sean Young; she had all of, what..., 3 minutes. Sad...

Anyway, by the end, if you have ANY vestige of intelligence left (which is bloody unlikely) this is one of those cases where you will TRULY be sitting there stunned wondering what the HELL you just did with the last 90 minutes or so...

I'm serious here. Believe me on this one...

I'm not normally hateful or unforgiving when it comes to film and Especially the 'Horror' genre, honestly. But this one fails on almost EVERY level.

Headspace Independent film has changed so radically in the last fifteen years that it's almost impossible in most cases these days to get a feel for the raw power that independent cinema once provided. HEADSPACE has got that rawness, but with the sense of professional productions values that usually only a large studio can provide. And in a decade of useless sequels and remakes of the classics of horror, this movie is a welcome breath of fresh air to the ailing genre.

From the very beginning, in a menace-laced prologue of a seemingly insane mother (played by Sean Young) going on a rampage against her husband (played by actor/director Larry Fessendan) and two sons, it taps into the sense of unease associated with familial secrets. Admittedly, the prologue is a bit of a red herring, but does add to the overall tone of the film, so its obvious misdirection can be forgiven.

After a nastily sodden matriarchal death, we flash ahead to contemporary NYC as a young man sits for a chess game with a sardonic older man in the park. This is our first clue that there might be a connection between Alex (played by stage actor Christopher Denham) and Harry (played by a brilliant talent, Erick Kastel) about which we know nothing.

Later Alex seeks help from doctors (played by Dee Wallace Stone and William Atherton) about his agonizing headaches and his sudden ability to speed read and know secrets about people he's never met before.

The mystery deepens when we find out that Alex sees demons in his nightmares…and they're soon coming through to the real world.

Enough said, or else we might spoil the experience of viewing this excellent film.

The strengths of HEADSPACE far outweigh the weaknesses, but while I'm discussing them…let me say it does suffer a bit from the MTV sickness. You know what I mean, right? You know…those video montage flash-cut editing tricks. I've always found them annoying. It does nothing for the narrative in most cases, and tends only to call attention to the director, not the story. It's when HEADSPACE loses these childish pretensions of mock style that it becomes a truly good horror movie.

The musical score keeps a surprising balance and unity to the narrative, blending seamlessly into the background, despite the jarring rock music thrown in as an afterthought. Without the rock music montages this might have been one of the most perfectly constructed musical scores for a horror film since THE SIXTH SENSE. It was subtle and winding, like a Harold Budd/Brian Eno album for film.

And I don't usually commend an editor because I feel the less conscious we are of the editing the better the editor has done his/her job. But I've got to give some kudos to Elwaldo Baptiste for his condensed style of editing, especially when it comes to trying to fill in all the background we need for the story. It couldn't have been an easy task to get two movies worth of stuff in an hour and half film. But this came off pretty well in the end product.

The special effects are real, folks. No freakin' overused watery CGI crap here. Used sparingly, but to great effect to the end product, I found the only letdown was actually seeing the creatures full on. They suffered a bit from the rubber suit syndrome. But still it does work very well up to that point. Creepy cinematography helps keep them in shadow and just out of focus.

There's a complexity to the story that the packaging belies. Trust me. Don't go by the pathetic synopsis that the packaging provides, or else you're never going to watch this film. And any horror fan should definitely see this. It's not a prefect movie by far--what with the scattered midstream story, the frustrating red herrings tossed in as an attempt to obfuscate an already convoluted narrative, and the useless sex scene thrown in for those who can't seem to find a true demarcation between horror and sexual taboos. But if you can set those minors flaws aside, you'll find a diamond in the rough with HEADSPACE. I'm definitely going to be looking for more from Andrew van den Houten in the future. I think if he can get a few more years of film-making under his belt, he might have something powerful to say in this genre.

--Nickolas Cook

Imagine thinking this was a deep, intelligent film. What a world these reviewers must live in. OOOOH IT'S ABOUT INTELLIGENCE AND IT HAS A BUNCH OF COMPLETELY NONSENSICAL, UNEXPLAINED SCENES THAT ARE LEFT UP TO YOUR IMAGINATION SO IT MUST BE DEEP AND METAPHORICAL AND I MUST BE CLEVER SINCE I LIKE IT! No, dudes, that's not how it works (and don't think that no one's noticed that no one here talking about how clever this movie is can even slightly explain what exactly they think is clever about this movie or what the actual plot is).

This isn't some clever psychological thriller where all the strange things we see are just in the main character's head. We are directly shown over and over again that the monster literally exists and that unexplained supernatural things are occurring for other characters when the main character isn't around. This is just a cheap monster movie, and not even a good one.

It's just your everyday, generic time-waster of a budget horror film. Awful, annoying characters sit around talking for the majority of the film padding out the run time and every once and a while someone gets killed off camera with just a brief glimpse of a rubber monster hand. Movies like this are a dime a dozen. Just another forgettable 3/10.

Before I even properly read what exactly the story of "Headspace" was about, I already knew damn sure that I wanted to see it, simply because it assembles one of the most impressive B-movie casts of the last 15 years! Even though they all just appear in supportive roles, "Headspace" managed to snare legendary names such as Olivia Hussy (who still looks yummy even though well passed 50, I may add…), Udo Kier, Dee Wallace-Stone, Mark Margolis, Sean Young and William Atherton! With names like that, who needs extra motivations to buy a ticket? Now that I've seen the movie during a festival screening, I regretfully can't claim that it's a genuine masterpiece but nonetheless it's a truly creative and intelligent production that definitely has more trumps than just an attractive cast. Young director Andrew Van den Houten dedicated an equal amount of energy to telling a good story AND supplying the film with exhilarating gore! We're introduced to Alex Borden, a confused young man who carries some severe childhood traumas around with him. Every morning when he wakes up, Alex discovers that his intellect and storage capacity has remarkably increased but; even though this sounds fantastic, he begins to suffer from terrible headaches and nightmarish visions about demons. When people in his surrounding start to get brutally slaughtered, Alex (righteously?) fears that he might be the murderer without fully realizing it. The ideas and sub plots of "Headspace" are so many-sided that the film might have worked even better as a mini-series! Now some of the potentially very interesting story lines (like Alex' family background or the dubious intentions of his doctors) look slightly underdeveloped even though I'm sure they were initially meant to get processed more carefully. But hey, I'm really not complaining since this probably resulted in more action and gore! "Headspace" contains some very effective shock-moments and graphic make up effects that will surely appeal to all horror fans! The set pieces and locations are convincing, with a very nice portrayal of typical New York City suburbs and street life. The camera-work and choreography is terrific, at times even downright artistic, and the screenplay even manages to be educational! How many horror movies can honestly say that teach you interesting facts about the game of chess? Recommended!

"Headspace" is a strange little creature feature that I decided to give a rent when I saw it at the video store. The film centers around Alex Borden, a normal guy in his mid-twenties living in New York City. While Alex may appear to be normal, but his life is slowly spiraling out of control. After meeting a mysterious artist/chess-master, Alex begins to gain more and more knowledge and becomes smarter and smarter, to the point where it's no longer for his own good. Something is causing him to tap into a different region of his brain, and he suffers from horrible headaches and night terrors because of it. After being referred by Dr. Bell (Dee Wallace-Stone, of "The Hills Have Eyes" and "E.T".), Alex visits a psychologist, Karen (the lovely Olivia Hussey, of "Black Christmas" and "Romeo and Juliet"), who studies patients similar to Alex. But soon after, people around Alex begin to die in horrible ways, all murdered by a savage, unseen beast. Is any of it related to Alex's troubled childhood? Or what really is happening to him?

I mainly decided to rent this film because, 1) the cover art was creepy, and the back of the box had nothing but praise for the film, and 2) Olivia Hussey and Dee Wallace-Stone were listed in the cast. While the film wasn't a complete waste, it wasn't wonderful either. The storyline to the film may sound interesting, and I thought it did myself. While it is interesting, it's also a little bit cloudy and some things are far too unclear, left without any explanation at all. The problem with this is that these elements in the story need some type of explaining, because otherwise they make little to no sense. The plot is a little convoluted, but this film does have some good offerings too. The cinematography is nice and stylish, and the creature in the film is presented realistically. It's normally difficult to make a monster movie where the monster itself is presented in a way that doesn't throw all logic out the window, and this film succeeds at that. The monster isn't too overdone and it's believable enough.

There is quite a good amount of gore in the film as well, there's more than plenty of monster mutilations to please all of those gore hounds. The film boasts a mildly impressive cast, including two well-known actresses in the horror genre. The lead, Christopher Denham, who plays Alex is convincing in his role as the troubled young adult. Dee Wallace-Stone has a fairly small role as a doctor, and is also excellent in her short on screen time. And Olivia Hussey, who starred as the lead in my favorite horror film of all time, "Black Christmas", plays Alex's doctor/friend. She is given very little to work with, but she is also wonderful in all of her scenes (which also wasn't a whole lot, I would have liked to see her a little more often). The film's surprise ending caught me off guard, and while it took me a minute to understand what had happened, it was a fitting way to conclude the story.

All in all, "Headspace" is a just about average monster movie. It's not too overdone and is far from being corny, but the plot becomes a little cloudy at times and is hard to follow on some occasions. It does boast some very good actors though, and plenty of monster-murders for anyone who enjoys a good creature feature. I'd say it's about average, but I have to admit it was better than I was expecting. Trust me, there's much worse out there. Worth a rent if you're into this kind of stuff. 5/10.