Neverwas

In some ways this film is reminiscent of films such as "The Fisher King" and "They Might be Giants". In both of those films the central idea was that the mad have a separate reality. In this story, the main character, Zachary, is a psychiatrist attempting to understand the nature of his father's madness. He takes a position at a mental institution where his father had been hospitalized. There he meets and becomes friends with an old man, Gabriel, who knew his father while they were both inmates. He comes to realize that the old man's delusion was the basis for his father's inspiration as a children's fantasy writer. After his father is "cured" through the use of psychotropic drugs of his manic-depression, he loses his will to write. His son had been an integral part of the writing process and when that part of his father's life is over, he feels betrayed. Their relationship is destroyed and the boy, now the psychiatrist, is seeking to come to grips with his unresolved pain. Gabriel is convinced that Zachary has come to rescue him from his enemies and draws him back into the fantasy world. The climax comes when Zachary must either choose between the realities or try to integrate them. The ending is logical and works, but it's too easy. Zachary takes his stand and the world accommodates itself, no problem. The ending should have been edgier. They should have had to work at it more. It is unsatisfying but everything that has gone before is is quite good. There is some high-powered talent at work here among the supporting character actors and they alone make it worthwhile.

This is one of those quiet little movies that you go to see one day because you have nothing better to do and the plot sounds OK but you really haven't heard much about. Then you come out of the theatre wondering why everyone else you know hasn't gone to see it yet. Ian McKellan and Aaron Eckhart both give strong performances easily pulling off the emotionalism needed for the movie, and throwing in enough humor to keep you interested. Nick Nolte, Jessica Lange, William Hurt, and Brittany Murphy all pull off great supporting roles without overshadowing the main actors. Alan Cumming, although his role is small, really pulls at the heart strings with his portrayal of a patient of the institution.

Because this movie has had little (if any) publicity, I think this movie will do well based on word of mouth alone. Definitely a "hidden gem".

I enjoyed it immensely, not being a critic, I simply can say, I identified with the human struggle which in this story wore the garb of mental illness, and the triumph of the soul, which as usual required faith and courage. I also thoroughly enjoyed the acting. Brittany Murphy was adorable opposite Aaron Echart. Ian McKellan was a wonderful depiction of a fairy tale king. This was not a low budget film and the money wan't wasted. It's curious that films like this one are released and there is no fanfare whatsoever. I am always hoping to find a sleeper and have the surprise of a great evenings entertainment. Neverwas delivered. Enough said. And I didn't even have to mention Nick Nolte, Jessica Lange or any of the other great talent in this film.

This movie has lots of potential, directed by first-time (well, first feature film at least) director Joshua Stern, and starring big names like Jessica Lange, Nick Nolte, Aaron Eckhart, Brittany Murphy, Alan Cumming, Sir Ian McKellen, and last but DEFINITELY not least, super-awesome retired MTV VJ Bill Bellamy. Oh, and there was this other guy William Hurt that the organizers seemed to make a big deal of but nobody really clapped when they said his name so I'm guessing he's not that important.

The story is about a psychiatrist whose father committed suicide after writing a highly acclaimed and much beloved children's book, Neverwas. He returns to the asylum where his father was once treated to find a job, in hopes of really helping the patients. Once there, he learns some interesting things about his father's story.

The movie overall was good, but it has some significant flaws. There is a love story that is totally unnecessary and contributes nothing to the story uncomfortably wedged in, but that's Hollywood for you. There are also some pretty significant plot holes, and there are many things in the story that aren't really explained very well, and are sort of left to the audience to guess how exactly they happened. Overall, I'd recommend it, but you don't need me to tell you that, because it will more than likely do great at the box office this year. Plus, there's a good chance that Sir Ian McKellen will be nominated for an Oscar this year for his role as Crazy Guy #4, because everybody knows the quickest way to an Oscar nomination is to either gain 50 lbs for a role, play a retard, or play a crazy person.

Afterward, the director answered a few audience questions (which were mostly mundane and asinine), but the highlight was definitely when Nick Nolte (who looked like a Halloween costume and was quite possibly slightly drunk), stumbled up to the microphone to answer a question. He went on and on about what he had for breakfast that day and how when he was a kid he used to fight giants with magic laser beams and whatever the hell else Nick Nolte talks about, I really couldn't understand what he was saying.

All in all, more enjoyable than not.

This film is a tale of a psychiatrist trying to find his father's past by working in the mental hospital where his father resided in.

Let me begin by saying that this film is very good! When the credits roll in the beginning, I was already shocked by the number of big names in the film. 7 really big names! This cast can only matched by super big budget films.

The initial scene of group therapy in the hospital is very impressive. It showcases the various actor's talents. I was particularly impressed by Ian McKellen and Vera Farmiga playing to be mental patients. Interestingly, they both acted as psychiatrists in other recent films, namely Asylum (for Ian McKellen) and The Departed (for Vera Farmiga).

Aaron Eckhart's role cannot be underestimated as well. He is mature enough to be a psychiatrist, and I was also impressed by the techniques he used to interview patients. He is very convincing as a psychiatrist! Towards the end of the film, when the focus changed Aaron Eckhart being a psychiatrist to him aligning with Ian McKellen to find the truth, is particularly gripping. It manages to get my full attention as to how the story will unfold. The plot twist is very surprising, and the finale is very emotional and visually appealing.

I am very surprised that good films like this one is not released. Do watch it if you have the chance!