Un groupe d'anciens combattants de la guerre d'Irak cherchent à blanchir leur nom auprès de l'armée américaine, qui soupçonne les quatre hommes d'avoir commis un crime pour lequel ils ont ét... Tout lireUn groupe d'anciens combattants de la guerre d'Irak cherchent à blanchir leur nom auprès de l'armée américaine, qui soupçonne les quatre hommes d'avoir commis un crime pour lequel ils ont été piégés.Un groupe d'anciens combattants de la guerre d'Irak cherchent à blanchir leur nom auprès de l'armée américaine, qui soupçonne les quatre hommes d'avoir commis un crime pour lequel ils ont été piégés.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Yul Vazquez
- General Javier Tuco
- (as Yul Vázquez)
Avis à la une
If you are looking for a light, funny and action packed movie, it doesn't get much better than this. The A-Team is very, very easy too take in, but never boring, has action-scenes that will blow you out of your seat and is stuffed with plenty of damn funny moments.
Also very nice for a change: this action/comedy film doesn't take itself too seriously. Which is quite refreshing if you take a look at all the 'comedy with a message' crap Hollywood produces these days.
The new B.A. (Quinton 'Rampage' Jackson), Murdock (Sharlto Copley), Hannibal (Liam Neeson) and Face (Bradley Cooper) are all great at their roles. Props for Patrick Wilson as the slick C.I.A. agent Lynch and Jessica Biel is lovely as always. Joe Carnahan, who wrote and directed this movie, simply did a great job and gives the audience exactly what it needs.
I'd say it was definitely worth my money.
Also very nice for a change: this action/comedy film doesn't take itself too seriously. Which is quite refreshing if you take a look at all the 'comedy with a message' crap Hollywood produces these days.
The new B.A. (Quinton 'Rampage' Jackson), Murdock (Sharlto Copley), Hannibal (Liam Neeson) and Face (Bradley Cooper) are all great at their roles. Props for Patrick Wilson as the slick C.I.A. agent Lynch and Jessica Biel is lovely as always. Joe Carnahan, who wrote and directed this movie, simply did a great job and gives the audience exactly what it needs.
I'd say it was definitely worth my money.
Action packed film dedicated to the original TV series with the same name.
Interesting at first because of its cast (Bradley Cooper, Liam Neeson, Sharlito Copley) and because of the very fast pace right from the beginning of the film. The action sequences are messy but deliver entertainment throughout the movie and that overruns the sometimes flawed script and the plot holes. Acting is ok; the performance of Sharlito Copley is hilarious. He is spicing up the boring in between conversations of the characters and the things he says or does are very funny. Overall, entertaining blockbuster which still stands its ground. 7/10
Amusing return to the classic series created by Stephen J Cannell , also here as producer along with Ridley Scott , with an appropriate cast and overwhelming C.G. special effects . Excellent homage to the entertaining episodes with a complex intrigue but following the canon and overemphasis on usual characterization and special effects . A new entry of the mythical series of ¨A Team¨ , this time written and directed by Joe Carnahan , the creator of the successful film titled "Smokin's aces" and many others ; here is developed the first meeting between Annibal Smith , and his pals . While on the lam, they became heroes for hire, working as good-guy vigilantes around the US or the world . At the end of their stint in Irak Col. John "Hannibal" Smith ( Liam Neeson in the role of the deceased George Peppard) and his team were framed for stealing some plates (which they had done, but under orders). The operative group is sent on an assignment to recover plates for printing 100 dollar bills that were utilized to print a billion dollars. After making the mission and returning to the base their commanding General (Gerald McRaney) is murdered in a blow up and the plates are robbed and they are condemned to an US and Germany military prison . They escaped and went on the run, pursued by Captain , later degraded Lieutenant Sosa (Jessica Biel). Hannibal Smith was their chief and an expert at disguises . Templeton Faceman (Bradley Cooper substituting Dirk Benedict) was the team's con artist and lady's man . M.A. Baracus (Quinton Rampage Jackson replacing Mr T) with extreme panic to flight , he was their mechanic , but also took care of mayhem and intimidation . The final member of the Team , "Howling Mad" Murdock (Sharlto Copley similar role to Dwight Schulz), was an expert but nutty pilot, and a certified lunatic , but they broke him out of a mental hospital whenever they needed him for a dangerous mission.
This entertaining story is concentrated on known characters as well as thrill-packed action and special effects although there're numerous of that too . The movie has unstopped ,tension, comedy , emotion, suspense and sensational scenarios like is customary development of the franchise . Spectacular , exciting , fast-paced , thrilling this is the description of this new cinematic outing of ¨A Team¨ , film that reinvents the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Humor , thrills , several agreeable characters and trademark effects abound and will please the series enthusiasts such as the neophyte .
The agreeable acting convinces , especially the leader Liam Neeson , the sympathetic Bradley Cooper and Brian Bloom in a super-villain role , while other players also make a nice work as Patrick Wilson and the gorgeous Jessica Biel. And of course , special appearance in brief cameos from Dwight Schulz and Dirk Benedict , though doesn't appear Mr. T. The moving final amazing the spectator , in which the stirring and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . It is the rebirth of the series, an enjoyable homage , the start of a new scenario . Fans of the series may find much to love , but others will be bewildered by excessive and breathtaking situations . Thrilling soundtrack by Alan Silvestri , he composes an impressive musical accompaniment to the film . Furthermore a colorful and glimmer cinematography by Mario Fiore . Suitable for family viewing , it's an entertaining adventure which young and old men will enjoy . Fans of the series will find very bemusing and fun . It is amusing to watch and aficionados are sure to love it , resulting to be one of the best adaptations based on TV series of the last times.
This entertaining story is concentrated on known characters as well as thrill-packed action and special effects although there're numerous of that too . The movie has unstopped ,tension, comedy , emotion, suspense and sensational scenarios like is customary development of the franchise . Spectacular , exciting , fast-paced , thrilling this is the description of this new cinematic outing of ¨A Team¨ , film that reinvents the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Humor , thrills , several agreeable characters and trademark effects abound and will please the series enthusiasts such as the neophyte .
The agreeable acting convinces , especially the leader Liam Neeson , the sympathetic Bradley Cooper and Brian Bloom in a super-villain role , while other players also make a nice work as Patrick Wilson and the gorgeous Jessica Biel. And of course , special appearance in brief cameos from Dwight Schulz and Dirk Benedict , though doesn't appear Mr. T. The moving final amazing the spectator , in which the stirring and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . It is the rebirth of the series, an enjoyable homage , the start of a new scenario . Fans of the series may find much to love , but others will be bewildered by excessive and breathtaking situations . Thrilling soundtrack by Alan Silvestri , he composes an impressive musical accompaniment to the film . Furthermore a colorful and glimmer cinematography by Mario Fiore . Suitable for family viewing , it's an entertaining adventure which young and old men will enjoy . Fans of the series will find very bemusing and fun . It is amusing to watch and aficionados are sure to love it , resulting to be one of the best adaptations based on TV series of the last times.
The idea of a movie version of eighties television series the a-team didn't appeal to me at all. I assumed that they couldn't possibly capture the things that made the series so special. I have been proved wrong.
The A-Team is side-splittingly funny, action packed, clever and sexy.
I loved every single frame of this movie and sincerely hope they make another. The dialogue is witty and clever- and very quotable.
The stuntwork is amazing. I actually bought the DVD and this film is enjoyable even after several viewings.
The actors all do a great job in updating the iconic original characters.
The A-Team is side-splittingly funny, action packed, clever and sexy.
I loved every single frame of this movie and sincerely hope they make another. The dialogue is witty and clever- and very quotable.
The stuntwork is amazing. I actually bought the DVD and this film is enjoyable even after several viewings.
The actors all do a great job in updating the iconic original characters.
If any film demands to be graded on a curve, it's The A-Team.
Simply consider the notion of making a big-budget summer movie from of one of the cheesiest television shows of a cheesy TV era.
It's a crafty plan to lower your expectations. As long the movie isn't two hours of punching grandmothers and kicking puppies, you're likely to leave the theater saying, "That was better than I expected."
Guess what? It works like a charm.
The A-Team, against all odds, is one extremely entertaining film. It puts pedal to metal about 90 seconds in and never lets up. That's also savvy because it's also kind of a mess that would collapse under its own weight if it slowed down for more than two minutes.
Director Joe Carnahan (Smokin' Aces, Narc) isn't taking that chance. Action scenes come flying at you hard and heavy from start to finish. The results are mixed: Some sequences are choppy and confusing, others thrilling. But like a comedy that never stops pitching jokes, content if only half of them stick, The A-Team pitches action, action, action, with a side of action and a little action to wash it down.
The plot follows the general concept of the TV series with a few tweaks. A (very) lengthy credits sequence set in Mexico shows us how the team of former Army Rangers comes together: Leader John "Hannibal" Smith (Liam Neeson), his right-hand man Templeton "Face" Peck (Bradley Cooper), powerful Bosco "B.A." Baracus (Quinton "Rampage" Jackson) and loony pilot James "Howling Mad" Murdock (Sharlto Copley).
We jump ahead several years, where the A-Team is now an Army covert operations crew with dozens of successful missions under their belts. But when they're set up for a fall by a variety of villainous forces, the boys have to break out of jail and fight to clear their names.
That's pretty much all you wanted to know about the plot, right? Because it gets pretty confusing from there and doesn't matter in the slightest anyway. It's only there to support – that's right – action.
Before I tell you why A-Team is worth your hard-earned cash, I should lay out its many faults.
Though Carnahan directed, it's not surprising to see director Tony Scott was one of the producers. Too many scenes evince Scott's "look" – the camera shoved in way too tight on the actors, so you can't tell what the hell's going on in fight scenes or big gun battles.
The special effects are wildly uneven too, especially in the climax. It looks like the usual Hollywood problem of the CGI being "just good enough" to make a locked-in release date. This time, it's nowhere near good enough.
But then, The A-Team is a nitpicker's dream, if you really want to go there. Jessica Biel's casting seems like an inside joke – "we're not taking this seriously, and neither should you, so let's cast a gorgeous but astonishingly wooden actor in this role."
Maybe you're wondering whether she's really that bad. Look at it this way: This is the first major film role for "Rampage" Jackson, an MMA fighter. He's not great, but he's not too bad – and that's high praise for a non-actor stepping into the iconic role. Yet he's a good bit more believable than Biel.
So with those issues, what makes The A-Team so entertaining? The rest of the cast, actually. If you can look past Biel (actually, look right at her, that's what she's there for), the film is jam-packed with colorful, charismatic performances.
Neeson seems a bit odd at first stepping into George Peppard's shoes as Hannibal, being considerably taller, leaner and tougher. But that's appropriate for the movie, which is basically the TV show on (lots and lots of) steroids. No attempt is made to explain his Irish accent, nor that of Copley, who is South African. It doesn't matter: Somehow in this film, it works.
But the film decides early on to focus on Cooper, hot off his success in The Hangover, and it's the right choice. You'd never have guessed the guy who played eighth fiddle on Alias would be front-and-center for a star-making performance, but it's true.
The A-Team shows off Cooper's buffed-up physique almost to the point of absurdity – he's shirtless on screen more than Mark Wahlberg in Date Night – but Cooper's charisma carries the day throughout.
A well-rounded supporting cast also delivers. Patrick Wilson and Brian Bloom, as potentially shady characters related to the A-Team's troubles, steal every scene they're in. (It probably doesn't hurt that Bloom, a veteran actor mostly relegated to TV work, gets co-writing credit.) Their wonderfully brash characters bring welcome levity to the pounding machine of gunfights and explosions that propels The A-Team.
Finally, I would be remiss if I didn't note the drinking game that by all rights should be born from this film: Drink whenever a guy with icy blue eyes is on screen. You'd pass out halfway through the film.
There's Cooper and Neeson alone, plus Bloom and Wilson, with a little Gerald McRaney – yes, Major Dad himself – thrown in for good measure.
If you're really into dudes with bright blue eyes, The A-Team is like porn. If you're into nonstop action and lots of male bonding, The A-Team is like porn. If you're into deep, fully-realized female characters – well, look elsewhere.
But if you had to ask me what I would want a big-screen take on a really silly TV show to be, The A-Team more than fits the bill. It's ridiculous, sure. But it's also a ridiculous amount of fun.
Simply consider the notion of making a big-budget summer movie from of one of the cheesiest television shows of a cheesy TV era.
It's a crafty plan to lower your expectations. As long the movie isn't two hours of punching grandmothers and kicking puppies, you're likely to leave the theater saying, "That was better than I expected."
Guess what? It works like a charm.
The A-Team, against all odds, is one extremely entertaining film. It puts pedal to metal about 90 seconds in and never lets up. That's also savvy because it's also kind of a mess that would collapse under its own weight if it slowed down for more than two minutes.
Director Joe Carnahan (Smokin' Aces, Narc) isn't taking that chance. Action scenes come flying at you hard and heavy from start to finish. The results are mixed: Some sequences are choppy and confusing, others thrilling. But like a comedy that never stops pitching jokes, content if only half of them stick, The A-Team pitches action, action, action, with a side of action and a little action to wash it down.
The plot follows the general concept of the TV series with a few tweaks. A (very) lengthy credits sequence set in Mexico shows us how the team of former Army Rangers comes together: Leader John "Hannibal" Smith (Liam Neeson), his right-hand man Templeton "Face" Peck (Bradley Cooper), powerful Bosco "B.A." Baracus (Quinton "Rampage" Jackson) and loony pilot James "Howling Mad" Murdock (Sharlto Copley).
We jump ahead several years, where the A-Team is now an Army covert operations crew with dozens of successful missions under their belts. But when they're set up for a fall by a variety of villainous forces, the boys have to break out of jail and fight to clear their names.
That's pretty much all you wanted to know about the plot, right? Because it gets pretty confusing from there and doesn't matter in the slightest anyway. It's only there to support – that's right – action.
Before I tell you why A-Team is worth your hard-earned cash, I should lay out its many faults.
Though Carnahan directed, it's not surprising to see director Tony Scott was one of the producers. Too many scenes evince Scott's "look" – the camera shoved in way too tight on the actors, so you can't tell what the hell's going on in fight scenes or big gun battles.
The special effects are wildly uneven too, especially in the climax. It looks like the usual Hollywood problem of the CGI being "just good enough" to make a locked-in release date. This time, it's nowhere near good enough.
But then, The A-Team is a nitpicker's dream, if you really want to go there. Jessica Biel's casting seems like an inside joke – "we're not taking this seriously, and neither should you, so let's cast a gorgeous but astonishingly wooden actor in this role."
Maybe you're wondering whether she's really that bad. Look at it this way: This is the first major film role for "Rampage" Jackson, an MMA fighter. He's not great, but he's not too bad – and that's high praise for a non-actor stepping into the iconic role. Yet he's a good bit more believable than Biel.
So with those issues, what makes The A-Team so entertaining? The rest of the cast, actually. If you can look past Biel (actually, look right at her, that's what she's there for), the film is jam-packed with colorful, charismatic performances.
Neeson seems a bit odd at first stepping into George Peppard's shoes as Hannibal, being considerably taller, leaner and tougher. But that's appropriate for the movie, which is basically the TV show on (lots and lots of) steroids. No attempt is made to explain his Irish accent, nor that of Copley, who is South African. It doesn't matter: Somehow in this film, it works.
But the film decides early on to focus on Cooper, hot off his success in The Hangover, and it's the right choice. You'd never have guessed the guy who played eighth fiddle on Alias would be front-and-center for a star-making performance, but it's true.
The A-Team shows off Cooper's buffed-up physique almost to the point of absurdity – he's shirtless on screen more than Mark Wahlberg in Date Night – but Cooper's charisma carries the day throughout.
A well-rounded supporting cast also delivers. Patrick Wilson and Brian Bloom, as potentially shady characters related to the A-Team's troubles, steal every scene they're in. (It probably doesn't hurt that Bloom, a veteran actor mostly relegated to TV work, gets co-writing credit.) Their wonderfully brash characters bring welcome levity to the pounding machine of gunfights and explosions that propels The A-Team.
Finally, I would be remiss if I didn't note the drinking game that by all rights should be born from this film: Drink whenever a guy with icy blue eyes is on screen. You'd pass out halfway through the film.
There's Cooper and Neeson alone, plus Bloom and Wilson, with a little Gerald McRaney – yes, Major Dad himself – thrown in for good measure.
If you're really into dudes with bright blue eyes, The A-Team is like porn. If you're into nonstop action and lots of male bonding, The A-Team is like porn. If you're into deep, fully-realized female characters – well, look elsewhere.
But if you had to ask me what I would want a big-screen take on a really silly TV show to be, The A-Team more than fits the bill. It's ridiculous, sure. But it's also a ridiculous amount of fun.
Le saviez-vous
- AnecdotesB.A. Baracus (Quinton 'Rampage' Jackson) bears the tattoos "Pity" and "Fool" on his knuckles, as a tribute to Mr. T's catchphrase from Rocky III : L'Œil du tigre (1982): "I pity the fool!" Contrary to popular belief, Mr. T never uttered that exact phrase on L'agence tous risques (1983).
- GaffesTo replace a firing pin in a 1911 requires at the very least a punch and a retainer plate. It would have been impossible for Hannibal to simply drop the firing pin into his pistol and have it function, as there is a spring that provides constant rearward pressure and must be put under tension before the retaining plate can be slid into place.
- Citations
Col. John 'Hannibal' Smith: Give me a minute, I'm good. Give me an hour, I'm great. Give me six months, I'm unbeatable.
- Crédits fousThe film's theatrical release features two out-of-place scenes after the closing credits, featuring two of the original L'agence tous risques (1983):
- at Penascola, Face gets tips from fellow inmate Milt (played by Dirk Benedict, the original Face)
- Frankfurt, Murdock is analyzed by a German doctor (played by Dwight Schultz, the original Murdock).
These scenes were set back in their chronological place in the film's extended edition/home release.
- Versions alternativesThe UK release was cut, two reels from this film were originally shown to the BBFC in unfinished form to consider language issues. The distributor were advised that two inadequately obscured uses of 'motherfucker' would result in a 15 classification rather than the requested 12A. When the finished version of the film was submitted for formal classification, the two uses of the term had been further obscured and the film was classified 12A.
- ConnexionsFeatured in De wereld draait door: Épisode #5.82 (2010)
- Bandes originalesThe A-Team (Theme)
Written by Mike Post and Pete Carpenter
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Brigada A - Los magníficos
- Lieux de tournage
- Cold Lake, Alberta, Canada(escape from Germany)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 77 222 099 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 669 455 $US
- 13 juin 2010
- Montant brut mondial
- 177 238 796 $US
- Durée
- 1h 57min(117 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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