East Side Story

This is a wonderfully fun and well-made film. For a low-budget film, this is about as good as it gets. You can tell the people involved are headed for great things. The direction was flawless. The drama was touching and the humor absolutely hilarious; the pace: perfect. The acting: engaging.

While technically a coming-out story, it doesn't feel like one. The story avoids the clichés with a refreshingly modern angle. The over-arching themes are there loud and clear, without overshadowing the personal story of the lead character.

I saw this film at Philly's gay film festival. So many of the other films either have gorgeous eye candy or good acting, not both. That was not the case with this movie. The lead actors are all incredibly hot - and you see plenty of them - yet they were great actors as well. The director was generous with the eye candy without being gratuitous. It seemed directed to appeal to a gay audience, but tastefully, in a way that won't be a turn-off to straight audiences.

Fun. Entertaining. Touching. Hilarious. Highly recommended.

East Side Love Story is about Diego Campos and his quest to get out of East L.A. and become a chef in his own restaurant. Along the way he finds that sometimes to get away from home, you just need to stay where you are.

First off, the good parts. I liked the acting and the set design. The restaurant in particular reminded me of some of the places I grew up eating in. To me, that's a bonus.

The acting, while heavy handed at times, didn't seem devoid of heart. René Alvarado (Diego) seemed to finally find his voice near the end of the movie. The rest of the cast were fun, if stereotypical, parts. Pablo, the closeted boyfriend. Wesley, the new neighbor with a problem. Bianca, the crazy aunt (or sister, depending on the writer). The understanding and wise maternal figure, Sara. All played to the fullest and farthest the actor could go.

The bad parts: The acting, while good, was deeply uneven. Most of the actors tended to "sell to the cheap seats" instead of going for smaller actions.

The writing was manic and led to uneven pacing. The whole back and forth between two characters, while building drama, was kind of tedious.

The cinematography. Again, while not terrible, shots seemed to go for more group shots than anything else. Reactions were off camera. In particular a scene between Diego and Westley left all of Diego's dialog being delivered while the back of his head was to camera.

The worst offence is the lighting. Maybe it was the copy I watched, but I couldn't see what the hell was going on some of the time. It honest to god looked like it was being lit by a flashlight ... with a dying battery.

All in all though, I would watch it again. Though, not without a glass of wine first.

'East Side Story' is a cheesy gay romantic comedy. There are some truly funny moments - mostly thanks to Bianca (wonderfully portrayed by Gladise Jiminez), who happens to by one of my favourite characters.

The story revolves around a chef, Diego (Rene Alvarado), who works for his family in their restaurant. His family doesn't know he is gay, but when he meets and falls in love with Wesley (Steve Callahan), he realizes life indeed has a deeper meaning. Only problem is, Wesley is trapped in a loveless relationship with Jonathan, and Jonathan is jealous and possessive over Wesley. (Steve Callahan is SO handsome with such a great body. He quite simply is the most delicious thing on two legs!!)

Many funny moments arise (among other things...). Bianca's relationship with Diego's ex, Pablo, is also hilarious! There's also enough eye candy here to make you drool all the way! The only downside to the movie, was the poor lighting (at times). I found many scenes way too dark. Pity.

Nevertheless, 'East Side Story' is a funny, thoroughly enjoyable comedy sure to entertain. And, if you look closely, you'll even find a few life lessons here too.

Fresh young talent and a healthy dollop of enthusiasm serve as the springboard of this well written (Carlos Portugal and Charo Toledo), well directed (Carlos Portugal) and well acted exuberant story of those once perceived tightly closet doors of the East Los Angeles Hispanic community. Not that this is the first film to engage the topic of being gay in East LA - QUINCEAÑERA is another superb film on the subject - but it addresses so many other aspects of family and social life happening now that it deserves a wide audience. With a cast of newcomers coupled with some very fine veterans of the screen EAST SIDE STORY comes to life in a highly entertaining fashion.

Closeted schooled chef Diego Campos (a fine debut by René Alvarado) works as a waiter in his grandmother Sara's (elegant Irene DeBari) little Mexican restaurant where grumpy homophobic chef Don Rogelio (Luis Accinelli) presides in the kitchen. Diego dreams of opening his own restaurant but family ties keep him grounded. Diego's campy Aunt Bianca (Gladise Jimenez) returns from Monaco on one of her many expensive sojourns to find a man and changes begin to happen. Diego's equally closeted boyfriend Pablo Morales (David Berón) has been refusing to settle down in a relationship with Diego, claiming that the union is a 'passing fancy'. When Bianca enters, Pablo's attentions turn to the sexy lady and Diego is brokenhearted.

Into this mélange enters a white gay couple who buy a 'flip' house across the street, a signal to the neighborhood that gentrification is just around the corner. The couple - Wesley (Steve Callahan) and Jonathan (Cory Schneider) - meet the morose Diego and a match strikes between Diego and Wesley. Jonathan is assigned all the lines having to do with prejudice and is the one who wants out of the neighborhood as soon as their house is enhanced and their gay friends begin to visit. The white couple move apart and Wesley and Diego begin a courtship dance that is encouraged by Diego's family. How Diego handles his loss of Pablo to his Aunt Bianca and copes with the possibility of being open with Wesley forms the story line. It is all the hilarious and not so hilarious sidebars that share the space of the 'outing' that make the film so personal and successful.

Carlos Portugal is clearly a talent to watch, as are his attractive and talented cast members. EAST SIDE STORY is a fine companion piece to QUINCEAÑERA and should enjoy the same degree of popularity for all the same reasons! Grady Harp

Gay movies very often suffer a lack of funding and subsequent underdevelopment. East Side Story bears no sign of this; the production values are good and the acting is mostly great (the lead actor is particularly good).

Diego is approaching 30, yet his life has consisted of very little outside of working at his family's restaurant in East Los Angeles. After being dumped by his "boyfriend", rather than face the ensuing fall-out over his homosexuality, he resolves to leave LA and make a life for himself in Phoenix. But a brief meeting with his openly gay new neighbours begins opening his mind to the possibilities of life - if he can only have the courage to be who he is.

The blurb for this film claims that it avoids all the clichés, and that is actually true. Just about everything works perfectly in East Side Story, a welcome fact that ensures you concentrate on the emotional journey playing out on the screen. Those who saw "Mambo Italiano" another gay film of high production values (from Canada) may notice some story similarities, but every element is still very valid. Anyone looking for a good gay movie should certainly give East Side Story a go.