NOTE IMDb
6,3/10
25 k
MA NOTE
Ajouter une intrigue dans votre langueAt a drug laden party in a New York loft, a young man tries to win back his ex-girlfriend.At a drug laden party in a New York loft, a young man tries to win back his ex-girlfriend.At a drug laden party in a New York loft, a young man tries to win back his ex-girlfriend.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Nicole Andrews
- Nurse Stacey
- (non crédité)
Ned Bellamy
- Luke
- (non crédité)
Ingrid Coree
- Anger Management Patient
- (non crédité)
Matthew Felker
- Nipple Man
- (non crédité)
Avis à la une
Hunter Richards' film about a young man(evans) who is desperate to win back his beautiful ex-girlfriend, London (Biel). The film isn't deep, but i found it extremely effective in showing a simple story. The performances were real, even Biel was good here as was Evans and Statham who truly stole the show. I liked the screenplay a lot and the direction suited the film as well. I liked the cinematography from Jo Willems and the music by The Crystal Method. The film is a great 2 million dollar film, low budget, high quality, they should make more films like this.--- very good film from hunter richardsIMDb Rating: 6.0, my rating: 9/10
As the synopsis shows London is a drug laden adventure which centres in a New York Loft where a young man is trying to win back his girlfriend. at first i thought. 'another cheesy movie'. i don't know what made me watch it but when i was finished i was absolutely GOBSMACKED!. 'London' is such an original and most importantly a very simple movie which is directed to its utmost perfection. Bateman (Jason Statham) is absolutely flawless in this movie as is Syd (Chris Evans). You begin to understand their characters straight away as both actors bring them to life wonderfully... i don't want to spoil the rest for you so ill finish on this note.. 'its a must see' ......
Directed by newcomer Hunter Richards, London is a complex tale of a man scorned by a traumatic breakup. Jessica Biel plays the title character, a savvy sophisticated woman who was the love of Syd's (Chris Evans) life. Since she left him, he has become a complete wreck. He now spends his days drinking and snorting cocaine. Six months later, he finds out through a random phone call that London is moving to Los Angeles. The worst part is that her friend Becca (Isla Fisher) is throwing a going away party - one that he isn't invited to. Determined to get London back, Syd decides to crash the party along with his unsuspecting dealer Bateman (Jason Statham), a banker who sells drugs on the side. When they get there, they eventually wind up in the bathroom. They snort huge amounts of coke and talk about life and love as Syd attempts to get up his nerve and talk to London. Along the way we are introduced to a number of eccentric characters, such as feisty bartender Mallory (Joy Bryant) and high-school student Maya (Kelli Garner). Each one plays a part in Syd's tripped-out journey of self discovery.
Although it features a cast full of popular young stars, London is not an easy sell in the slightest.. Audiences aren't likely to respond due to its strange and offbeat plot. It reminds me a lot of 1999's Go in this regard, although it is considerably less mainstream. It is truly a character study of many different individuals, all of them reflecting on life as the events unfold before their eyes. It moves at a slow pace but is never boring thanks to excellent performances and stylish direction.
Chris Evans is on screen for almost every frame and delivers another excellent performance. He shows his dramatic chops here and exhibits an ability for both comedy and drama. His character is very complex and has many different layers, all of which are revealed throughout the course of the film. Jason Statham, well-known for his action roles, plays against type here as the straight laced businessman Bateman. He shows his talent in both comedy and drama, and also has great chemistry with Evans. Jessica Biel is radiant and fascinating as London, a woman longing for complete commitment in an otherwise stable relationship. She has strong chemistry with real-life boyfriend Evans and her character is believable and likable. Most of her scenes are flashback sequences, so it is interesting to watch her character progress.
The supporting cast is great for a film of this size. Joy Bryant is solid as Mallory and gets the most to do of the side characters. Kelli Garner makes an impression but isn't given a whole lot to do, maybe appearing for fifteen minutes total. Isla Fisher, who was hilarious in last year's Wedding Crashers, gives another strong comedic performance here as the naive and unsuspecting party host. The rest of the actors are fairly insignificant overall, with most being reduced to mere walk-on roles (such as comedian Dane Cook).
Richards writes and directs this project and shows great promise in his first outing. The direction is stylish and he finds many interesting takes to use - making the film easy to watch and helping it from dragging on. The screenplay is also solid. It seems like something originally written for the stage, but it works on film thanks to the way each scene is handled. While there are comedic elements, there are also several sweet and poignant scenes. The best scene in the film is the final confrontation between London and Syd in an airport. The Crystal Method provides the score for the film, a techno-fringed mixture of various beats that fits well with the tone of the film.
Overall, I can see why London isn't appreciated by critics and won't be embraced by audiences. It's a strange film that requires patience from the viewer due to its slow pace. But thanks to excellent performances and stylish direction, it turns out to be a completely fascinating and involving tale.
8/10 (B+)
Although it features a cast full of popular young stars, London is not an easy sell in the slightest.. Audiences aren't likely to respond due to its strange and offbeat plot. It reminds me a lot of 1999's Go in this regard, although it is considerably less mainstream. It is truly a character study of many different individuals, all of them reflecting on life as the events unfold before their eyes. It moves at a slow pace but is never boring thanks to excellent performances and stylish direction.
Chris Evans is on screen for almost every frame and delivers another excellent performance. He shows his dramatic chops here and exhibits an ability for both comedy and drama. His character is very complex and has many different layers, all of which are revealed throughout the course of the film. Jason Statham, well-known for his action roles, plays against type here as the straight laced businessman Bateman. He shows his talent in both comedy and drama, and also has great chemistry with Evans. Jessica Biel is radiant and fascinating as London, a woman longing for complete commitment in an otherwise stable relationship. She has strong chemistry with real-life boyfriend Evans and her character is believable and likable. Most of her scenes are flashback sequences, so it is interesting to watch her character progress.
The supporting cast is great for a film of this size. Joy Bryant is solid as Mallory and gets the most to do of the side characters. Kelli Garner makes an impression but isn't given a whole lot to do, maybe appearing for fifteen minutes total. Isla Fisher, who was hilarious in last year's Wedding Crashers, gives another strong comedic performance here as the naive and unsuspecting party host. The rest of the actors are fairly insignificant overall, with most being reduced to mere walk-on roles (such as comedian Dane Cook).
Richards writes and directs this project and shows great promise in his first outing. The direction is stylish and he finds many interesting takes to use - making the film easy to watch and helping it from dragging on. The screenplay is also solid. It seems like something originally written for the stage, but it works on film thanks to the way each scene is handled. While there are comedic elements, there are also several sweet and poignant scenes. The best scene in the film is the final confrontation between London and Syd in an airport. The Crystal Method provides the score for the film, a techno-fringed mixture of various beats that fits well with the tone of the film.
Overall, I can see why London isn't appreciated by critics and won't be embraced by audiences. It's a strange film that requires patience from the viewer due to its slow pace. But thanks to excellent performances and stylish direction, it turns out to be a completely fascinating and involving tale.
8/10 (B+)
Surprisingly, for the type of dialog driven movie that this was it was pretty good. I think it was mainly a movie about the human psyche and how it can screw with people hardcore sometimes and screw up good things (relationships). This is also very accurate in portraying how someone with anxiety might feel and act after a very hard breakup. Not everyone will be able to relate to the guys actions here or may think it is because he's a druggie, but I think this movie is more about anxiety. When he is seemingly going nuts (around the time talking to the shrink)it was very realistic of the helpless feeling someone with panic attacks will have.
Almost every conversation, mood and situation in this movie I can relate to, and have been in before. I've had the same conversation with a few ex girlfriends when they were trying to push religion on me. So I don't think the dialog was trying to be too pretentious or philosophical at all. It was just portraying the stupid things people argue about that someone may have been very caught up in during the passion of the moment, but then thinking back to them they seem very stupid to fight about.
Almost every conversation, mood and situation in this movie I can relate to, and have been in before. I've had the same conversation with a few ex girlfriends when they were trying to push religion on me. So I don't think the dialog was trying to be too pretentious or philosophical at all. It was just portraying the stupid things people argue about that someone may have been very caught up in during the passion of the moment, but then thinking back to them they seem very stupid to fight about.
I don't have much to say about this film, other than Jason was great in it. The film basically revolves around the ups and downs of the relationship between the two main characters, played by Jessica Biel and Chris Evans. The relationship plot is pretty standard, and I felt the flashbacks of the two of them together kind of slows the film down. The more interesting scenes take place in the bathroom between Chris Evans and Jason Statham, who plays a random guy he met in a bar. Jason happens to have some coke on him, and Chris happens to be headed to a going-away party for his ex-girlfriend. So there are plenty of scenes where the two characters are just doing coke and chatting it up in the bathroom. But I enjoyed those scenes! Especially when they both get to know each other better and expose deep, dark secrets from their love lives. Evans and Biel are both fairly good actors, but they don't command the screen in the way that Statham does. So all in all, Statham steals the show! I think many people first discovered him in "The Transporter" movies. Though both films were good, he didn't get a chance to show off his acting chops. I personally liked him ever since I saw him in "Lock, Stock, and Two Smoking Barrels," though the movie itself didn't appeal to me much. "London" is not a bad indie flick, but it's uneven, with too many dull moments for me to regard it as anything more than slightly above average. And in case you're wondering, Jessica Biel doesn't get naked...lol. I know...sucks.
Le saviez-vous
- AnecdotesChris Evans and Jessica Biel were dating each other at this time of the movie. The couple were together for 2 years.
- Bandes originalesLONDON
Produced, Written-By, Mixed By The Crystal Method
(P)& © 2005 Tiny E Records under exclusive license to Reincarnate Music. All rights reserved. Manufactured under license from Sony Pictures Home Entertainment, Inc. for Tiny E Records
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- How long is London?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Se Acabó El Amor
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 20 361 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 667 $US
- 12 févr. 2006
- Montant brut mondial
- 20 361 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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