Habana Blues

leaving the cinema , I was amazed at the real feelings i had about this film. Situated in ordinary Havana, the intense social coherence , existing in difficult economic circumstances were spelled out wonderfully. The music ,which is one of the main characteristics in this film was not corny, but hiphop,jazz,rock, and salsa at the same time. The characters were deeper and deeper, when the film continued, and i seldomly saw friendship so beautifully evoked as in the relationship between the two main men.all other important stories within the film were moving and warm, and realistic. The end is not not-happy; i'd call it positive and real. it's a for-all-people-around-the-world-award-winner film.

No, there is more to it than that! This recent film does compare similarities with John Landis's classic in the plot, but the competent acting and general mood of the piece sets it apart in its own league.

The contemporary mood of troubles people coping in a troubled Havana is well caught by its director Benito Zambrano. I very much admire the originality of this piece, and also its attempts to make the film accessible to many audiences by using several traits which one may call 'stereotypical'.

Albeit the plot of two down on their luck desperate musicians is a familiar one but the genre of music struggles to make original in its own right.

One of the main problems is, its a situation many audiences have met before and there is not much Zambrano and his cast can do to avoid this. Personally, some of the music performed initially is quite weak but maybe this is to show Tito and Ruy's development in their music. I am not sure...

Some of the songs have real flavour- as personally I find a lot of Latin American produced Music does. Some try to heighten the films' messages- others seem just to be there to fill the running time.

The ensemble performances are very good, almost every character makes an impression- in particular Yaridad Sierra who plays Ruy's wife, Caridad is very very convincing.

I also really liked the straight talking grandmother- she was excellent! It's characters like that light up the movie, when things started to become very serious overall, thats the movie works really well as an ensemble piece. The individual performances were of a similar standard, the two leads Alberto Yoel (Ruy) and Roberto Sanmartin (Tito) were well cast.

Overall, this is an enjoyable movie if you do not analyse the film too much (probably my biggest mistake), there is a lot of sentiment that some may find endearing and others repulsive. However the content of the piece is so well thought out and fairly well presented that I can't help but like in its own way...

I must say I wasn't really interested in this movie at first, and more or less was dragged to the theater to watch it. Which I am definitely grateful for, since it's one of the best movies I've seen this year by far.

The bittersweet story, the uncommon picture of the less known 'real Habana' and the strong friendship between the main characters really got to me.

The only annoying thing was the music during the first half of the movie. But the songs played during the second half (the ones the main characters play) are really pretty too.

I really liked how the plot wasn't over-dramatic, how everyone, both good and bad ones, is flawed and there's nobody perfect in the story (especially the main character). And how they make the message of the movie (choose your own path and live up to your decisions) reach the audience.

The only thing that ruined the movie for me was Marta's character (the Spanish woman). Or rather, the actress playing her role. She's bad to boot.

This film starts off poor underground music players that you think are never going to make it, and you think that is the only story to the film; but when you get further into the film you see a large part of the Cuban culture. There are people that do not want to sell out and going to a country where it is easier to get popular, there are people that want to get popular at any cost, and there are people that must leave in order to better their family. This film is great at portraying this, because it is not over dramatized.

The theme of music is a little overwhelming in the film because music is constantly being played to the point where it should be classified as a musical; but the music is very culturally sound with Cuban sounds, this keeps the viewer interested in watching the film. The music plays along with the plot, and gets poppy when the movie is exciting, and slower romantic music when the film is trying to portray intimacy.

The actors are pretty good; the main actor goes through many changes through the film. From wanting to do drugs, sex, and rock & role, to towards the end, wishing that he were more of a family provider; he knows at the end that he must let go of something to keep another. These decisions at the end is what made the film for me, it makes it real, and not over dramatized; which makes the viewer relate more.

This is not a movie for u to buy. This is how Cuban "fight" each others, how they deal with love and friendships with deceptions and hopes. Even when this, has been a bit censured and some of the "real" Cuba is still left out. Those that want to find out a bit more of how Cubans live, have to put together this movie and several others. I do recommend Suite Habana and Strawberry and Chocolote (from the more recent history of the Cuban filmography) and Los sobrevivientes and La muerte de un burocrata, older ones. This, as a film, is not as good as Suite Havana and Strawberry... this is a bit more traditional production and follows the scheme of modern Cuban comedies. I gave it an 8 because it does show part of the Cuban way of living (incomplete of course - check above). Music is terrific. Enjoy together with close friends, maybe beer (or even Cuban Rum if at hand). Keep children away though.