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Ajouter une intrigue dans votre langueYoung Penny goes on a retreat with her psychologist; the intention is to help her overcome her phobia, an intense fear of cars. Unexpected events find her in a nightmarish situation where he... Tout lireYoung Penny goes on a retreat with her psychologist; the intention is to help her overcome her phobia, an intense fear of cars. Unexpected events find her in a nightmarish situation where her worst fears come true.Young Penny goes on a retreat with her psychologist; the intention is to help her overcome her phobia, an intense fear of cars. Unexpected events find her in a nightmarish situation where her worst fears come true.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Elyse Mirto
- Mother
- (as Elyse Marie Mirto)
Adam Pinkstaff
- Penny's Father
- (non crédité)
Avis à la une
Penny Dreadful is an interesting film. It's simplistic and executed for most of it's 98 minute running time intensely. But it drops the ball so drastically in it last quarter that the film almost falters completely. No doubt the most entertaining of the three it tells the story of a young girl named Penny whom witnessed her parents dying in a car accident. Growing up some years later she has a fear of cars and is taken by her psychiatrist up to the mountains to confront this fear head on at the place it happened. However upon reaching their destination they accidentally hit a grotesque hitchhiker and upon dropping him off are left stranded in the middle of nowhere after he attacks the car. With a blown off tire, no cell phone reception and a busted ankle Penny is left to fend for herself against the homicidal maniac. The concept is simple and scary imagined being entrapped in such a small space and terrorized. People of course come to help and are brutally slain. Some of the suspense sequences work wonderfully well from the camouflaging of the killer, to noises and sounds in the night. Rachael Miner's performance as Penny is multi layered and award worthy. The film has some nice supporting nods to from Mimi Rogers and others. The Direction is decent and promising while the score and cinematography are top notch and quite impressive. The films problems are simple pacing, it gets a little long in places, the killer he should never be aloud to speak and the final act. What seems to be racing towards a crazy finale ends up reaching it boiling point early and never erupts. The finale is weak and predictable and because this is such a simplistic movie it's hard to understand why they couldn't have executed a standard finale with the same intense gusto they had been demonstrating throughout. In the end Penny Dreadful is engaging, entertaining and delightfully creepy but with further tweaking we could've had a horror classic on our hands.
Penny Deerborn (Rachel Miner) and her therapist, Orianna Volkes (Mimi Rogers) take a trip to help Penny overcome her fear of cars. But as with any horror film, things go wrong and the car they are traveling in ends up becoming a prison for Penny (wedged between two trees). Oh, and there's also a serial killer loose in the woods.
What is going to be the real deal-maker (or breaker) for this film is if the audience can relate to Penny's fear of cars. Roughly an hour of the film has her in the car by herself being scared. Not much of a plot, or much dialog -- just the actress and her expressions of fear. Many viewers will find this intensely boring. I, however, could relate quite well with this (as someone with anxiety, I often experience attacks in cars and can put myself in her shoes -- if I had been Penny, I would have been much less brave).
Rachel Miner deserves full credit for being amazing. I was not really familiar with her before this, though her name was somewhat known. She seems to have a very solid range, if this movie is any example -- she was asked to carry a film all on her own with no characters to talk to. And in my opinion, she did it.
Mimi Rogers (the former Mrs. Tom Cruise) also plays a unique role. As a corpse. I think that deserves some credit, too, as even acting dead must take some skills -- never really moving or breathing on camera. Definitely a new direction for Rogers.
Secondary characters were nice, if for no other reason than to round out the film... and I loved the visuals... the colors of the dark, snowy mountains. I don't know much about cameras, but I like the way the light was filtered to give it this dark, lonely look. Very good move.
I say check this one out. It may not be for you -- it might bore you to tears. So if you think you're one of those, don't watch it late at night when you're about to take a nap. If you have any sort of anxiety or claustrophobia, I think you'll get a lot more out of this one. And as long as everyone just ignores how conveniently coincidental the whole plot is, we'll be fine.
What is going to be the real deal-maker (or breaker) for this film is if the audience can relate to Penny's fear of cars. Roughly an hour of the film has her in the car by herself being scared. Not much of a plot, or much dialog -- just the actress and her expressions of fear. Many viewers will find this intensely boring. I, however, could relate quite well with this (as someone with anxiety, I often experience attacks in cars and can put myself in her shoes -- if I had been Penny, I would have been much less brave).
Rachel Miner deserves full credit for being amazing. I was not really familiar with her before this, though her name was somewhat known. She seems to have a very solid range, if this movie is any example -- she was asked to carry a film all on her own with no characters to talk to. And in my opinion, she did it.
Mimi Rogers (the former Mrs. Tom Cruise) also plays a unique role. As a corpse. I think that deserves some credit, too, as even acting dead must take some skills -- never really moving or breathing on camera. Definitely a new direction for Rogers.
Secondary characters were nice, if for no other reason than to round out the film... and I loved the visuals... the colors of the dark, snowy mountains. I don't know much about cameras, but I like the way the light was filtered to give it this dark, lonely look. Very good move.
I say check this one out. It may not be for you -- it might bore you to tears. So if you think you're one of those, don't watch it late at night when you're about to take a nap. If you have any sort of anxiety or claustrophobia, I think you'll get a lot more out of this one. And as long as everyone just ignores how conveniently coincidental the whole plot is, we'll be fine.
PD misses a lot of opportunities to scare or even freak you out. It has a great set-up, a devilishly simple set (mostly one car) and a bad guy who likes people-ka-bobs... so the scares are a sure thing...right? Nope. Unfortunately for the stellar cast, the movie makes every necessary effort to ruin surprises, cut to the wrong camera shot at the climactic moment, and follow every scary movie cliché there is. We have the "anybody there" moments, the "is that you" line every time the character speaks, the lovers doing it in the back and the great supporting cast that has no use but to fill body bags. Horror for horror sake is a good thing, but this film doesn't capitalize on its confined claustrophobic space, nor does it keep the tension that it could have. Camera shots are cool, but over used and usually not in the right spaces. Even the final scary sequence fails to deliver, ending mid-scene as if the writer forgot to finish it. There is no bang. Mimi Rogers is wasted, as is most of the cast. The main character Penny does a good job, reacts wonderfully... even when there is nothing scary even going on. Without any offense to the actors, or movies in which are set in one location (I love those) this movie is not worth the full price. I saw it to support the Horror fest national film festival... a suggestion for next year... how about a group rate (all 8 movies for one admission?).
Quite a large number of people recommended "Penny Dreadful" to me recently, and even though it's definitely not a terrible little film, I sure wished the descriptions of the story would have been a bit more accurate and the film itself would have been a tiny bit better. It's really not a horrific thriller in the tradition of "The Hitcher" simply because it features a maniacal hitch-hiker and it's definitely not reminiscent of "Wrong Turn" because it is set in the woods. "Penny Dreadful" is not much more than a simplistic backwoods slasher with a couple of ambitious themes (like the childhood traumas & phobias) and a couple clever and effective low-budget cinema tricks, like a minimum of filming locations. Adorable young Penny witnessed her parents dying in a car crash at young age. Ever since that day she's petrified of cars and that phobia prevents her from building up a normal life, for example dating the hunk in her apartment block. When the movie starts, she and her psychiatrist (Mimi Rogers) are driving towards the place where the accident happened, to get therapeutic closure once and for all. But Penny's fear for cars will get a lot worse before it gets better, because the two women pick up a sinister and uncanny hitch-hiker. The individual behaves odd but harmless at first, even offering the ladies a tasty-looking kebab, but pretty soon Penny is locked inside the car and trapped between two trees, and with her phobia of cars that is really not a nice place to hang out. "Penny Dreadful" benefices from an overall unsettling atmosphere and a couple of nail-biting suspense sequences, but the film is too long and it's impossible for director Richard Brandes to hold the viewer's attention throughout the entire playtime. Perhaps the film, and particularly the scares, would have worked better in a short format, like an episode of "Masters of Horror" or something. Now several scenes feel dragged and tedious. The denouement is rather stupid and only confirms that "Penny Dreadful" is just an average by-the-numbers slasher, because all the mystery surrounding the murderous hitcher has suddenly vanished. It's not a very gory movie, but the few make-up effects are competently achieved and quite freaky. The cinematography is probably the best aspect of the entire movie, as Joplin Wu's camera makes the ominous woods at night look even more menacing and inescapable than they already are.
10robrtman
The first time I saw this movie I didn't really care for it at all. I re-watched it a second time and I absolutely loved it. This movie has great suspense, terror and kills. Penny is a likable character, she is traumatized from a car accident, and is trying to get over her fears and is trying to be a regular person. Her therapist, Orianna, is taking Penny on a road-trip. It's to "Complete the Circle" and have Penny end her fears where they first began. The Hitchhiker is really creepy. He then traumatizes Penny even more throughout the film. The reason I liked this film is because first of all, it's a really good movie - if you're into this kind of film. And second because it shows how you don't a HUGE budget and big name stars in a movie for it to be good.
Le saviez-vous
- AnecdotesPlagued with horrible weather, the cast and crew had to work through a sandstorm and several inches of snow in order to finish production.
- GaffesThere are three different license numbers on the BMW that the girl is trapped in.
- Citations
The Hitchhiker: [whispering in the dark] Penny...
- Crédits fousThe credits appear on the misty windows of abandoned cars in a dark junkyard.
- ConnexionsFeatured in Sanity: Stay Away (2006)
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- How long is Penny Dreadful?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Užasna Peni
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 321 875 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 482 000 $US
- 19 nov. 2006
- Montant brut mondial
- 394 447 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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