The Crazies

When residents of a small-town begin attacking each other, the survivors are lead away from the area, but when they learn of others still trapped in the town they head back to rescue them before they fall victim to the bloodthirsty creatures.

This was a hard one to get a handle on as there's stuff to love and dislike here. Some of the stuff works, from the build-up in the beginning with the family being stalked in the house before it being set on fire to the gory ambush in the morgue, there's some nice action scenes early on that create a pretty creepy air especially when combined with the investigation angle. The assault on the camp as well as the action in the burned-out ruins of the town are rather nice and certainly big, fun action scenes that provide some nice blood and gore, and it gets a lot of fun out of an abbreviated ambush in a car-wash and a truck- stop encounter, but the fact remains that there's a lot of problems here. The biggest flaw is that the middle segments, after a strong opening, just drain the energy from the film as it continually repeats the tender family relationship that never once feels threatened or in danger, despite attempts to force the issue but it knowingly won't and just renders the whole thing pointless. Also, by dropping the number of encounters down it leaves the relentless pacing of the first half incredibly slowed down and dull afterward, drawing out the film a little too long in this section. Another big serious flaw is the complete and total lack of explanations for the toxin dropped in the town, which is a real mystery on all fronts in how it works, its' purpose and wherever the toxin came from. This is a major flaw which really hampers the film along with its other flaws as otherwise, this is a decent effort.

Rated R: Graphic Violence, Graphic Language and children-in-jeopardy.

In Pierce County, Iowa, the Sheriff David (Timothy Olyphant) is forced to kill the local Rory Hamill (Mike Hickman) that is threatening the community in a baseball game with a rifle and an insane behavior. Then his wife Dr. Judy (Radha Mitchell) examines another local, Bill Farnum (Brett Rickaby), who has a strange behavior. In the night, Bill traps his wife and son in the room and then he burns their house to the ground. On the next morning, David and his Deputy Russell Clank (Joe Anderson) are called by three hunters that had found a dead pilot in the Hopman Bog. David and Russell find a big airplane in the bottom of the bog. Sooner the army seals off the town and imprisons the population in tents and concentration camps. David, Russell, Judy and her assistant Becca (Danielle Panabaker) escape and sooner they discover that the plane was airborne with a biological weapon and crashed contaminating the water supply of the population. Further, there is no antidote for the victims that are doomed to die or become incurably mad. The quartet tries to find a breach in the containment to reach the next town, but the escapees are hunted by the army.

I usually hate remakes, but "The Crazies" (2010) is a rare case when the remake is better than the original film of George Romero. The tense plot is slightly different from the original story of 1973 that reflected the paranoia of those years of Cold War. Further, the plot focuses in the personal drama of David and Judy and not in the military action like in the 1973 movie. The screenplay, direction and performances are above average and this film worth watching. My vote is seven.

Title (Brazil): "A Epidemia" ("The Epidemics")

I give the edge to The Crazies 2010. It was slower pace but had better character and story development . I found the actual (Crazies) to be a lot more menacing in the remake . And the ending of the 2010 film packed a punch

What I really love about this movie, was the main character. He really did the whole movie for me.

Usually, in zombie movies or "OMG it's a horrible disease that spreads quickly!" movies, the characters wait around until the story forces them to act. But not in this movie! This movie's protagonist takes the initiative, he isn't waiting around to be killed once he gets the gist of things. He starts off trying to help legally, and then resorts to the illegal.

He was & is a well written character, his actor was fine as well but not something too amazing or interesting.

Pros:

Well written protagonist & support Cool and somewhat realistic plot Well done action scenes

Cons: It takes a bit of time 'till the story kicks in, but I believe it's worth the wait

This remake of the 1973 George Romero film sees the rural Iowa town of Ogden Marsh become unhinged when it's residents begin exhibiting odd behavior, usually culminating in acts of violence. Sheriff David Dutton (Timothy Olyphant) is at a loss to explain what's happening to the people he's known all his life, but the discovery of a dead pilot in a marsh leads him to the answer, a downed plane infecting the town's water supply. It isn't long before the military has blocked all methods of communication and descended upon the town. Determined to render a final solution, they don't intend to let anyone out alive.

Following the basic setup of the original, this update expands upon the story and throws in a few new directions and surprises. If you ask me, there was plenty of room for improvement. Romero's film is decent, but highly flawed. You could blame the budget, but Romero's done some fantastic work with low budgets. It definitely had bigger problems than that. This is the type of remake I wish there were more of, the type that can improve on a weak original. We spend the majority of the film with the four main characters as they attempt to escape the madness; David, his wife (Radha Mitchell), his deputy (Joe Anderson) and his wife's secretary (Danielle Pannabaker). I was already a fan of both Olyphant and the lovely Mitchell before viewing this, and they're once again in solid form here. This is basically Olyphant's show, and he owns the screen when he's on. I'd love to see him get more leading roles after this. Anderson and Pannabaker are also impressive, getting me to care about the fates of their characters, something that many horror films have a hard time doing. One of the major differences between this and the Romero original is the lack of focus on the military's point of view this time around. We spend the duration seeing the events from the perspective of the leads and various other townsfolk. While the POV shown in the '73 film did offer some levels of interest, I think it works better as far as menace goes to not do that here.

The crazies themselves are well rendered, each person reacting differently to the virus. Some are completely gone while others still retain some semblance of a thought process, the hunters for instance. After seeing the trailer, I was worried that they'd turn this into another zombie movie, but I was happy to see that wasn't the case. Speaking of the crazies, Lynn Lowry (of the original, Shivers, I Drink Your Blood, etc.) pops up very briefly as one of them. A nice little nod there, and I noticed another potential nod to a similar film, 1984's Impulse, in which contaminated milk leads people to act on their base impulses. A scene of Olyphant running after a mysterious vehicle that has been documenting the carnage mirrors a sequence from that picture. Also of note is Maxime Alexandre's gorgeous cinematography. Eisner was smart in getting him, as he's done equally stellar work for Alexandre Aja in the past. Thankfully, the use of CGI is minimal. In fact, I don't believe any pops up until the end, and when we get to that, it actually works just fine.

The film is peppered with a number of suitably tense set-pieces, particularly one involving a pitchfork, a scene in a car wash and the aforementioned ending. On the downside, there are a few cheap jump scares thrown in. The music also struck me as being rather pedestrian at times. Overall though, I can safely say I'll be returning to this one more often than the 1973 effort.