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IMDbPro

Jumeogi unda

  • 2005
  • 2h 14min
NOTE IMDb
7,2/10
3,2 k
MA NOTE
Choi Min-sik and Ryu Seung-beom in Jumeogi unda (2005)
ActionDrameSport

Ajouter une intrigue dans votre langueTae Sik, a troubled middle aged man and Sang Hwan, a troubled youth will meet in the ring with their respective mission. To change their life.Tae Sik, a troubled middle aged man and Sang Hwan, a troubled youth will meet in the ring with their respective mission. To change their life.Tae Sik, a troubled middle aged man and Sang Hwan, a troubled youth will meet in the ring with their respective mission. To change their life.

  • Réalisation
    • Ryoo Seung-wan
  • Scénario
    • Cheol-Hong Jeon
    • Ryoo Seung-wan
  • Casting principal
    • Choi Min-sik
    • Ryu Seung-beom
    • Jeong-ah Bae
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    3,2 k
    MA NOTE
    • Réalisation
      • Ryoo Seung-wan
    • Scénario
      • Cheol-Hong Jeon
      • Ryoo Seung-wan
    • Casting principal
      • Choi Min-sik
      • Ryu Seung-beom
      • Jeong-ah Bae
    • 11avis d'utilisateurs
    • 26avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 11 nominations au total

    Photos4

    Voir l'affiche
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    Rôles principaux18

    Modifier
    Choi Min-sik
    Choi Min-sik
    • Gang Tae-shik
    Ryu Seung-beom
    Ryu Seung-beom
    • Yoo Sang-hwan
    Jeong-ah Bae
    • Baby's mom
    Kim Byeong-Ok
    Kim Byeong-Ok
    • Detective
    Oh Dal-su
    Oh Dal-su
    • Yong-dae
    Byun Hee-Bong
    Byun Hee-Bong
    • Sang-hwan's coach
    Chun Ho-jin
    Chun Ho-jin
    • Sang-cheol
    Choon-ha Hwang
    • Yong-jin
    Seo Hye-rin
    • Sun-ju (Tae-shik's wife)
    Jeong In-gi
    Jeong In-gi
    • Doctor
    Park Joon-myeon
    • Fat Lady
    Gi Ju-bong
    Gi Ju-bong
    • Sang-hwan's father
    Ahn Kil-kang
    Ahn Kil-kang
    • Head warden
    Su-hyeon Kim
    • Kwon Nok
    Yeong-In Kim
    • Governor Kim
    Na Moon-hee
    Na Moon-hee
    • Sang-hwan's grandma
    Lee Won
    • Selfish jerk
    Im Won-hee
    Im Won-hee
    • Won-tae
    • Réalisation
      • Ryoo Seung-wan
    • Scénario
      • Cheol-Hong Jeon
      • Ryoo Seung-wan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    7,23.1K
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    Avis à la une

    8Gigo_Satana

    Cul-de-sac of crying fists

    My main reason to seek this move out was to see Min-sik Choi, but I also shared an equal interest in what the director and his brother had to offer as well. I think we all had our share of boxing movies dealing with a man overcoming the obstacles and reaching his triumph in front of a massive crowd, with his face swelled up and bloody, looking for someone to share his happiness with. Then you had the bad guy conveniently set up in the opposite corner with redundant reactions and a task to come off as inhuman as possible throughout the film. This movie is no such travesty of epic proportions. It is so much more.

    I don't want to dive too deeply into the plot, but in short the story deals with two men of different ages. Choi plays an Asian Games silver medalist whose health and family is in a downward spiral and Ryoo Seung-beom plays a careless young man with crime chasing tendencies and a small family that stands behind him no matter what.

    With such premises set up both characters not only offer great acting, (notable Ryoo Seung-beom, who is barely recognizable) but they relentlessly take turns in shredding any hopes of achieving a better life or even surviving the one they already have. In certain cases their judgment is at fault and at other instances their luck just simply runs out. Ultimately the audience is left to cheer for these two characters, but since the film stands at over 2 hours it makes it pretty hard for you to somber over one guy more than the other.

    Now the boxing itself is done pretty neatly, although for a silver medalist Choi's character had a rather amateurish fighting style, which could have been excused for number of reasons. Still it isn't even a complaint, as the boxing was booked sufficiently and to a minimum since the film's number one priority was to plunge you into the lives of these characters before the big showdown.

    I guess it's safe to call this a "feel bad" movie, but one with an unorthodox resolution at last, which wasn't as much about guessing, but more about conjugating and accepting. In the end it was another great getaway cinematic experience from Korea, which I find very rewarding when knowing just where to look. Definite recommendation, Ryoo Seung-beom breathed a new life not only into his future career but made his past work seem more subtly meaningful than it actually was.
    10olmac

    Best film about boxers ever

    I love Korean movies and have been a fight fan most of my life, so maybe I'm an easy mark here. Nevertheless, I believe this film is an outstanding study of two very opposite boxers. One a washed-up 43 year old Olympic Silver Medalist who gets beaten up for money on the streets, the other a teenage thug who ends up in juvenile detention after a mugging. The two stories don't cross until the final bout.

    In the process, both evolve from being unpleasant jerks, who disrespect their families, to being... average. Characters, fighting, story-lines, etc. are very realistic. Thought you won't fall in love with either boxer, you'll probably wish both could win the big fight.

    Movie may seem a bit slow and slightly long at 135 minutes but I think it's worth it so I recommend it highly, especially to fans of boxing and Korean film.
    7BradBate

    A curious Korean fight film that will ultimately please lovers of melodrama and boxing, but few others.

    Like Rod Steiger's pained and enraged portrayal of Sol Nazerman in "The Pawnbroker," Choi Min-shik's performance in the 2003 film "Oldboy" is so indelibly stamped in my mind that I shall never forget it. So, I was understandably attracted to "Crying Fist" ("Jumeogi Unda"), knowing that he shared top billing in another presentation from the Hawaii International Film Festival. Choi's turn as a middle aged failure of a con man, whose only claim to fame is an amateur boxing title in his youth, again proves his power as an actor. The performance does not, however, pack the strength to overcome a sappy, melodramatic ending that ruins what might have been a more satisfying work.

    Gang Tae-shik (Choi) is so pathetically down on his luck that he has taken to the world's most brutal form of street performance. For the equivalent of about $10, frustrated men, serial bullies and guys just looking to take out their aggression and anger on someone, can strap on a pair of gloves and pound away on Gang for one full minute. Gang will defend himself but not fight back. Labeled "the human punching bag," he lets women whale away on him for two minutes. He longs for a serious boxing comeback, a chance to regain his dignity and maybe win back his estranged wife and son.

    Yoo Sang-hwan (Ryu Seung-beom) has acute anger management and drug abuse issues; he is regularly beating people up on the street and getting arrested. He gets introduced to boxing in a juvenile lock-up, where a tough old trainer convinces him that a boxing career might pull him out of the gutter of his life. He is years younger than Gang, but no less interesting or well-developed a character. Ryu, brother of Writer/Director Ryu Seung-wan, is highly effective in the role.

    Inevitably, Gang and Yoo fight each other in an amateur match that could change each of their lives or accomplish nothing.

    Interestingly, the characters never meet until their bout, so you have a film with parallel story lines and two protagonists, both underdogs. Who do you cheer for and why? Curious. (Actually, Korean boxing fans don't cheer, so the fight scenes are eerily and sometimes frighteningly quiet, with the only sounds coming from gloves striking human flesh, the grunts and groans of the fighters, and the admonitions of their trainers. Curious.) The fight scenes are not the best I've ever seen filmed, but they are very realistic and appropriate in the context of these boxers being amateurs. Choi and Ryu clearly took some serious hits during production. There are not a lot of pulled punches.

    I found the third act unnecessarily melodramatic, but if you don't mind that kind of emotional string-pulling, you may find "Crying Fist" very much to your liking. But be warned, it is a brutal, bloody film, just as boxing is a brutal and bloody sport.
    KineticSeoul

    Uplifting movie that is way more character driven than it has to do with boxing

    This is a emotional and uplifting film that revolves around two characters. They both have separate stories but they come down to one goal at the end. And both fighting for different reasons. One of the main aspect that stands out about this movie is how it shows the two protagonist being pitiful and despicable. And as the movie progresses you get to know more about both characters and they become likable or at least sort of understandable of why they are the way they are. One main gripe I have is how the movie moves along in a way where the relationships and bonding isn't really clarified sometimes, it just happens. Which makes it seem like the movie is missing few scenes or just not well developed. Also if there was at least some connection between the two characters besides them both hitting rock bottom it would have been better. Especially when they both face each other in the ring. What is really hard to watch is how you care for both characters one maybe slightly more than the other...But the point is you want both of them to win, but only one can come out winning.

    7.5/10
    10spgun

    A fight for dignity

    Boxing is used in this movie as the main plot, but this is not a Rocky episode and the protagonists do not fight for glory, fame or wealth. The climax match is just for the domestic rookie contest title and even a win would not improve the life of either Kang or Ryu that much. Boxing has long been dying as a professional sports anyway, at least in Korea.

    So what these two main characters fight for? They are just trying to regain the minimum dignity as a human being, the last desperate effort to climb up from the deepest bottom of their existence. Therefore, you know, sometimes who wins is not so important.

    This film was not a big hit when it was released to Korean theaters, and no wonder it was as the majority of movie consumers are happy youngsters.

    Many of them think this is just another tear-jerking melodrama. It is not, I guarantee, but you would not be able to appreciate the real thing unless you have once gone through your own hell in the life. I cried with Ryu at the end of the movie, I felt his sorrow and happiness so real just as they were mine, it was mentally painful.

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    FAQ17

    • How long is Crying Fist?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 avril 2005 (Corée du Sud)
    • Pays d’origine
      • Corée du Sud
    • Site officiel
      • Vidio (Indonesia)
    • Langue
      • Coréen
    • Aussi connu sous le nom de
      • Crying Fist
    • Lieux de tournage
      • Corée du Sud
    • Sociétés de production
      • Filmmaker R&K
      • Sio Film and Bravo Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 10 024 751 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 2h 14min(134 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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