Painkiller Jane

Reasonable plot, sufficient suspense and misdirection. The premise is believable in a science fiction way. There are no fake monsters. There are no incredibly stupid moves by the heroine ineptly designed to create artificial tension, an amateurish plot technique that seems to be rampant even in network (e.g., "24") programs. Good role for great old Richard (Shaft) Roundtree. No really awful acting. Attractive heroine. There were no parts that were so slow or boring that I skipped ahead, and I would watch this again in a year or so. It is head and shoulders above most Sci Fi Channel fare. Clearly, I was pretty impressed.

No, it's not Emmy caliber, but it is so much better than expected, I really can't understand what "ambrazos" is whining about in his review.

Nothing really imaginative, creative, or original about this movie, but well made and a very earnest effort to make you think as well as entertain you. Definitely avoided going for cheap scares or titillation. The earnestness of this effort is shown as much by what was not there as much as what was--there were no romantic/sexual scenes at all. Had this movie been the hackwork that 'ambrazos' would have you believe, we would have seen Jane tumble into bed with either Nick the thief or 'Dr. Knight' (maybe both). We didn't and that impressed me some.

While the cast generally did well enough (and it certainly was good to see Roundtree again), I was really impressed by Vaugier. A very impressive presence, without being sexual or showing much skin. As an action heroine, I think she stands comparison with Jennifer Garner, maybe even Angelina Jolie All in all, a movie worth recording and watching (mostly because of Vaugier).

This is a reasonable TV pilot. I would even watch the series if only the SciFi channel would hire a military consultant to sufficiently cultivate the illusion of realism.

Here are my military complaints: (1) The uniforms do not match the depicted branch of service. (2) The mixed-gender assault element in the beginning of the film is unbelievable. (3) The Aliens-style crab-walk-with-a-rifle does not pass even school-children's idea of tactical muster.

The protagonist is believable in other respects, not to mention physically attractive without crossing the 1950's Amazon Action Heroine threshold. The directing seemed inspired, the casting excellent, and the acting well above the level demanded by the mediocre script!

Ich_Yama's SciFi-meter:

(BBB: 1 primary character)

(BEM: None)

(World: Present/near-future)

(Preference: Conspiracy theorists)

While this is clearly not in the same league as the usual SciFi Saturday night godawful piece o'junk, with much better production values (not Bulgaria? sonofagun!) and decent acting, the story itself was a complete snore. Not an original concept in the whole thing and it just dragged on for two hours without anything really happening. Yeah, she's cute, yeah, she looks nice in leather, but Zzzzzzzzzzzzzzzzzzzzzz. Ooops, sorry, dozed off.

I spent two hours waiting for something, anything, to happen. Oooh, goodie, a shootout. Now there's an original concept, and certainly one worth waiting for. And, ooooh, the suspense is killing me. Is she really dead? If this was a pilot, I'm not too curious about the show. If it wasn't a pilot, there's no excuse for the utter lack of story.

Having recently watched (and reviewed) the TV series (which I enjoyed, with some caveats), I still had a need for a little more Painkiller Jane. When you binge an enjoyable TV series - the characters, the experiences, the world that was created stay with you for a little bit on an emotional level.

While the TV series had drama, emotional highs/lows, emotional responses to characters (positive and negative) - this film offered none of that.

The plot was as basic as it gets. There was no drama, no sense of expectation, no layered or complex story-telling. It felt like a template for a plot that wasn't fleshed out; an idea scribbled on a napkin; an overused pun; business speak, small talk - predictable, empty.

If the plot didn't put you to sleep, the acting most certainly did. Everyone was cool, stoic, in control. Every interaction was cool, in control. No emotional ups or downs. No screaming, no fear, no sense of danger, no heavy breathing, no sweat, no drama, no problem. Just people talking to eachother. Even the secondary characters acted the same - cool, in control, above it all.

When you couple the total lack of emotional acting with a very linear predictable plot - it's like unwrapping a candy bar only to discover that it's plastic. You are left wanting.

Rating this a 5 because all the technical stuff is there (like mannequins on display or robots on an assembly line) but the film lacks any semblance of a soul. Would never watch this again not because it's horrific but because it's empty of everything that matters.