Shadows in the Dark: The Val Lewton Legacy

A great overview of Lewton's career. Especially good because it ties the mid-century and modern creators of horror cinema back to Lewton as an influence. I could have listened to some of them talk for another half-hour. Harlan Ellison is especially insightful and generous with his praise of Lewton's style of filmmaking.

I think it could have gone a bit deeper into Lewton's psyche and how that played into the subtext of his films, but that's also been covered extensively elsewhere, so maybe this was better off with the approach it took.

I do wish that my favorite Lewton film, Curse of the Cat People, had gotten more than a cursory mention at the end. The films that seemed to get the most time spent of them were Cat People, I Walked with a Zombie, The Leopard Man, The Seventh Victim and The Body Snatcher -- the last of which this documentary definitely convinced me that I need to see soon. It's a glaring hole in my movie watching.

Shadows in the Dark (2005)

*** 1/2 (out of 4)

Another wonderful documentary from Warner, this time covering the career of Val Lewton and the nine horror films he made for RKO. The documentary does a great job at showing how Orson Welles pretty much destroyed RKO and how Lewton's horror films saved the studio from going out of business. As usual there's a lot of historians and fans talking about the films, which is always fun to see. It's also nice to see these horror films get their due on DVD. The one downfall with the film is that there's really not too much known about Lewton so this leads to a lot of questions not getting answered.

Legendary producer Val Lewton who made some of the scariest horror films of all time finally gets a documentary about his life and the movies. It quickly (but fully) covers his early life and explains how he got to work for RKO Pictures and produce "The Cat People", "I Walked With a Zombie", "Bedlam", "The Body Snatcher", "The Leopard Man", "Isle of the Dead", the long unseen "Ghost Ship" and "The Seventh Victim". "Curse of the Cat People" is pretty much ignored but that's understandable--it's not really a horror film despite the title. They talk to coworkers, relatives, friends, other horror directors and film historians who get into how he made the films and why they're so important. What I find most interesting is that the studios GAVE him the titles and told him to make a story out of the title! It's incredible what classics he made with no money and just a title to work on. If you're a fan of his horror films (like me) you'll find this absolutely riveting. At 53 minutes it also doesn't wear out its welcome. Just fascinating. A 10 all the way.

When there's something I enjoy as much as the Val Lewton movies, I simply cannot get enough information. Shadows in the Dark: The Val Lewton Legacy is a fascinating look at the man and his work. The documentary covers everything from Lewton's arrival in America as a child to his early work for David O. Selznick to the nine horror films he made for RKO. The stories and details of Lewton's life and films are presented through a series of interviews with experts on cinema, directors and screenwriters working today, and Lewton's son. The documentary obviously focuses and spends most of its runtime on the RKO period. The film makes it clear that what I've come to know as the "Lewton Look" was as much a budgetary issue as a conscious decision on his part. The only complaint I have is that it wasn't longer.

Serviceable rather than outstanding documentary (close to one hour in length) about Val Lewton, the celebrated producer of a series of nine classic - and highly influential - horror films made at RKO in the 1940s; it's part of Warner's 5-Disc THE VAL LEWTON COLLECTION Box Set (included as a double-feature with THE SEVENTH VICTIM [1943]).

Apart from the films themselves (which are dealt with in more detail - though not all of them! - in the individual Audio Commentaries on their respective discs), it touches upon his entire life and career. Therefore, I was somewhat disappointed to find that CAT PEOPLE (1942) takes up a lot of the running-time - having been the first film in the series - while THE GHOST SHIP (1943) and ISLE OF THE DEAD (1945) are once again overlooked; in fact, the three Boris Karloff films are discussed simultaneously - with, for instance, BEDLAM (1946) cited as being Lewton's best film but with no proper context provided to back up such a statement (with which many would argue to begin with, myself included)!

Still, all the participants - including film-makers such as Joe Dante, William Friedkin, John Landis, George A. Romero and Robert Wise (at the time, the sole surviving member of Lewton's "Snake Pit" unit), as well as the critics/writers who contributed to the various Audio Commentaries (it was especially nice to be able to see the face behind the voice) - are clearly well-informed, enthusiastic and reverential about their subject, so that, in the end, the documentary proves well worth viewing (if not the penetrating look at the man himself - what really made him tick, essentially - one would have wished for).