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IMDbPro

He Say... She Say... But What Does GOD Say?

  • Vidéo
  • 2004
  • TV-MA
  • 2h 4min
NOTE IMDb
8,2/10
82
MA NOTE
He Say... She Say... But What Does GOD Say? (2004)
ComedyDramaMusical

Ajouter une intrigue dans votre langueIn one of Detroit's toughest neighborhoods, a small church finds itself stuck next door to a nightclub frequented by hustlers, pimps, and gangsters. Both the church's congregation and the cl... Tout lireIn one of Detroit's toughest neighborhoods, a small church finds itself stuck next door to a nightclub frequented by hustlers, pimps, and gangsters. Both the church's congregation and the club's dangerous owners decide to try and rid the neighborhood of the other, leading to unce... Tout lireIn one of Detroit's toughest neighborhoods, a small church finds itself stuck next door to a nightclub frequented by hustlers, pimps, and gangsters. Both the church's congregation and the club's dangerous owners decide to try and rid the neighborhood of the other, leading to uncertainty and a series of tense confrontations.

  • Réalisation
    • David E. Talbert
  • Scénario
    • David E. Talbert
  • Casting principal
    • Clifton Powell
    • N'Bushe Wright
    • Thomas Mikal Ford
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    82
    MA NOTE
    • Réalisation
      • David E. Talbert
    • Scénario
      • David E. Talbert
    • Casting principal
      • Clifton Powell
      • N'Bushe Wright
      • Thomas Mikal Ford
    • 8avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux13

    Modifier
    Clifton Powell
    Clifton Powell
    • Satin Jones
    N'Bushe Wright
    N'Bushe Wright
    • Alexandra Knight
    Thomas Mikal Ford
    Thomas Mikal Ford
    • Deacon Witherspoon
    • (as Tommy A. Ford)
    Thomas Miles
    • Demetrius Thibideaux
    Cassi Davis
    Cassi Davis
    • Sister Tiny
    Red Grant
    Red Grant
    • Forty Ounce
    Orlando Wright
    • Dion
    Julie Dickens
    Julie Dickens
    • Michelle
    Chris Simpson
    Jeff Womack
    Maurice Wilkinson
    • Mother Butler
    D.J. Rogers Jr.
    • Pastor Jackson
    Bill Brown
    • Pastor Greenfield
    • Réalisation
      • David E. Talbert
    • Scénario
      • David E. Talbert
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    8,282
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    Avis à la une

    10castingitdown

    a realistic tool to witness in a realistic world

    i've seen this stage play and my reaction to it after watching it was that this could be used to draw others to the Lord. There are parts that bring laughter to me because i can identify with what's going on in the play. if you can not put yourself in any part of this play, then i do not expect anyone to see it as i do. This play, i will say, is realistic because such things do and are happening in the body of Christ. The plot to the play was that a minister did not let the faces nor happenings of his community cause him to stop doing what he was called to do; and that was to draw the lost to Christ with His power that lives in him (the pastor).
    drtturner

    Maybe it gets better, but I shut off after heavy lady eats banana

    This film was tough for me to stomach. I rented because some of the names involved such as the producer and the actor who played in such things as Gospel and Brothers. I was quickly cooled to the idea with the eye bulging antics of the so called comic relief. Tommy of the Martin Show plays with the word in what could be considered blasphemy. About 15 minutes in a large dark skin woman comes onto the stage slowly eating a banana. Such coon acting and self mockery was more than I could take as I cut off the film at that point. The movie opens with a slick pimp pulling rank on one of his underlings that he feels has been disloyal. After making quick work of putting him in check, he turns his attention to capturing the church which evidentally will go to the highest bidder. The humor that is attempted in the scene where Tommy puts together a plan to save the church is dim witted, slow, and insulting to the audience to which the producers must underestimate as slow. I say that because the lines seem to repeat and ponder much too long too much of the time. There is also a large effeminate man and it can not really be determined if the character is acting like that to toy with the Tommy character or if he is truly into men. Either way, such material seems to fly in the face of the supposed theme of the movie making it too much of a mix match.
    10altomanlll

    wonderful

    I disagree this movie is the definition of Christianity they were in the wrong and preacher Jackson brought them out...you see everything changed, even the church members behavior...Satin was saved and they got to keep the church, why because of faith, if you can't see this than it's time to evaluate your own faith,because as the bible says we are to go out and to teach to every living creature...the bible however does not say all people are to be perfect which is what we are expected to be...I believe if we open our eyes or maybe even complete the movie we can better understand the ways in which god works!And if we do not see these things than we must not call our us Christ-like!
    Jalea

    Before and After

    Before Pastor Jackson who is one of the main characters of the play, the play had a satirical feel; but, After Pastor Jackson entered the scene, the play took a serious turn. The play does get more interesting, layered with heartfelt moments and even some romance. There were a lot of truths that were shared, for example, the danger of being judgemental. If you can keep on open mind, you would find this play worth watching, if you like this kind of genre. Even if you are not accustomed to this type of genre, you could watch it not only for entertainment, but to see some of the critical issues highlighted facing communities that have this dichotomy existing in the neighborhoods (church and crime).
    8morrisonhimself

    Suspend your disbelief and admire the talent

    Sure, it's apparently intended to be a religious promo; sure, a lot of the plot and characterization is over the top; sure, the ending could be, to some degree, predicted.

    So what? If for no other reason, watch this just to see Julie Dickens.

    Here at IMDb, this show is her first credit. By now, she should have had thousands more.

    She is refreshingly lovely, and her laugh should warm the heart of even the most hard-bitten theater-goer. And she is a good actress.

    While most of my admiration goes to her, because -- to be honest -- she really is so lovely, most of the other players also are darn good, and even those who aren't darn good do what they are supposed to do.

    D.J. Rogers, Jr., is so good and so good-looking that surely he will be a major star. It should help that he is the prime good guy here. I'm astonished at the paucity of credits so far for this huge talent.

    Clifton Powell has the juicy part as the prime bad guy, and what power and authority he brings to the role. And at least he has been kept busy, meaning people who count have recognized his ability. Hooray.

    Thomas Miles is what used to be called "the action heavy." He is just stupendous. And yet he has few credits! Where is the justice in Hollywood? This man should be performing in a big budget production every day. He is extraordinary.

    The writing and directing need some work, but a viewer needs to realize the context: This is a stage work. Perhaps with a bigger budget and bigger sets, it would have been less stylized and more realistic -- but would it have been much better?

    The producers and, in particular, the actors deserve our admiration, indeed our awe, and this presentation needs to be seen.

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    • Anecdotes
      Directed by David E. Talbert, this musical under the same name was first released on stage in 1996 starring Kirk Franklin and Ernest Thomas.

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    Détails

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    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Société de production
      • Golden Girl
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      2 heures 4 minutes
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