Ex Machina
Un jeune programmeur est sélectionné pour participer à une expérience novatrice d'intelligence synthétique en évaluant les qualités humaines d'un humanoïde doté d'intelligence artificielle à... Tout lireUn jeune programmeur est sélectionné pour participer à une expérience novatrice d'intelligence synthétique en évaluant les qualités humaines d'un humanoïde doté d'intelligence artificielle à couper le souffle.Un jeune programmeur est sélectionné pour participer à une expérience novatrice d'intelligence synthétique en évaluant les qualités humaines d'un humanoïde doté d'intelligence artificielle à couper le souffle.
- Récompensé par 1 Oscar
- 74 victoires et 161 nominations au total
- Jasmine
- (as Symara Templeman)
- Amber
- (as Lina Alminas)
- Office Worker
- (non crédité)
- Office Worker
- (non crédité)
- Office Manager
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe location of the house in the movie is the Juvet Landscape Hotel in Norway.
- GaffesWhen Ava and Kyoko meet in the corridor, there are masks on the wall. At the end of the scene, the masks are gone. Correction: The camera angle is not a reverse shot along the same corridor with the masks. The camera has moved to where Kyoto is standing, turned 90 degrees right and is looking down the corridor she came from. When Nathan finds them, he is looking from the other end of the corridor where Kyoto came from.
- Citations
Nathan: One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa. An upright ape living in dust with crude language and tools, all set for extinction.
Caleb: I am become Death, the destroyer of worlds.
Nathan: There you go again, Mr. Quotable.
Caleb: There you go again. It's not my quote. It's what Oppenheimer said after he made
Nathan, Caleb: The atomic bomb.
Nathan: Yeah, I know what it is, dude.
- Crédits fousThe end credits starts with a single dot in the background which then grows and various patterns emerge from it.
- Versions alternativesThe alternatively censored cut released in China featured frequent blurs of nudity and, on occasion, violence. One scene towards the end also seemed to be zoomed for no apparent reason.
- ConnexionsFeatured in Film '72: Épisode #44.2 (2015)
- Bandes originalesSchubert Piano Sonata No.21 in B Flat Major, D.960
Composed by Franz Schubert
Performed by Alfred Brendel
Courtesy of Decca
Under license from Universal Music Operations Limited
It remains a pretty great watch still, of course it's pure sci fi, but it's a glimpse into a future scenario that seems to be perfectly feasible, you need only Google AI, and you'll see some incredible content, good or bad, after this film you may change your opinion.
This film is so intriguing, I find it quite unique, it's disturbing, but more than that it's a story of paranoia, of power, but in a bizarre way it's a story of hope as well. It's pure fantasy, it's almost like a Disney story rehashed and turned into sci fi, it's crazy at times, but it works.
The special effects and visuals are incredible, Ava looks amazing, she's different enough, but has enough human qualities to allow you to engage with her human side.
It's quite dialogue heavy, it's not a typical action sci fi, so fans that enjoy the faster paced, action driven movies may find it slower at times, but if you're into movies with twists and turns, tension, psychological thrillers where character development is important, I think you'll enjoy this.
The three main actors are all excellent, you can't put a pin between them, each of the three really deliver, every character gets under the skin, in a way I never expected.
This film never fails to impress, 8/10.
- Sleepin_Dragon
- 11 janv. 2023
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ex Máquina
- Lieux de tournage
- Juvet Landscape Hotel, Alstad, Valldal, Norvège(Nathan's mountain retreat)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 442 958 $US
- Week-end de sortie aux États-Unis et au Canada
- 237 264 $US
- 12 avr. 2015
- Montant brut mondial
- 37 394 629 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1