Je vais bien, ne t'en fais pas

I have no words to describe this movie, it's not the most amazing movie i've seen, but, it cracked me...

It is a simple story, beautifully acted, beautifully written.

I saw it not knowing what to expect, but i love Melanie Laurent, so i said well i'm giving this film a try, and when the movie ended... i was speechless

I is so real, it has so much emotion, there is no fancy things, no big things, no special effects, no no thing, it's just a feeling, the movie it's simply that, emotions.

The simplicity of this movie, its beauty, everything about it is perfect.

Watch it.. you won't regret it

Philippe Lioret is french movie director. Most peoples haven't even hear about him. here's what the movie is about.

Elise,let's call her lily, is a twenty years old girls. When she comes back from Spain, her twin brother is not at home anymore. He has left home after he had intensively argued with his father, and lily's missing him a lot. Very soon, lily will be reproaching to her parents not to do enough to find him.

This classic conflict between parents and their twenty years old daughter may seem ordinary, but.. But Melanie Laurent, who plays lily, is simply great. Kad merad who plays his father is astonishing too,just like every single character. the movie is becoming progressively more and more better. Although the movie beginning didn't seem to be fantastic, when i left the theater, i was thinking: what a slap in my face!!!

And if you want to see a great movie that put in scene particular relationships between different peoples, that will blow you away,don't hesitate, go see this movie.

I was given this movie and did not know anything about it. I have been very touched by the story. The actors are very good in their roles and don't overact. The film was quite hard sometimes however it really shows how strong the family links between brothers and sisters can be. The relationship between Lili and Grenouille is also full of reality. It is hard sometimes to understand how the father react to the cruel words read by his daughter on the cards she received but it is his way to protect her and it is a very noble act. Melanie Laurent is a little rising star for the french cinema. I really advise you to see this movie as it is a beautiful one.

This project almost didn't get off the ground artistically because it is loaded with so many inconsistencies and improbabilities. When the parents of 19-year-old Lili walk around like zombies, evade all attempts by the girl to learn her brother's whereabouts and generally bring the story to a halt, it's up to Melanie Laurent to inject as much life as she can into the plot. That she is so successful is a tribute to her great talent and charisma as a performer. The hospital scenes must have been especially difficult for her, but they work very well. I must say she looks very convincing as an anorexic. Aissa Maiga as Lili's friend and Julien Boisselier as her boyfriend also provide strong support (but Boisselier seems a bit too old for the part).

Philippe Lioret on the basis of the three films of his I have seen, seems to be a capable but hardly inspired director. He relies a lot on the actors to drive his pictures.

Don't Worry, I'm Fine is a relatively simple film, but it soars thanks entirely to Melanie Laurent's revelatory performance. The film is about this young woman's struggle to go from being entirely dependent on others to learning how to rely on herself and be her own woman, and along the way Laurent goes through the darkest stages of depression and finds happiness. She keeps us with her the entire time, our heart hurting when her's does and our spirits lifting right with her. The kind of emotion that she digs into and pulls out is rare to see in film these days, but she is at the peak of the acting world. The way she emotes her struggle is wrenching and very empathetic. As a whole the film doesn't have a lot going for it, it sticks pretty close to it's one theme and goes with it, but at the end of the day it's a character piece that finds it's strength in Laurent's extraordinary work here.