Zinda

Warning: I'm a German-Japanese / Poor English

Abnormally, i'd generally like to experience remade flicks. More so the if i loved the original. I know there are extremely few which equals or excels to the original but it's not a big problem for me 'cause i don't even expect them to. It is to me like a bonus track of a beloved album, no more no less.

So i got no hesitation in checking Zinda as well (i was even excited actually) 'cause the original must be in my all-time best 10, but, oh my..

I won't say any more about this XEROX COPY crap. (copied on retarded machine, moreover) Nough said by nough people.

Now one thing i just can't believe is how this could be legal. As far as i've read on internet articles, Sanjay and his people haven't even paid a penny to the original Oldboy makers for doing this, which means Zinda is not an official remake of Oldboy. Then what the h..! is Zinda's identity? Some's gonna say it's JUST BASED ON or INSPIRED thing but you know it's way beyond those kinds. Then what?

Sort of Homage thing ? Yea possible, but Sanjay and his company have hardly mentioned about the original on either official ads & reports or non-official comments. Instead, Sanjay's kept saying he's got a bit INSPIRED ONLY and Zinda is totally different from Oldboy or something like that. Besides, more importantly, while shamelessly copying scenes-by-scenes from Oldboy, Sanjay intentionally missed the KEY-POINT of Oldboy's story for his own audiences' taste, for COMMERCIAL PURPOSE in other words. Then how can we call it Homage anyway ?

My conclusion is : Zinda is not only a copy crap, it's rather A CRIME, LITERALLY. I don't understand why Oldboy makers let them make money with this stolen thing.

Am i disappointed ? No i'm fine i didn't even expect. I'm just p***ed and upset for this shitmakers' shamelessness that's all.

Bollywood should NEVER try to be as ambitious to tackle films like Oldboy. Indian morality eventually gets in the way. Such attempts are cringeworthy. Do not bother watching Zinda unless you like talentless 'eye candy' type films. Watch the original instead. What is it with Bollywood anyway? They shamelessly copy from oriental cinema/Hollywood and try to pass it off as their own. You can't help but feel disappointed. It was a massacre of the cultish Oldboy. You have to have a strong stomach to stomach some of the things that happen in Oldboy. Its like Bollywood was sugar coating the themes in Oldboy and what do you end up with? A version which your granny can watch with you without feeling too offended. If that was the case then Zinda should never have been made. Well it shouldn't have!

... I totally agree with the previous comments, how can someone copy shameless a good movie AND took out the best scenes and best story elements? Oldboy is definitely one of the best movies (that's why it's good story copied that often), but when I try to copy something than I try to IMPROVE the copy, not to omit the best things! I'm sure the good voting only were given by people who didn't see the original movie.

Please watch Oldboy - you will not waste your time. I really don't understand this Bollywood "Hype", bad actors, bad cinematography and a copied or other well known story - it's always the same. Finally I only recommend you to spend this 116 minutes of your valueable life with other things than watching this movie!

Having seen the Korean movie that Zinda is based on, and realizing how difficult a job Sanjay Gupta had on his hands, I went into this screening giving Zinda all the chance I could. What I eventually ended up watching got me thinking: Since Gupta has seen the original, what did he see at all in his version that he let it be released in cinemas? He should have left this movie on the shelves, or let out a quite Home video release and saved himself a lot of face. Or be man enough to announce that he failed. It is impossible that he could have been satisfied with the end-product. For a movie where the director deceives himself, what chance do the audience have? Zinda follows the life of Bala (Sanjay Dutt) who is plucked off his beach-house in Bangkok without notice, shortly after arriving there with his wife. He is imprisoned in a hotel-room, fed & cared for and yet devoid of all human contact. He is not even allowed to kill himself. His only contact with the outside world is a Television set which eventually gives him news that his wife has been killed and all evidence points to him as the murderer. 14 years of solitary confinement followed by sudden release fuels Bala's quest for vengeance against his captor (John Abraham). At his aid are a Female Punjabi Cab Driver (Lara Dutta) and his childhood friend (Mahesh Manjrekar).

Sanjay Gupta and Sanjay Dutt as White Feather Films make a formidable team. Since rediscovering himself as a 'remake' film-maker, Gupta has been Indianising movies quite well. Somehow, they have always managed to entertain the testosterone audience. But here Gupta sets himself too high a target. Oldboy, the Korean film that Zinda is a remake of, is a masterpiece in film-making. The movie cannot and should not be tinkered with in its story and characters. All Gupta wants to do is pick the stylization from Oldboy and fit it into a movie he has imagined he can make. Yes, style has sold film before, but a minimalist interest in the script only works to negate any effect that the sleek-look may have. To give credit where due, Sanjay Gupta does make an attempt towards a movie like nothing we have 'seen' before. But a failed attempt does not a good movie make. Sanjay Gupta has always been a master technician of his movies, but this movie falters at a more basic level - it's writing. The theme of the movie is Revenge. But is Sanjay Dutt's Bala interested in revenge at all? Yes, to begin with: when he tries to discover the place where he was held captive. But thereafter all he is interested in is staring, walking, staring, running. With such a strong motive behind a well established character, where is the pay-off? Dutt himself gives a good performance. But with no backbone. This is not an act where even if the movie collapses all around him, his performance will emerge from the rubble as a saving grace (as it was in Pitaah). We have seen Mr Dutt do a lot better than this before, and in contrast, his Bala is too mediocre. John Abraham also does a good job - but unfortunately, the consistency and fierceness of his character does a 180 at the end, thanks again to the writing. He takes the entire movie to prepare this wonderfully evil character and ends it by adding a teaspoon-full of sugar. Lara Dutta does her best to look babe (she succeeds), but fails to convince us as a Punjabi or a cab-driver. Another White-Feather alumnus Sameera Reddy could have been a better choice. Mahesh Manjrekar is a lost cause.

Sanjay Gupta and his cinematographer Sanjay F. Gupta (Oh, the number of Sanjays!) work well to mood the film right - but while the color-grading worked well in Musafir, and in Sanjay F Gupta's Karam, here the entire movie ends up with a grainy look. That, my dear Guptas, is definitely a not. The lack of dance-numbers and only background tracks is a positive, and Vishal-Shekhar with Strings add to a wonderful soundtrack. Down the years, maybe that's all this movie might be remembered for. And a somewhat decent, but copied, hammer-sequence.

My Rating --> 2/5

Many have said this before, but I'm afraid I have to repeat the opinion on the account that a surprising many have decided that Zinda is worth of anything more than 1 star in IMDb. Zinda is a unscrupulous photocopy of the masterpiece Oldboy, and should be avoided, if not boycotted.

Some will claim that Zinda is a 'tribute' or a 'remake' of the Oldboy. To them I ask one question: "What kind of filmmakers make remakes of a movie when the original came out two years ago and has been selling DVDs very well internationally?" It seems that this particular brand of Indian cinema has decided that it is quite content making money off of other people idea for free. And though it is impossible for the original filmmakers to sue the filmmakers of Zinda (on the account that Indian copyright laws does not allow for such suit), Zinda should be remembered as a true stain on the development of Indian Cinema.

Because it has photocopied a great movie, Zinda avoids being an absolute terror of a movie. However, this does not excuse Sanjay Gupta and the section of 'Bollywood' that has involved itself in Zinda's production. Because of the blatant plagiarism, and the Zinda's makers absolutely refusing to apologize and reimburse the original filmmakers, I must say Zinda deserves 1 star, if not 0.