Le chantage

This movie is the equivalent of shattering an already broken mirror. We are introduced to the happy, functioning family: Father's successful and climbing the corporate ladder in the advertising industry, while mom stays at home and takes care of cute-as-a-cupcake daughter. All is well...

(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)

...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.

If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.

I'd never heard of this movie until it showed up on DVD sites a couple of weeks ago. Then I read the comments here and thought, "Pass." But there was not much to choose from the other night, and the suspense/mystery/thriller genre is my favotire these days, so ... I picked it up. Glad I did because my wife and I enjoyed the movie. Certainly not a GREAT film, but very good. I liked the story, the film was nice and short, good characters. And we loved the ending and the twists. They were very clever. Overall, a solid suspense drama. Too bad this film didn't get released. Saw 4, on the other hand, goes wide and makes a ton.

A normal married couple's life (Gerard Butler and Maria Bello) is thrown into turmoil when their daughter is kidnapped and the kidnapper (Pierce Brosnan) put's them through a series of brutal challenges and horrible experience, threatening to kill their daughter if they don't pass every challenge.

This is a gripping thrill ride that constantly makes you think what YOU would do in this situation and question why it's happening. There are very few clues throughout the movie as to why they have been specifically targeted by the kidnapper and there are a few roller-coaster twists at the end that are jaw-dropping.

It's a psychological thriller of note, with never-ending suspense. This is the problem. It's a constant torrent of "what are they going to do". It never relents nor gives a moment to breath. Consequently you become frustrated and irritated that the movie doesn't give you any answers. Eventually you're just waiting to find out what happens, rather than holding onto the edge of your seat.

Ultimately it lacks the balance of suspense versus relief of similar kidnap thrillers like Mel Gibson's Ransom. The suspense just turns to irritation However this film is well worth watching if you want a no-nonce thriller that requires little thinking on your part and don't mind that half the movie takes place in a car due to the small budget.

When their happy lifestyle is suddenly interrupted and turned upside down by the forceful intrusion of a menacing kidnapper (Brosnan), Abby and Neil (Bello and Butler) are left with no choice but to follow the increasingly difficult demands and tests set them by this man. It's edge-of-the-seat stuff most of the way, with plenty of twists and turns and even when you get to that stage where you think you know all the answers, something else catches you off guard. The three leading actors all provide sound performances in this intelligent, edgy little thriller, with Brosnan proving yet again, because a lot of people seem not to have realised it before, that he really can act.

A happy marriage formed by Neil Randall (Gerard Butler), executive of an advertisement agency and his spouse, Abby (Maria Bello) have the perfect existence and an early life in Chicago. With their lively young daughter, named Sophie, they are living the American dream . When the daughter is suddenly kidnapped, they have no choice but to execute with the kidnapper's demands who appears with a gun on the backseat of their car. The abductor named Ryan (Pierce Brosnan), a calculating and cold psychopath, takes over their lives with the cruel efficiency of someone who has nothing to lose. Over the next twenty-four hours they are at the mercy of a criminal who wants only one thing, that they do his orders. It soon becomes clear that Tom's demands are all the more horrifying because he doesn't wish their money that is burnt.

This exciting picture is packed with suspense, thrills, mystery,tension and extraordinary plot twists.Tense and stirring film with a moving race against time. This Hichcockian movie deals about a successful executive and wife when their daughter is taken hostage and suffer a brutal blackmail. Gripping, original action movie with the main actors desperately trying to find out the means avoid his daughter to be murdered. Excellent thriller full of intrigue and tense, this is a fast-paced, stylized action-suspense film. The tension of this picture keeps snowballing as the clock ticks ever close for killing the daughter. The tale appear to unfold in real time and most unusual is the device of having the victim play desperado and hunt the killers, and saving his daughter , as time runs out. Casting is frankly magnificent, Gerard Butler as tormented father, Maria Bello as affected mummy and Pierce Brosnan, also producer, takes honors as a sociopath who attempts to turn the tables on the victim before he can free his daughter. Adequate musical score accompanying the action by Robert Duncan and inventively photographed by Ashley Rowe. The motion picture is stunningly directed by Mike Binder. He's a nice director working usually for television as ¨Moby Dick¨, ¨Sea wolf¨ ,¨Lorna Doone¨ and occasionally for cinema as ¨A good woman¨, ¨To kill a king¨ and of course ¨Butterfly on a wheel¨ his best movie. Rating : Good film, above average and worthwhile watching .