Dagny Taggart, cadre dans les chemins de fer, et Henry Rearden, magnat de l'acier, s'allient pour lutter contre le gouvernement de plus en plus autoritaire des États-Unis.Dagny Taggart, cadre dans les chemins de fer, et Henry Rearden, magnat de l'acier, s'allient pour lutter contre le gouvernement de plus en plus autoritaire des États-Unis.Dagny Taggart, cadre dans les chemins de fer, et Henry Rearden, magnat de l'acier, s'allient pour lutter contre le gouvernement de plus en plus autoritaire des États-Unis.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
- Dr. Potter
- (as Armin Shimmerman)
- Dr. Robert Stadler
- (as Navid Neghaban)
Avis à la une
This movie should have to give ME five stars for sitting through it. This movie is a cinematic hate crime. This movie is like having your brain eaten slowly by monkeys with rusty spoons.
...and WTF? "Part 1?" There's more?
However, as a big fan of the book and given the current US and global political climate and turmoil, I would rather see this movie made now, under the conditions described above, than have to wait another 50+ years to see it hit the silver screen.
The filmmakers plausibly weaved the original Ayn Rand novel into the present without sacrificing much in the process. Combine that with solid acting and the overall feel of the movie, and they have delivered an enjoyable movie that I will see more than once in the theater, which is rare for me.
Not once did I feel that I was watching a movie that was "thrown" together as some have suggested, or that sacrificed quality or story. Instead this had nearly all of the look, feel and polish that you would expect to see in a big-budget Hollywood movie, with the sole exception of the A-list actors.
My fear though is that many people will skip this movie either because they have not read the novel or because they just don't hear about it. My wife is a perfect example as she does not plan to see it with me because the premise of the novel (which she has not read) did not interest her when I described it.
My biggest criticism is that this movie is too short (90 minutes long) and ended fairly abruptly. Given the amount of material involved, and that it is being split into 3 movies, the first movie could have/should have been at least two hours long.
There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.
or in other words, this gives me the Lulz
The general level of production is much better than a syfy TV movie, but it's much lower than most big screen theater releases. For a $4.3M production (if IMDb is accurate), it's actually pretty impressive. I have no problems with the production or Taylor Schilling's acting. She does a good job as the driven woman executive. The problems lie elsewhere.
I don't know how hard they try to follow the book, but I think they would be better off to abandon the storypoints and keep the philosophy. It's written in the 50's by a woman who doesn't know much about business or steel. It was questionable at its time but is incredibly outdated today. I don't know why the filmmakers believe steel would sound futuristic by people today. They are talking about steel...Right? We're watching IronMan and Transformers and steel is the new material?
This is an apocalyptic world on film. There is nothing new there. Every other movie is the end of the world. But the filmmakers really need to set it up better instead of some generic oil crisis. They're trying so hard to gin everything up to recreate the Atlas Shrugged storyline that it has no relevance to today's world. Instead trying to adapt the feel of the book, I think they try to recreate the book for today. Maybe it made sense when it was written, but it makes no sense today. It makes 'Red Dawn' look realistic.
I have many other problems with the movie logic here. Let's just say I rather not get bogged down. It's not a bad production if they could make the story more logical.
To anyone who has read the book, the movie lacks in several ways. The movie jumps in right at the point where the Taggert Transcontinental crashes after derailing. There's no background on the peoples' lives. You don't understand the relationships between Dagney, James (her brother), Francisco (her friend and first love) and Eddie (her friend and employee). You don't understand how much Dagney loves the railroad and how she took any job at the railroad when she was younger. It doesn't show how much the employees respect her versus James. You don't understand how intelligent and creative Francisco is and how he respects his ancestor who sacrificed everything for his love and his future generations so you're not confused (like you should be) why he's acting like he is.
I didn't get the "feel" of how desperate the general public deals with everyday life. Yes, there were a lot of street people, but the viewer doesn't understand why or that not everyone is lazy and/or greedy. You don't "feel" the disintegration of everyone's life and the country. You see superficial greedy, politicians but you miss the fear in most everybody's eyes. Also, it doesn't show how hard Dagney works to save the railroad by building the "John Galt Line." It doesn't show her frustrations or the long hours she puts in and how weary she becomes, but doesn't give up. Also, her office in the basement of the Taggert Building is sparse and cramped in the book which adds to her strength, but in the movie it looks just like her regular office.
The one scene that I think is important to the story is when Dagney is working very late one night and she sees a shadowy figure walk up to the door of her office and she thinks it might be Hank Reardon. The figure paces back and forth and then walks away. I think it's important to the story because later you find out it was John Galt and how he knew that it wasn't the right time to talk to her. The movie ends just like the book (part 1) with Dagney screaming "no!" at Wyatt's Torch. The movie is only 97 minutes long so they could have added more depth to the movie without tiring out the audience.
I don't think the movie will recoup the expenses of making the movie. If not, it doesn't seem they will truly continue with part 2 or 3.
Le saviez-vous
- AnecdotesIn the late 1970s, NBC had plans to bring the novel to television as one of the multi-part mini-series popular at the time. Ayn Rand wanted Farrah Fawcett to star, but the project never materialized.
- GaffesIn the beginning, showing a train at sunset, the train's cars switch from two-story to one-story, then back to two-story.
- Citations
Ellis Wyatt: Who the hell are you?
John Galt: My name is John Galt. I live in a place we call Atlantis, and I think you'd fit in there. It's a place where heroes live; where those who *want* to be heroes live. The government we have there respects each of us as individuals and as producers. Actually, beyond a few courthouses there isn't much government at all. Bottom line, Mr Wyatt; if you're weary of a government that refuses to limit its power over you, if you're ready at this moment to claim the moral right to your own life, then we should leave, and I'll take you there. I'll take you to Atlantis.
- Bandes originalesI Feel Young Thanks to You
Written by Steve Weisberg (Stove Proeber Music-BMI)
Performed by The Late Night Society Orchestra
Produced by Gary Gold and Steve Weisberg
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La rebelión de Atlas: Parte I
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 627 375 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 677 000 $US
- 17 avr. 2011
- Montant brut mondial
- 4 627 375 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1