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IMDbPro

Atlas Shrugged: Part I

  • 2011
  • PG-13
  • 1h 37min
NOTE IMDb
5,6/10
15 k
MA NOTE
Taylor Schilling in Atlas Shrugged: Part I (2011)
Trailer for Atlas Shrugged: Part I
Lire trailer0:16
1 Video
27 photos
DrameMystèreScience-fictionScience-fiction dystopiqueSuspense et mystère

Dagny Taggart, cadre dans les chemins de fer, et Henry Rearden, magnat de l'acier, s'allient pour lutter contre le gouvernement de plus en plus autoritaire des États-Unis.Dagny Taggart, cadre dans les chemins de fer, et Henry Rearden, magnat de l'acier, s'allient pour lutter contre le gouvernement de plus en plus autoritaire des États-Unis.Dagny Taggart, cadre dans les chemins de fer, et Henry Rearden, magnat de l'acier, s'allient pour lutter contre le gouvernement de plus en plus autoritaire des États-Unis.

  • Réalisation
    • Paul Johansson
  • Scénario
    • Brian Patrick O'Toole
    • John Aglialoro
    • Ayn Rand
  • Casting principal
    • Taylor Schilling
    • Grant Bowler
    • Matthew Marsden
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    15 k
    MA NOTE
    • Réalisation
      • Paul Johansson
    • Scénario
      • Brian Patrick O'Toole
      • John Aglialoro
      • Ayn Rand
    • Casting principal
      • Taylor Schilling
      • Grant Bowler
      • Matthew Marsden
    • 344avis d'utilisateurs
    • 62avis des critiques
    • 28Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Atlas Shrugged: Part I
    Trailer 0:16
    Atlas Shrugged: Part I

    Photos26

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux60

    Modifier
    Taylor Schilling
    Taylor Schilling
    • Dagny Taggart
    Grant Bowler
    Grant Bowler
    • Henry 'Hank' Rearden
    Matthew Marsden
    Matthew Marsden
    • James Taggart
    Edi Gathegi
    Edi Gathegi
    • Eddie Willers
    Jsu Garcia
    Jsu Garcia
    • Francisco D'Anconia
    Graham Beckel
    Graham Beckel
    • Ellis Wyatt
    Jon Polito
    Jon Polito
    • Orren Boyle
    Patrick Fischler
    Patrick Fischler
    • Paul Larkin
    Rebecca Wisocky
    Rebecca Wisocky
    • Lillian Rearden
    Michael Lerner
    Michael Lerner
    • Wesley Mouch
    Neill Barry
    Neill Barry
    • Phillip Rearden
    Christina Pickles
    Christina Pickles
    • Mother Rearden
    Paul Johansson
    Paul Johansson
    • John Galt
    Joel McKinnon Miller
    Joel McKinnon Miller
    • Herbert Mowen
    Steven Chester Prince
    • Engineer
    Armin Shimerman
    Armin Shimerman
    • Dr. Potter
    • (as Armin Shimmerman)
    Navid Negahban
    Navid Negahban
    • Dr. Robert Stadler
    • (as Navid Neghaban)
    Craig Tsuyumine
    • Reporter #1
    • Réalisation
      • Paul Johansson
    • Scénario
      • Brian Patrick O'Toole
      • John Aglialoro
      • Ayn Rand
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs344

    5,614.6K
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    Avis à la une

    michael-todd-penland

    Sweet Jesus! Part 1!?

    I had some time to kill and no wet paint to watch, so I decided to see what all the #libertarian fuss is about. This is one of the worst movies I've ever seen, and don't get me started on the utter vapidness of the story.

    This movie should have to give ME five stars for sitting through it. This movie is a cinematic hate crime. This movie is like having your brain eaten slowly by monkeys with rusty spoons.

    ...and WTF? "Part 1?" There's more?
    8dmcdesgn

    The book was finally made into a solid and enjoyable movie

    There are other reviewers which have chosen to discount this movie because it was made on a relatively small budget, has no major Hollywood stars, or because it takes place just slightly in the future, instead of the distant past.

    However, as a big fan of the book and given the current US and global political climate and turmoil, I would rather see this movie made now, under the conditions described above, than have to wait another 50+ years to see it hit the silver screen.

    The filmmakers plausibly weaved the original Ayn Rand novel into the present without sacrificing much in the process. Combine that with solid acting and the overall feel of the movie, and they have delivered an enjoyable movie that I will see more than once in the theater, which is rare for me.

    Not once did I feel that I was watching a movie that was "thrown" together as some have suggested, or that sacrificed quality or story. Instead this had nearly all of the look, feel and polish that you would expect to see in a big-budget Hollywood movie, with the sole exception of the A-list actors.

    My fear though is that many people will skip this movie either because they have not read the novel or because they just don't hear about it. My wife is a perfect example as she does not plan to see it with me because the premise of the novel (which she has not read) did not interest her when I described it.

    My biggest criticism is that this movie is too short (90 minutes long) and ended fairly abruptly. Given the amount of material involved, and that it is being split into 3 movies, the first movie could have/should have been at least two hours long.
    mthii

    Teenage Girl sees movie hates all her friends for next 3 weeks

    I couldn't get through the trailer or the fact that the names Dagny Taggart and John Galt aren't reserved for the Ken and Barbie Teabaggert Set.

    There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.

    or in other words, this gives me the Lulz
    4SnoopyStyle

    'Red Dawn' more realistic

    I don't want to make this a philosophical discussion on Ayn Rand. I rather talk about movie logic, and story construction. I've never read the book, and I'm not going to. It's the movie I'm reviewing and it has many problems.

    The general level of production is much better than a syfy TV movie, but it's much lower than most big screen theater releases. For a $4.3M production (if IMDb is accurate), it's actually pretty impressive. I have no problems with the production or Taylor Schilling's acting. She does a good job as the driven woman executive. The problems lie elsewhere.

    I don't know how hard they try to follow the book, but I think they would be better off to abandon the storypoints and keep the philosophy. It's written in the 50's by a woman who doesn't know much about business or steel. It was questionable at its time but is incredibly outdated today. I don't know why the filmmakers believe steel would sound futuristic by people today. They are talking about steel...Right? We're watching IronMan and Transformers and steel is the new material?

    This is an apocalyptic world on film. There is nothing new there. Every other movie is the end of the world. But the filmmakers really need to set it up better instead of some generic oil crisis. They're trying so hard to gin everything up to recreate the Atlas Shrugged storyline that it has no relevance to today's world. Instead trying to adapt the feel of the book, I think they try to recreate the book for today. Maybe it made sense when it was written, but it makes no sense today. It makes 'Red Dawn' look realistic.

    I have many other problems with the movie logic here. Let's just say I rather not get bogged down. It's not a bad production if they could make the story more logical.
    5valahey

    Atlas Shrugged

    The movie isn't awful, but it isn't that good.

    To anyone who has read the book, the movie lacks in several ways. The movie jumps in right at the point where the Taggert Transcontinental crashes after derailing. There's no background on the peoples' lives. You don't understand the relationships between Dagney, James (her brother), Francisco (her friend and first love) and Eddie (her friend and employee). You don't understand how much Dagney loves the railroad and how she took any job at the railroad when she was younger. It doesn't show how much the employees respect her versus James. You don't understand how intelligent and creative Francisco is and how he respects his ancestor who sacrificed everything for his love and his future generations so you're not confused (like you should be) why he's acting like he is.

    I didn't get the "feel" of how desperate the general public deals with everyday life. Yes, there were a lot of street people, but the viewer doesn't understand why or that not everyone is lazy and/or greedy. You don't "feel" the disintegration of everyone's life and the country. You see superficial greedy, politicians but you miss the fear in most everybody's eyes. Also, it doesn't show how hard Dagney works to save the railroad by building the "John Galt Line." It doesn't show her frustrations or the long hours she puts in and how weary she becomes, but doesn't give up. Also, her office in the basement of the Taggert Building is sparse and cramped in the book which adds to her strength, but in the movie it looks just like her regular office.

    The one scene that I think is important to the story is when Dagney is working very late one night and she sees a shadowy figure walk up to the door of her office and she thinks it might be Hank Reardon. The figure paces back and forth and then walks away. I think it's important to the story because later you find out it was John Galt and how he knew that it wasn't the right time to talk to her. The movie ends just like the book (part 1) with Dagney screaming "no!" at Wyatt's Torch. The movie is only 97 minutes long so they could have added more depth to the movie without tiring out the audience.

    I don't think the movie will recoup the expenses of making the movie. If not, it doesn't seem they will truly continue with part 2 or 3.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the late 1970s, NBC had plans to bring the novel to television as one of the multi-part mini-series popular at the time. Ayn Rand wanted Farrah Fawcett to star, but the project never materialized.
    • Gaffes
      In the beginning, showing a train at sunset, the train's cars switch from two-story to one-story, then back to two-story.
    • Citations

      Ellis Wyatt: Who the hell are you?

      John Galt: My name is John Galt. I live in a place we call Atlantis, and I think you'd fit in there. It's a place where heroes live; where those who *want* to be heroes live. The government we have there respects each of us as individuals and as producers. Actually, beyond a few courthouses there isn't much government at all. Bottom line, Mr Wyatt; if you're weary of a government that refuses to limit its power over you, if you're ready at this moment to claim the moral right to your own life, then we should leave, and I'll take you there. I'll take you to Atlantis.

    • Connexions
      Featured in Ebert Presents: At the Movies: Cowboys & Aliens/Crazy, Stupid, Love.....and the Worst Films of the Year So Far (2011)
    • Bandes originales
      I Feel Young Thanks to You
      Written by Steve Weisberg (Stove Proeber Music-BMI)

      Performed by The Late Night Society Orchestra

      Produced by Gary Gold and Steve Weisberg

    Meilleurs choix

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    FAQ21

    • How long is Atlas Shrugged: Part I?Alimenté par Alexa
    • Why Is The Production Company Titled "The Strike Productions"?

    Détails

    Modifier
    • Date de sortie
      • 15 avril 2011 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • La rebelión de Atlas: Parte I
    • Lieux de tournage
      • Piru Mansion - 829 & 837 Park Road, Piru, Californie, États-Unis
    • Sociétés de production
      • Harmon Kaslow & John Aglialoro Productions
      • The Strike Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 4 627 375 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 677 000 $US
      • 17 avr. 2011
    • Montant brut mondial
      • 4 627 375 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37min(97 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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