Guru

The beautiful photography of India, superb acting, and realistically told modern historical story make Guru a good choice as an eye-opener for someone who doesn't know Bollywood so well. And though the music is extraordinary, there is also somewhat less of it than sometimes.

Guru is the story of the rise of a man from a village to become the owner of maybe the most successful business in India (a textiles manufacturer), which also benefited its mass of middle-class shareholders in an unprecedented way. It spans 30 years. The film is said to be based closely on the story of a real person. It seems intended to inspire Indians to overcome the obstacles presented by corrupt practices, and it raises the question as to what is the appropriate response to a closed and corrupt system that forecloses legitimate opportunity.

It is a joy to find oneself in the hands of a master like Mani Ratnam.  I'd wondered if I'd find this movie at all dull or slow: I did not.  It moves along - there's a lot of plot going on all the time.  I would guess that we get from Guru's village origins to his years working in Turkey to his arrival in Bombay as an adult ready to go into business in less than 20 minutes.

Abhishek Bachchan gave a lovely performance as the son of a village schoolteacher who isn't much of a student, to his father's dismay. He declares his intention to have his own business, and disregards his harsh father's negative predictions about his prospects.  The character, Gurukant Desai, has a wonderful spirit - doesn't take no for an answer, also can laugh off irritants and obstacles, and the laugh is charming, at once boyish and manly.  He's "big" as a personality, and Abhishek is emotionally and physically up to it - you feel his great reserves of self-regard in the various ways he meets opposition, whether from family or business-world characters.

One of my primary responses to seeing the film today was gratitude to be able to see it on a big screen.  The movie occurs in city and countryside, the 50s through the 80s. Every visual image, and the whole field of the movie - scenes, sets, costumes, ambiance, acting style, music - worked together to tell an appealing story with a strong appreciation for India, as well as a potential inspiration and warning. 

I think a good test of a bio-pic, or pseudo-bio-pic, is whether or not somebody who doesn't know much of anything about the putative subject, which is me (in this case, the reference subject is a super-businessman named Ambani), experiences the story as having integrity, and for me this entirely passes that test.

And it's nice to see a Hindi movie in which parental disapproval is met with a "cut your losses" response rather than the sometimes maudlin kind of pining or carrying on about an "incomplete" life we often run into.  Moreover, this dynamic is not at all irrelevant to other levels of meaning in a story about a man in India who take on large defeatist cultural expectations to achieve success.  How should we respond to Father or principles or rules that are truly not serving our interests? It is also not irrelevant to how he plays his hand in relation to the corruption and cronyism he meets when he goes to Bombay to make his way.

Aishwarya is fine in a wife-from-the-village role who is a partner all the way, and I love her dancing. She also shows a definitely womanly aspect as the movie goes on. I am glad to see her in a role that does not confine her to the vulnerable-verging-on-breakable girl she is sometimes stuck in.

Mithun Chakravorty (of Disco Dancer fame) was  nothing but perfect as a newspaper owner who was a father figure to Gurukant and also significantly opposed some of his decisions.  The presentation of that complex relationship is a giant strength of the movie.  I don't recall running into this before, a scenario where an older generation figure is out to bring down a "son" and the love between them is dramatized as going on nonetheless.  I found it emotionally powerful, and insofar as there is a background allegory about India, excellent, about opposing and maintaining ties.

In a subplot that I couldn't find the rationale for, Vidya Balan as a lame girl and Madhavan as a journalist with high ideals and non-idealistic practices were appealing and romantic.

This movie is all about the vision of a person – Gurukanth Desai (Abhishek Bachchan) & his efforts to realize the dream, fighting against all odds. Some people say it is based on the life of Dhirubhai Ambani. I can see why they say so. But, this is actually a movie about a simple guy trying to make it big in this world. It can easily relate to just about any successful entrepreneur who has been able to achieve his vision.

This movie follows Guru's journey, starting from his teenage days; his first work in the petrol industry in Turkey. As he matures in age as well as in riches, he decides to start working for himself & begins his "bijjness"- His foundation stone & his first business takeover being his marriage with Sujatha (Aishwarya Rai). He steps into Bombay and bids to cut out his own route in textile trading, through the weed-infested fields of the trading unions. His entry into trading, is greatly influenced by the works of a news editor with great principles, Manikdas Gupta (Mithun Chakraborthy). The relationship between these two, then, goes on to progress to a father-son standard. Flanked by his innovative ideas & his sole will of realizing his dreams, he dares to foray into other areas, manufacturing polyester, producing chemicals etc.

But, as we near intermission, an important incident occurs, which makes Mithunda to take notice of the ways & means of Guru's success. To investigate Guru's work, he appoints a young reporter, Shyam Saxena (R Madhavan). This is where the story really starts developing its many twists & turns; involving many intricate plots bearing great emotion, building up wonderfully to a Grand Finale worth the huge expectations from this film.

Mani Ratnam as the Director does a commendable job of realizing his screenplay dreams. His attention to detail in every aspect of the movie is commendable, be it the evolution in the type of clothing which the characters wear or the concept of using different shades of colors for different decades in the movie, there is typical Mani Ratnam uniqueness written all over it. High points in the movie are the sequences between Mithunda & Guru, the simple chemistry between Aishwarya & Abhishek & of course, the Finale. The cinematography by Rajiv Menon is very nice, capturing the essence of the India of the bygone days. The editing though good for the most parts, was a little too flashy for my liking towards the end.

The music by AR Rahman is another huge point going in favor of the movie. The soulful song & tune of "Jaage Hain" & the ravishing song "Tera Bina" are pieces of musical brilliance. "Barso Re" is a melodious number, shot very beautifully with nice choreography. ARR plays his charm though his innovative & fresh music.

Coming to the performances, the beauty queen – Aishwarya Rai has given a wonderful performance, suiting her strong character in the movie. This is one of the few occasions, where her acting has done the talking & not only the looks. Madhavan does justice to the role of the sincere journalist. Vidya Balan runs her charm in the brief, but, important role she plays; portraying her unrelenting love for her quarreling caretakers. Mithun Chakraborthy's comeback role is the best that I've seen coming from this Disco dancer of yesteryears. He is involved in a few quite memorable scenes in the movie, adding his charm. Mallika Sherawath fans would be disappointed to find out that she doesn't have any role in the movie at all, except for a song.

But, this movie belongs to Abhishek Bachchan & none other. This is the once-in-a-lifetime opportunity to play such an important role & he has grabbed it with both hands. This is not a typical hero's role, which he portrays. There is the interesting addition of grayish shades to his character. His choice of role means that he probably wont have too many of his female fans swooning over him during the movie; but, it is his acting which steals the show here. He graces almost every frame with his presence. His dialogue delivery is immaculate, his energy & confidence in the movie is truly breathtaking, towering over all the other good performances in the movie.

Just returned from the theatres, now that I am home I feel genuinely very happy that Guru Kanth Desai is still going strong. I am also completely confident he will make Shakthi Corporation the biggest company in the world...by now you must be wondering what I am talking about, this is how many viewers would feel after coming out of watching Maniratnam's Guru.

First of all let me start by mentioning Abhishek Bachan's role, as this is the role that Guru is built upon. If there ever was a movie where one actor dominated so completely I would only compare Kamal Hassan in Nayakudu/Nayakan. Abhishek should be very proud of what he has accomplished in Guru, it is something that some actors haven't or will not achieve in a life time. He is impeccable for the hardest of critic to comment. His histrionics are brilliant and the way he lost and gained weight during different parts of the movie demonstrate how serious Maniratnam and Abhishek were in making this movie. Keep the awards ready please...Abhishek Bachan has his name stamped on them.

The story is quite simple; it is the narration and the characterisation that makes this movie so unique and interesting. it's about a common mans journey to build India's largest company with the help of its share holders by whatever means possible. In Guru, Guru Kanth Desai is not portrayed as an invincible man rather he is played as a very good business man who can talk and do right things at the right time. The narration of the story is so tight you never flinch. (This applies only to serious movie watchers, not the ones who cannot do without masala and comedy in a film) Maniratnam is one the best story tellers in our country if not the best, and he does that perfectly again. This will rate as one of the best works of Maniratnam; I would take the liberty of putting this Under Nayakudu/Nayakan which rates first on my list of Maniratnam movies.

The music is by A R Rahman, we all know what happens when Maniratnam and A R Rahman team up. Pure magic is created. More than the songs of Guru, the background score impressed me. It is the music in every important scene that brings the scene to life. Rahman is amazing and like Rang De Basanti the songs just blend into the movie. Not to mention Mayya Mayya and Barso re Megha in the first 20 minutes of the movie brighten up the whole theatre.

A word of mention...

Aishwarya Rai has a very strong role in Guru; strong roles are very scarce in Bollywood these days...especially for female artists. Aishwarya stays with Guru throughout the movie and stays on the top of Bollywood by doing that brilliantly.

Mithun & Madhavan are the adamant characters that fight for the right, when I say adamant they really are in the movie and you feel their willingness to stay on the right side of things all through the movie. All the other supporting roles including Vidhya Balan are brilliantly enacted. There is no character that was underplayed or wasn't justified.

Where does this leave us...? Maniratnam has made a wonderful movie full of strong characters, great screen play, brilliant music and marvellous photography by Rajiv Menon. He needs to be commended for this effort. It is no wonder he takes two years to make out one movie, Guru was worth waiting for...so here I am already waiting for his next

Beautiful movie. The director ventures into a plot that is seldom touched in India: The plight of Indian Businessmen, the prejudice that the general public has towards them, the disgust with which they are seen. The directions and scrrenplay is very close to some great Hollywood biographies/life-stories like Aviator and Wolf of Wall Street. The director covers a lot of ground in 2.30 hrs and nowhere it feels that the story is getting ahead of itself. And last but not the least, Abhishek Bachchan is exceptional in the movie, from his expressions to his dialogue delivery to his body language he looks like he is in reality Gurukant Desai. I really wish that other directors take a cue from this movie and bring to forefront such stories in breathtaking fashion.

We went to watch the late night show of Guru on Sunday evening and I must admit, in recent times, it was one of the most wonderful experiences of my life. There was not one moment which i regretted while watching this wonderful movie with the best in all departments. Full marks to Mani Ratnam and the whole cast. It is difficult to come out of a movie happy, yet charmed and to feel so proud of astute vision (also,to be an Indian if you are overseas!) Before I start raving about Abhishek and Aishwarya..have a couple of important things to do. Even the smallest roles (Abhishek's father, his mother,Aishwarya's father, her mother,the committee head and so many others) were done sincerely by actors who are very good at what they do but are unsung heroes in Indian Cinema..I mean i do see them in good, intense roles but because there is no glamor attached, I cannot recall their names.

A friend of mine suggested that I should give a balanced review by adding some bads of the movie too....huh!!was initially tough for me, since I was so overwhelmed;On serious thoughts, I thought let me do the worst job and then start the raves and praises!!!!!but come to think of it....here are some of my objections....there were too many songs;initially back-to-back (with my husband groaning.."oh no, not another song!!!!");I kept asking what happened to Jhignis (Aishwarya's brother) because he just disappeared;when Aishwarya and Abhishek broke up, the scene shook me, but I did not understand why it broke into my most favourite song..."Aye Hairathe"!!!; And last but not the least, Mithun da deserved more screen time, given his powerful performance!!

Nonetheless, this media called cinema has matchless power to shape and influence minds. The analogy drawn with Dhirubhai Ambani was just too good! I mean I know about his milestone work in industry, trade and commerce, but never would have wanted to read a biography on him. Now I am really curious and am inclined to dig the net.Let me clarify, not to come out and mock on how he made it big by breaking/making/kicking/obeying rules. But to know more about VISIONARY and ENTREPRENEURIAL thinking!! One of the most touching statements to prove this point were made by Abhishek Bachan (Gurubhai)when he justified his stand. He said to the tune of "I saluted when asked to salute;I kicked when asked to kick, now why ask why did you kick so much and salute so much??") reflected how bureaucracy, heavy entry barriers and closed doors policy in India stiffled business growth in that era. A typical 'rags to riches' story (I am stealing my husband's expression:D) but done so well with 'into the character' acting by everybody. How Abhishek managed to get all the Gujju expression (just part of his character) to portray his larger than life vision in life speaks volumes about his homework for this film. Being born and brought up in that region myself(Western India), I am totally familiar with local talk-walk!! He looked so ordinary, yet he did such extra-ordinary things!! In fact, in this context, the actor-character line looked so bleak. I did not know whom to reckon with more, with Abhishek for being Abhishek Bachan the son of Amitabh Bachan or with the so obvious Dhirubhai reference!! Aiswarya Rai was so down-to-earth, identifiable in this movie. I really liked her work and also appreciated how she chose to dance a little awkwardly in 'Barso Re Megha Megha' (despite the fact that she is a perfect dancer) just to portray that rusty, village belly gal!! I love to listen and listen to some of the songs, especially 'Aye Hairathe' which is so soulful, so meaningful, so heart rending!! Mithun Chakravarty played Nanaji so effortlessly; Have to agree that everybody was so right in their own shoes in this movie whether it was to promote the virtue of honesty, simplicity, clear vision or simple regard and respect for spouses, elders etc; that it was difficult to point out who was right and who was wrong. Mithun did not come out as a villain neither did Madhavan. Even I knew that Guru had paved his path with dirt smeared here and there, he did not seem to wrong at all.

It was a true work which is really inspiring and totally keeps you thinking!! Wonder if Abhishek Bachan will get the National Award of not....hope he does...:) From my side, everybody on the crew deserves one!!