Long Term Parking
- Épisode diffusé le 23 mai 2004
- TV-MA
- 57min
NOTE IMDb
9,7/10
15 k
MA NOTE
Ajouter une intrigue dans votre langueAs tensions with New York peak, Tony scrambles to contain Tony B's fallout, while Christopher and Adriana face mounting pressure that tests loyalties at home and inside the crew.As tensions with New York peak, Tony scrambles to contain Tony B's fallout, while Christopher and Adriana face mounting pressure that tests loyalties at home and inside the crew.As tensions with New York peak, Tony scrambles to contain Tony B's fallout, while Christopher and Adriana face mounting pressure that tests loyalties at home and inside the crew.
- Réalisation
- Scénariste
- Stars
Lorraine Bracco
- Dr. Jennifer Melfi
- (générique uniquement)
Dominic Chianese
- Junior Soprano
- (générique uniquement)
Jamie-Lynn Sigler
- Meadow Soprano
- (as Jamie-Lynn DiScala)
- (générique uniquement)
Aida Turturro
- Janice Soprano
- (générique uniquement)
9,714.5K
1
2
3
4
5
6
7
8
9
10
Avis à la une
The best of the best.
This is my favourite episode of the Sopranos. It is so suspenseful, emotional and devastating. Every award garnered was so well deserved. Beautiful, beautiful writing.
One of the best episodes i ever seen in my life
Amazing, heartbreaking, incredible acting Just 10/10 and now i understand the importance of this show in the next years of tv breaking bad don't exist without the sopranos.
The episode pivots around the tragic fate of Adriana La Cerva, who faces the harrowing pressure of being an informant for the FBI while trapped in a brutal mafia reality
"Long Term Parking," the twelfth episode of The Sopranos Season 5, directed by Timothy Van Patten is widely acclaimed as one of the most emotionally devastating, narratively complex, and cinematically sophisticated episodes in the series. Its profound exploration of loyalty, betrayal, love, and loss resonates far beyond the mafia underworld, touching universal themes of moral ambiguity, sacrifice, and the tragic consequences of impossible choices.
The episode pivots around the tragic fate of Adriana La Cerva, who faces the harrowing pressure of being an informant for the FBI while trapped in a brutal mafia reality. Adriana's escalating predicament culminates in a heartbreaking and shocking climax: Silvio Dante, under Tony Soprano's silent authority, drugs Adriana and drives her to a remote wooded area where she is executed. The tension builds masterfully throughout the episode, capturing Adriana's growing desperation, the complex emotional entanglement between her and Christopher, and the cold pragmatism of the mafia code.
Christopher's subsequent grief and addiction relapse lay bare the profound personal cost of survival and loyalty.
Parallel to Adriana's storyline, Tony continues to confront mounting tensions with the New York family, especially surrounding the fallout of Tony Blundetto's violent actions. These broader mafia conflicts underscore themes of power, retribution, and the limits of control. Tony's personal life also features a pivotal moment when he returns to Carmela, rekindling their fragile bonds amid the season's ongoing marital strife.
Van Patten's direction is a tour de force, combining raw emotional intensity with cinematic artistry. His use of shadow, natural light, and intimate close-ups heightens the episode's psychological depth and visceral impact. The pacing is meticulously crafted, navigating between the slow burn of domestic and emotional scenes and the heart-stopping tension of Adriana's fate. The episode's tight narrative focus and measured ambiguity invite viewer immersion into the moral labyrinth faced by each character.
"Long Term Parking" employs a muted and somber color palette, reflecting the episode's themes of loss and despair. The editing seamlessly interlaces multiple plotlines, maintaining narrative cohesion amid rising tension. The sound design and soundtrack-marked by poignant silences and evocative music-augment the episode's tragic atmosphere.
Performances are exceptional, with Drea de Matteo delivering a remarkably vulnerable and heartrending portrayal of Adriana's torment and courage. Michael Imperioli's Christopher conveys raw grief and volatile fragility following Adriana's death. James Gandolfini's Tony embodies the complex blend of ruthlessness and emotional fracture that defines his character's journey. The supporting cast enriches the narrative's emotional and thematic scope with nuanced characterizations.
"Long Term Parking" confronts the devastating costs of loyalty and betrayal within the mafia's merciless world. It starkly illustrates the moral compromises imposed by survival, and the shattering impacts of personal loss. It also explores the emotional isolation of women like Adriana, caught between love, fear, and constrained choices. The episode's title, "Long Term Parking," functions metaphorically, suggesting both Adriana's physical abandonment and the metaphorical permanence of the choices made.
The episode underscores The Sopranos' incisive critique of Italian-American masculinity, family loyalty, and the often brutal contradictions within cultural expectations. The psychological realism and refusal to sanitize harsh realities contribute to the series' reputation as a groundbreaking and transformative work.
Though the episode's intense emotional weight and tragic narrative may be distressing, its artistic achievements and narrative power solidify its status as a landmark in television drama.
"Long Term Parking" is a haunting, masterfully crafted episode that epitomizes The Sopranos' blend of raw human emotion and sophisticated storytelling. Timothy Van Patten's direction, coupled with profound performances and incisive writing, delivers a narrative of monumental emotional resonance and cultural significance.
The episode pivots around the tragic fate of Adriana La Cerva, who faces the harrowing pressure of being an informant for the FBI while trapped in a brutal mafia reality. Adriana's escalating predicament culminates in a heartbreaking and shocking climax: Silvio Dante, under Tony Soprano's silent authority, drugs Adriana and drives her to a remote wooded area where she is executed. The tension builds masterfully throughout the episode, capturing Adriana's growing desperation, the complex emotional entanglement between her and Christopher, and the cold pragmatism of the mafia code.
Christopher's subsequent grief and addiction relapse lay bare the profound personal cost of survival and loyalty.
Parallel to Adriana's storyline, Tony continues to confront mounting tensions with the New York family, especially surrounding the fallout of Tony Blundetto's violent actions. These broader mafia conflicts underscore themes of power, retribution, and the limits of control. Tony's personal life also features a pivotal moment when he returns to Carmela, rekindling their fragile bonds amid the season's ongoing marital strife.
Van Patten's direction is a tour de force, combining raw emotional intensity with cinematic artistry. His use of shadow, natural light, and intimate close-ups heightens the episode's psychological depth and visceral impact. The pacing is meticulously crafted, navigating between the slow burn of domestic and emotional scenes and the heart-stopping tension of Adriana's fate. The episode's tight narrative focus and measured ambiguity invite viewer immersion into the moral labyrinth faced by each character.
"Long Term Parking" employs a muted and somber color palette, reflecting the episode's themes of loss and despair. The editing seamlessly interlaces multiple plotlines, maintaining narrative cohesion amid rising tension. The sound design and soundtrack-marked by poignant silences and evocative music-augment the episode's tragic atmosphere.
Performances are exceptional, with Drea de Matteo delivering a remarkably vulnerable and heartrending portrayal of Adriana's torment and courage. Michael Imperioli's Christopher conveys raw grief and volatile fragility following Adriana's death. James Gandolfini's Tony embodies the complex blend of ruthlessness and emotional fracture that defines his character's journey. The supporting cast enriches the narrative's emotional and thematic scope with nuanced characterizations.
"Long Term Parking" confronts the devastating costs of loyalty and betrayal within the mafia's merciless world. It starkly illustrates the moral compromises imposed by survival, and the shattering impacts of personal loss. It also explores the emotional isolation of women like Adriana, caught between love, fear, and constrained choices. The episode's title, "Long Term Parking," functions metaphorically, suggesting both Adriana's physical abandonment and the metaphorical permanence of the choices made.
The episode underscores The Sopranos' incisive critique of Italian-American masculinity, family loyalty, and the often brutal contradictions within cultural expectations. The psychological realism and refusal to sanitize harsh realities contribute to the series' reputation as a groundbreaking and transformative work.
Though the episode's intense emotional weight and tragic narrative may be distressing, its artistic achievements and narrative power solidify its status as a landmark in television drama.
"Long Term Parking" is a haunting, masterfully crafted episode that epitomizes The Sopranos' blend of raw human emotion and sophisticated storytelling. Timothy Van Patten's direction, coupled with profound performances and incisive writing, delivers a narrative of monumental emotional resonance and cultural significance.
I'll see you up there
It is perfect and very sad at the same time. When the episode ended, my brother and I didn't know what to say.
Le saviez-vous
- AnecdotesAfter he moves back in with Carmela, Tony is watching the film It's A Gift (1934) while eating ice-cream. This is the same film he watches in the Season 3 episode "The Telltale Moozadell" as he lays in bed eating cake. This is perhaps a signal to Carmela that nothing really has changed with Tony.
- GaffesThe amount of champagne in Tony's glass changes when he tells AJ to slow down and savor it.
- Citations
Christopher Moltisanti: That's the guy, Adriana. My uncle Tony. The guy I'm going to Hell for.
- ConnexionsFeatured in The 56th Annual Primetime Emmy Awards (2004)
- Bandes originalesBarracuda
(uncredited)
Written by Ann Wilson, Nancy Wilson, Michael DeRosier and Roger Fisher
Performed by Heart
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 57min
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 16 : 9
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant





