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Vilniaus getas

  • 2005
  • 1h 50min
NOTE IMDb
6,7/10
1,3 k
MA NOTE
Vilniaus getas (2005)
GuerreL'histoire

Ajouter une intrigue dans votre langueIn 1942, in Vilnius, the Nazi annihilate 55,000 Jews and squeeze the 15,000 survivors in a seven blocks ghetto. The twenty-two year old sadistic commander Kittel is assigned to administrate ... Tout lireIn 1942, in Vilnius, the Nazi annihilate 55,000 Jews and squeeze the 15,000 survivors in a seven blocks ghetto. The twenty-two year old sadistic commander Kittel is assigned to administrate the ghetto in the capital of Lithuania, becoming the master of life or death. When he find... Tout lireIn 1942, in Vilnius, the Nazi annihilate 55,000 Jews and squeeze the 15,000 survivors in a seven blocks ghetto. The twenty-two year old sadistic commander Kittel is assigned to administrate the ghetto in the capital of Lithuania, becoming the master of life or death. When he finds the gorgeous Hayyah sneaking with one kilo of beans stolen from the German army, he sent... Tout lire

  • Réalisation
    • Audrius Juzenas
  • Scénario
    • Joshua Sobol
  • Casting principal
    • Heino Ferch
    • Sebastian Hülk
    • Erika Marozsán
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    1,3 k
    MA NOTE
    • Réalisation
      • Audrius Juzenas
    • Scénario
      • Joshua Sobol
    • Casting principal
      • Heino Ferch
      • Sebastian Hülk
      • Erika Marozsán
    • 14avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos1

    Voir l'affiche

    Rôles principaux74

    Modifier
    Heino Ferch
    Heino Ferch
    • Gens
    Sebastian Hülk
    Sebastian Hülk
    • Kittel
    Erika Marozsán
    Erika Marozsán
    • Haya
    Andrius Zebrauskas
    • Srulik
    Vytautas Sapranauskas
    • Weiskopf
    Margarita Ziemelyte
    • Lina
    Alvydas Slepikas
    • Kruk
    Jörg Lamprecht
    • Dessler
    • (as Jörk Lamprecht)
    Adrija Cepaite-Palsauskiene
    • Uma
    • (as Adrija Cepaite)
    Darius Meskauskas
    • Arntgen
    Jurgis Domasevicius
    • Timan
    • (as Jurgis Damasevicius)
    Eimutis Kvosciauskas
    • Tana
    Kristina Mauruseviciute
    • Judith
    Sigitas Rackys
    Sigitas Rackys
    • Kalman
    Vilma Raubaite
    • Liuba
    • (as Vilma Raubaité)
    Evaldas Jaras
    • Yankl
    Mantas Vaitiekunas
    • Yanosh
    Jurga Ragutskaite
    • Reika
    • Réalisation
      • Audrius Juzenas
    • Scénario
      • Joshua Sobol
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    6,71.3K
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    10

    Avis à la une

    8anastasia_ks

    Unique take on WWII

    I saw this movie in Mexico City, of all places, on Cinemax. At first I wasn't sure what to make of it, but I think that's why I liked it so much. You were never sure who to trust; who was good and who was bad (though, obviously, the Nazis were easy to categorize as the bad guys). The movie is really about Gens and the position he is in between the Nazis and the Jews. It really isn't clear whether he does the right thing; indeed, it isn't clear that there IS a right thing to do. In this way I thought the movie was more three-dimensional than "The Pianist," in which we know that our hero is an innocent victim. Here, Gens could be an innocent victim or he could be a ruthless opportunist. Or he could be both. In my opinion, that is what makes a character interesting.

    What impressed me the most about this movie, however, was the music. Please, if anyone could find a soundtrack for it, let me know. It was a great combination of opera, swing, and tango, and captured the passion and drama of the times. While it could be argued that "The Pianist" was, in Adrian Brody's own words, about how a man's love of music saved him during horrible times, that movie had almost NO music at all. This movie is a much better illustration of the theme of music and art being mankind's salvation.

    To me, a good movie is one that makes me think, one that rattles around in my head long after it ends. This movie passes the test, as I've been thinking of it on and off for several days. Yes, it is an odd blend of humor, drama, and horror, but I thought its uniqueness and depth made it a great film.
    8immarkkim-2

    Good, but could have been better

    This movie is different than most of WWII related movies. It is not as serious as other movies which makes it unique and perhaps worth watching. Although it has fairly good storyline, it is definitely not as strong as movies such as the Pianist. There is no strong character growth and it is hard to tell who is really the main character. However, it is interesting to watch how the story incorporates drama, musical, and some light humour all into a war-themed movie. I was bit disappointed in the acting, especially the voice acting. The audio almost sounds like as if it was dubbed because the voice you hear does not really go with the character. I would have rather liked if they just spoke in German, not in English. One of the main reason I watched it was because of Heino Ferch. Unfortunately, his acting seems bit artificial when compared to his acting in der Untergang and der Tunnel.

    Overall, it is a good film that could have been better.
    8Ritz83

    Good, but...

    I saw this film when I spent some time in Vilnius. Not long before I head spent some time in the genocide museum in the Lithuanian capital and I was fascinated by there history, especially during WWII. Since this movie was spoken in English, and everyone was talking about it I went to see it in one of the big theaters.

    It added to the experience to be in the city where the story took place, but regardless, it was very well done, it just seemed to be unsure whether it was a musical, play or war movie. That made it very original but also confusing at times. I see it as a lighthearted approach of something good during very bad times. Meaning that the tone of the movie switched often and took the audience of guard, which is a great thing, but it should have been done more subtle.

    I must add that the acting was superb, and my hat's off to Hülk, great performance!
    10AndyBrotherton

    Loved It

    I stumbled across this film by accident. And boy am I glad I did. I was hooked from the very start. A superbly made film. A great script, story and camera work. And the lighting is very good.The story is about a lot of Jewish people living in a ghetto during the 2nd word war in Lithuania. The main plot confuses you with the story of a German officer,who you can't tell or not is trying to save the Jews in the Ghetto. He was/is an artist and so he is drawn to the Jewish artists within the ghetto. They form a theatre while the Russians get ever closer to liberating them. And well I won't say any more and won't spoil it for anyone. Just watch it. It is an awesome film.
    7claudio_carvalho

    Impressively Cruel and Depressive

    In 1942, in Vilna, the Nazi annihilate 55,000 Jews and squeeze the 15,000 survivors in a seven blocks ghetto. The twenty-two year old sadistic commander Kittel (Sebastian Hülk) is assigned to administrate the ghetto in the capital of Lithuania, becoming the master of life or death. When he finds the gorgeous Hayyah (Erika Marozsán) sneaking with one kilo of beam stolen from the German army, he sentences her to death; but when he is informed that she was a former successful singer, he decides to activate the old theater and promote shows in the ghetto. The Jew Chief of Police Gens (Heino Ferch) uses the theater and a sewing factory to save as much lives as he can; in his ambiguous position, he kills Jews to save lives of others.

    "Ghetto" is an impressively cruel and depressive movie. The first point that impresses the viewer is certainly the cruelty and sadism of Kittel. Sebastian Hülk has an awesome performance in the role of the despicable Kittel and deserved a nomination to the Oscar. The screenplay does not spare the reality of the lives of the dwellers of this ghetto and their fight to survive in times of war, including the beginning of their resistance. However, it does not show the final destruction of the ghetto after a failed uprising on 01 September 1943 organized by the first Jewish partisan unit in Nazi-occupied Europe (the "Fareinigte Partizaner Organizacje" - the United Partisan Organization). The beauty of Erika Marozsán and the dramatic and conflictive position of Gens brilliantly performed by Heino Ferch, are also amazing. The music score gives a touch of class to this great Lithuanian production. My vote is seven.

    Title (Brazil): "Ghetto"

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The New York production of "Ghetto" by Joshua Sobol opened at the Circle in the Square Theater in New York on April 30, 1989 and ran for 33 performances.
    • Gaffes
      Bruno Kittel is wearing a Wehrmacht (army) uniform, while in fact he worked for the Gestapo.
    • Bandes originales
      Unter Daine Vaysse Shtern
      Lyrics by A. Sutzkever

      Music by A. Brodno

      Performed by Judita Leitaite and St. Christopher Chamber Orchestra

      Conductor Donatas Katkus

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    Détails

    Modifier
    • Date de sortie
      • 8 juin 2006 (Allemagne)
    • Pays d’origine
      • Allemagne
      • Lituanie
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Ghetto
    • Lieux de tournage
      • Vilnius, Vilnius County, Lithuanie(Old Town)
    • Société de production
      • Dragon Cine Venture Image Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 159 751 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 50min(110 min)
    • Couleur
      • Color

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