NOTE IMDb
5,6/10
20 k
MA NOTE
Ajouter une intrigue dans votre langueTwo assistant managers of a corporate grocery store vie for a coveted promotion.Two assistant managers of a corporate grocery store vie for a coveted promotion.Two assistant managers of a corporate grocery store vie for a coveted promotion.
- Réalisation
- Scénario
- Casting principal
Kris D. Lofton
- Second Kid in Parking Lot
- (as Kristopher Lofton)
Edwin Walker
- Fourth Kid in Parking Lot
- (as Edwin M. Walker)
Avis à la une
After watching Mr.Woodcock and Southland Tales, I was really looking forward to Seann William Scott's next production "The Promotion". As I have said before in a previous review, I always felt Seann had the ability to become the next Ben Stiller, and in The Promotion he again shows that Stiller had quite an influence in his delivery style. But The Promotion is not all about slapstick humor, although it had some very good moments. I'm glad that they didn't overdo the toilet humor. The Promotion has a really good message that some people might find cheesy, but I thought it was delivered very well.
John C. Reilly gives a good performance although his character was a bit unpredictable, at first I sort of expected an intense but wacky rivalry like one of Vince Vaughn's treacherous characters, but John played a goofball with some serious cultural clashes. Jenna Fischer was a welcome surprise, I didn't know she was in it and I'm a big fan of her from the US version of The Office. Jenna is a very underrated actress with a natural beauty, a girl next door type of demeanor, and a very pleasant personality. She did well in her part although it was a very typical role. The other characters fit in well, with notable exceptions to the store manager and the executive guy, Mitch, who was very suave and professional throughout the movie.
7/10, it's a good viewing for those who like to laugh, settle down, perceive some rather dramatic or emotional parts, then laugh again.
John C. Reilly gives a good performance although his character was a bit unpredictable, at first I sort of expected an intense but wacky rivalry like one of Vince Vaughn's treacherous characters, but John played a goofball with some serious cultural clashes. Jenna Fischer was a welcome surprise, I didn't know she was in it and I'm a big fan of her from the US version of The Office. Jenna is a very underrated actress with a natural beauty, a girl next door type of demeanor, and a very pleasant personality. She did well in her part although it was a very typical role. The other characters fit in well, with notable exceptions to the store manager and the executive guy, Mitch, who was very suave and professional throughout the movie.
7/10, it's a good viewing for those who like to laugh, settle down, perceive some rather dramatic or emotional parts, then laugh again.
"The Promotion" could easily have been written as a gross out comedy, in which case it could take it's place among the many failures of that overworked genre. Instead, it is a drama that includes amusing situations, none of which resort to slapstick for laughs. Sensitive performances by both Sean William Scott and John C. Reilly, add immeasurably to the film. There is a feeling that "I've been in situations like this myself". In the end the movie has a lot to say about honesty and relationships. Both main characters elicit sympathy, and the outcome of the supermarket promotion is in doubt until the final deciding interview. - MERK
This film is about two assistant managers of a supermarket fighting for a promotion to become the manager of the new branch.
The two assistant managers, Doug and Richard, are both developed well. They come across as real human beings that I care about. They are both torn between their need to climb up the ladder, but are both restrained by their morals. This soul searching is beautifully depicted, giving the story depth and charm.
I find "The Promotion" to be very well made. It successfully strikes the right balance between dirty office politics, reflections on moral issues and humour. This is really hard, given the fact that the topic of the film is likely to arouse some negative emotions in the viewer's own work place. I really enjoyed watching "The Promotion".
The two assistant managers, Doug and Richard, are both developed well. They come across as real human beings that I care about. They are both torn between their need to climb up the ladder, but are both restrained by their morals. This soul searching is beautifully depicted, giving the story depth and charm.
I find "The Promotion" to be very well made. It successfully strikes the right balance between dirty office politics, reflections on moral issues and humour. This is really hard, given the fact that the topic of the film is likely to arouse some negative emotions in the viewer's own work place. I really enjoyed watching "The Promotion".
Ever sat through one of those movies that you're hoping something's going to happen - and it doesn't? The Promotion is one such movie. Here's the uninspiring story of two guys - both intent on being promoted within a corporate supermarket franchise.
That's the premise - short and sweet. Naturally there's some tension between both men competing for the position, but overall the humor is weak; the competitive nature of the applicants is unconvincing and the story flat-lines a couple of minutes into the film.
John C. Reilly is the hopeful manager from Canada while the incumbent is Seann William Scott.
There's nothing to it, nothing to expect and with only a hint of infidelity or upheaval, it's best left out of the spotlight - preferably collecting dust someplace in a $1 rental outlet...
That's the premise - short and sweet. Naturally there's some tension between both men competing for the position, but overall the humor is weak; the competitive nature of the applicants is unconvincing and the story flat-lines a couple of minutes into the film.
John C. Reilly is the hopeful manager from Canada while the incumbent is Seann William Scott.
There's nothing to it, nothing to expect and with only a hint of infidelity or upheaval, it's best left out of the spotlight - preferably collecting dust someplace in a $1 rental outlet...
Not the best comedy I've ever seen, but it had it's moments. Occasionally, I did find something to laugh at during a few scenes.
John C. Reilly was was alright but, I expected more from him. Sean William Scott played a push over, a wimp who was the opposite of the American Pie Stifler character that he's known for. I wouldn't classify the movie as deep or profound, but it does have some things to say about ambition and the cost of success.
I would characterize the movie as being more mildly comical than outright hilarious. As a whole the movie was rather tepid. Some of the jokes were juvenile and others didn't work. In the end the movie succeeded more than it failed.
There was enough going on within the movie to keep my attention. Overall it was run-of-the-mill.
John C. Reilly was was alright but, I expected more from him. Sean William Scott played a push over, a wimp who was the opposite of the American Pie Stifler character that he's known for. I wouldn't classify the movie as deep or profound, but it does have some things to say about ambition and the cost of success.
I would characterize the movie as being more mildly comical than outright hilarious. As a whole the movie was rather tepid. Some of the jokes were juvenile and others didn't work. In the end the movie succeeded more than it failed.
There was enough going on within the movie to keep my attention. Overall it was run-of-the-mill.
Le saviez-vous
- AnecdotesJim Carrey was briefly interested in the lead role.
- GaffesRichard Welhner is from Québec, and his car has Québec plates, but vehicles from this province only have license plates on the rear of the vehicle, not on the front.
- Bandes originalesManeater
Written by Sara Allen, Daryl Hall and John Oates
Performed by Clair Marlo and her Orchestra
Courtesy of Invisible Hand Productions
Meilleurs choix
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- How long is The Promotion?Alimenté par Alexa
Détails
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 408 709 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 493 $US
- 8 juin 2008
- Montant brut mondial
- 457 690 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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