Bangkok Dangerous

First of all, for those of you seeking an incredibly deep and intriguing story line, this movie is not for you! This is a movie for people who just want to see some good solid action and good entertainment.

When i first saw the grade on IMDb i was a bit skeptical, but after seeing the movie i was quite satisfied with it.

Sure, it is quite predictable and the acting is not ground breaking. But the lasting action was quite entertaining for me.

The biggest flaw of this movie is probably the story line. Some parts of the story are rather rushed without telling background information. Sometimes the story feels a bit rushed with more focus on the action than the actual reason for an event to happen. Some parts of the movie feel a bit overdone and unnecessary making the main character look quite dumb...

I find this movie worth a 6,4 (i did not want to give it a 6 because i do find it deserves higher than a 6, this explains the 7 star rating)

Bangkok Dangerous is an oft frustrating and disappointing experience, not because it is inherently bad per se, but rather because it shows promise yet consistently squanders it. At its core, the movie exists as a compelling and –at times- engaging feature that caters to high octane thrills and adequate drama. Yet burdened with an overwhelming sense of kitschy design put in place to satisfy those looking for no-fuss action, the feature inevitably comes to a close in a manner that reflects the experience as a whole. This unconvincing back-and-forth structure inevitably hinders the movie's ability to fully envelop in the manner that it hopes to; the action can be potent, but all too contrived; characterisation welcome but treated as plot devices; drama which is emotive and interesting but underplayed all the same. A jarring, neurotic affair with underdeveloped promise and too many flaws to capitalise on such greater features, Bangkok Dangerous is a two headed monster, one of which is far easier on the eyes than the other.

Following impeccable and high-end contract hit-man Joe (Nicolas Cage), the focus of Bangkok Dangerous is simple; a man who lives by 4 rules which dictate how to do his job with precision and success, Joe is also one ridden with loneliness, unable to create relationships with anyone for fear of breaching his security. At its heart, this is the story that Jason Richman wants to bring out, and for the most part, it's what gives the feature its most engaging form of narrative. Going from here it's only natural that Joe should find a woman within his new location of Bangkok, who comes in the form of a deaf pharmaceutist. This subplot plays out well in the context of Joe's story; through her we see his softer, more human side, and Cage does well in getting across such sides of his character naturally. The romance isn't as potent as one might hope, but given that Bangkok Dangerous isn't exactly a movie likely to pander to the whims of romantics, such casual development is forgivable.

What isn't quite as forgivable however lies in two other subplots which too often distract and take up too much time from the two characters in the story that we care for. The first of these unwanted aspects comes in the form of Kong (Shahkrit Yamnarm) who essentially plays the part of Joe's apprentice of sorts, because, well, Joe sees a little of himself in Kong. Granted there are some strong moments that play out in this dynamic, but again hindered by a sense of trying too much in too little time, such moments are lost within a cloud of underdeveloped ideas. Branching off of this subplot is another which goes even further and tries to develop some sort of romance between Kong and a distant associate that supplies Joe with his contracts. Not only is it a superfluous and unnecessary inclusion, but it doesn't even provide any substance when it does show up. Every time I had to sit through such moments I couldn't help but think of what could have be shown on screen between Joe and his love interest, instead of the perplexing and inane "romance" that was in front of me.

Reinforcing the central motif of the film's sporadic and mixed bag nature though is its aesthetic design which often complements the movie's biggest and most poignant moments- action and character orientated. Perhaps the most significant and consistent of these elements is the enveloping score penned by Brain Tyler who has made a habit out of writing for creatively jarring movies such as this. Remaining as the only real constant of the film outside of Cage's natural performance, Tyler reinforces the moods of the film throughout, echoing themes of loneliness, confliction and unbendable duty through his similarly structured compositions. Although not quite as complementary or remarkable as the score, the photography by Decha Srimantra has some interesting moments in itself which help to draw the attention past the numerous instances of dry, uninspired action.

In the end however, Bangkok Dangerous essentially comes down to a battle between opposite forces, literally speaking. Like their central character, directors Oxide Pang Chun and Danny Pang are too often found conflicted by a willingness to stick to the genre's action-orientated blueprints and a more natural but fleeting sense of romantic characterisation. It's a statement in itself that Bangkok Dangerous, a film that will most likely attract those looking for explosions and gun fights, will no doubt leave such audiences underwhelmed by the mediocre action, and unfulfilled by a distinct lack of focus on such. Indeed, it's an interesting and ironic twist that the real substance and entertainment value to be had here lies in the character of Joe himself, and his conflicting state of mind rather than his weapons. That's not to say that Bangkok Dangerous is neutered, because it certainly has its thrilling moments, but such instances are best when left to pander to character rather than run off on their own. So while the movie certainly doesn't ever take off, it at least stays close to the ground with a fine and fitting performance from Cage, and tells a decent character story all the same; a throwaway action movie for those only interested in seeing action as consequence of drama and character.

• A review by Jamie Robert Ward (http://www.invocus.net)

It wasn't bad. Nicholas Cage looked really fat and tired, not his usually fit and tired self, and he played the cold assassin part with ease. But when it went into the 'shy in love assassination teacher that cares about his student and doesn't kill the good guys' part, it kind of felt rushed. I am sure you can see the problem here.

Basically it is a film about a man that rediscovers his soul... then dies from it. Not a fresh thing in Asian movies, but something that the (re)makers of this film bet the Americans will find cool. I, myself, understood the idea, but saw no reason in remaking the Thai movie that had the same idea and add almost nothing to it other than production costs.

Bottom line: sad-good-assassin story, with no twist. If you like stuff like that, watch it. Better than Hell Rider, anyway.

Bangkok Dangerous, a remake with alterations of the first Pang Bros' flick, makes adequate use of the exoticism of the city, while the line of action is not in disagreement with the mainstream tendency characteristic of this kind of action film. I must concede that Nicholas Cage' performance cannot measure up to the caliber of the hard-boiled, stone-faced, cold-blooded assassin he desperately tries to depict. It was reminiscent of two extraordinary characterizations of the type, one by Alain Delon in Melville's masterpiece Le samourai (1967, and Edward Fox in the original version of The Day of the Jackal (1973). Nevertheless, to dismiss the movie as poor entertaining or highly confusing is more a matter of expectations than of analysis.

Is it my imagination or has Nicholas Cage been involved in a lot of B-type films the past decade? I pretty much enjoyed this movie, don't get me wrong - but it's still not what you'd call a classy movie, not the kind of film he'd be involved with years ago. Now, he seems to prefer playing total wackos in stories that don't have a lot of credibility.

Here, he's a Joe The Hit-man in Thailand, who falls for Miss Wholesome, and then turns "Rambo" by killing 50 people while en route to saving his protégé. The only thing not a cliché was the ending; that was a bit of a shocker.

Shahkrit Yamnarm costars as "Kong," a man who becomes "Joe's" student. He's the one Joe saves. Charlie Yeung, a winsome Hong Kong actress who is almost 35 years of age but could pass for 21, plays Joe's love interest. Get this: she's a pharmacist, beautiful and wholesome as they come, and a deaf-mute! Yet, sleazy Joe sweeps her off her feet in no time!

Man, you have to really enjoy the stylish visuals and sound (which ARE very good), the pretty good.....and leave it at that, to enjoy this movie. It's better to just watch it with your brain on hold and enjoy it, because if you start thinking about it, the film gets dumb and dumber.