Ajouter une intrigue dans votre langueA young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Henry Tilney
- (as J J Feild)
Avis à la une
The actor playing Henry Tilney was charming (maybe more than the book Henry Tilney in fact) and all the others seemed to fit their roles. Carey Mulligan makes a very effective Isabella Thorpe and plays her part with subtlety while Felicity Jones looks just naive enough for the role of Catherine. I was only bothered by the choice of William Beck of Robin Hood to play John Thorpe. His physical appearance simply did not seem to fit the character. He is a very good actor but hardly attractive enough to make a valid love-interest for romantic Catherine.
The only reason I do not give it "10" is because of the absurd over-sexualisation of Catherine's dreams or the lending to her of "The Monk" by Thorpe.
This is taking incredible liberties with the historical period in order to "make it relevant" to 21st century viewers which TV film-makers must assume to be incapable of viewing anything with interest if it does not contain overtly sexual contents, though the contrary has been proved again and again.
It's beautifully lensed in color with excellent vistas of the English countryside and some impeccable performances from a first rate cast. FELICITY JONES and JJ FIELD are excellent as the young lovers, whether exchanging dialog that is on the humorous side or deadly serious, and CATHERINE WALKER is fine as Jones' confidante, Eleanor.
Time constraints make it impossible to ever do full justice to Austen's stories, but fans of the author should find this an enchanting enough version of the tale to satisfy Janite admirers, even if there are many omissions in the telling.
Very worthwhile, with high quality production values throughout.
In conclusion it's all very nice and pretty, (a kiss of death IMO) . The biggest gripe apart from the lack of any real tension and conflict in the plot would be Davies obligatory insertion of sexual misbehavior that is just so unlike Austen's novel. The Gothic elements introduced by Catherine's vivid dreams seem to have been heavily inspired by the 1987 version. I could be wrong about that, perhaps every adaptation has these boring dream sequences.
All in all, not my favourite Austen. You should never be bored by Austen.
Le saviez-vous
- AnecdotesFelicity Jones spoke about Jane Austen --- "People think Austen is a lot more romantic and straightforward than she actually is. She is quite practical about love and relationships --- she's very measured about who people should marry. What's quite interesting with Henry Tilney is that he doesn't necessarily fall madly in love with Catherine straight away. It's a very gradual development, and it's her enthusiasm for him that prompts him to return her affections. It's very subtle how she draws her characters, which is what I like."
- GaffesAt one point the dance caller announces that the next dance will be "Upon a Summer's Day." This dance was actually performed in an earlier scene, and is not the next dance in sequence.
- Citations
[last lines]
Catherine Morland: He thought I was rich?
Henry Tilney: It was Thorpe who misled him at first. Thorpe, who hoped to marry you himself. He thought you were Mr. Allen's heiress and he exaggerated Mr. Allen's birth to my father. You were only guilty of not being as rich as you were supposed to be. For that he turned you out of the house.
Catherine Morland: I thought you were so angry with me, you told him what you knew. Which would have justified any discourtesy.
Henry Tilney: No! The discourtesy was all his. I-I have broken with my father, Catherine, I may never speak to him again.
Catherine Morland: What did he say to you?
Henry Tilney: Let me instead tell you what I said to him. I told him that I felt myself bound to you, by honor, by affection, and by a love so strong that nothing he could do could deter me from...
Catherine Morland: From what?
Henry Tilney: Before I go on, I should tell you there's a pretty good chance he'll disinherit me. I fear I may never be a rich man, Catherine.
Catherine Morland: Please, go on with what you were going to say!
Henry Tilney: Will you marry me, Catherine?
Catherine Morland: Yes! Yes I will! Yes!
[They kiss, and she backs him into a wall in her passion]
Catherine Morland: [voiceover]
The Voice of Jane Austen: To begin perfect happiness at the respective ages of 26 and 18 is to do pretty well. Catherine and Henry were married, and in due course the joys of wedding gave way to the blessing of a christening. The bells rang and everyone smiled. No one more than so than Eleanor, whose beloved's sudden ascension to title and fortune finally allowed them to marry. I leave it to be settled whether the tendency of this story be to recommend parental tyranny or to reward filial disobedience.
- ConnexionsFeatured in Masterpiece Theatre: Northanger Abbey (2008)
- Bandes originalesThe Comical Fellow
Traditional
Performed by The Pemberley Players
From Thompson's 'Twenty Four Country Dances' (1776)
Meilleurs choix
- Which opera do Catherine, the Thorpes and the Tilneys attend?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- L'abbaye de Northanger
- Lieux de tournage
- Lismore Castle, Lismore, County Waterford, Irlande(Northanger Abbey)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 1.78 : 1