Ajouter une intrigue dans votre langueTen men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody!Ten men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody!Ten men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody!
- Réalisation
- Scénario
- Casting principal
John Campbell-Mac
- Parker
- (as JC Mac)
P.l Hobden
- Stone
- (as P.L. Hobden)
Greg Burridge
- Knepper
- (as Darren Burridge)
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Ross Boyask & Phil Hobden have created, in this movie, a work so awful that it is utterly compelling.
If you remember the dreadful photo stories from the girly teen comics of the 80's, (so brilliantly parodied in UK adult comic Viz) then imagine a moving picture version with violence, and you will be most of the way toward understanding the feel and presentation of this film.
The storyline itself, is a poor version of The Crow, without all the coolness of course, and without the exceptional feeling of empathy for the main character. Where The Crow had dark, brooding, Gothic brilliance, with a classic and memorable score, this movie failed at everything... except at being bad, that is. If revenge story lines were drinks, The Crow would be a fine vintage Champagne, whereas 10 Dead Men would be p*ss flavoured water.
Where it fails in the storyline department, it fails equally as spectacularly in the action genre department. The fight scenes are patently contrived and badly executed, and the gore effects brilliantly poor.
The acting itself is so appallingly bad, that the viewer is forced to consider the possibility that Boyask abandoned the traditional auditioning route, and instead opted for the less orthodox method of approaching likely looking characters in bars, and asking them if they wanted to be in his movie. Seriously, the acting is so bad, that at times even the walking looks strained and put-on.
Doug Bradley's narration seals the deal. It comes across as a badly written afterthought; an addition to the moving picture storyboard. It's almost as if the director realised that the acting talent within the cast pool was utterly incapable of putting the rather tired storyline across, and threw it in as a necessary evil. The movie is however, all the better for it.
And therein lies the brilliance in this movie. It is so unintentionally bad, that it compels you to keep watching, right up to the rather predictable and clichéd ending. One needs to look to the deliberately awful genius of Peter Jackson's 1987 movie "Bad Taste" to see this sort of dreadful. Where movies deliberately made this bad miss the mark of awful by the very act of trying to be such, this movie succeeds in spades entirely by accident... It is that which makes this movie worth watching.
I would have loved to have given this movie a 10 vote, if for no other reason than the maker's sheer lack of shame for releasing it. In the end, I gave it one star, because awful REALLY IS the best description for it... and that's why you should watch it.
If you remember the dreadful photo stories from the girly teen comics of the 80's, (so brilliantly parodied in UK adult comic Viz) then imagine a moving picture version with violence, and you will be most of the way toward understanding the feel and presentation of this film.
The storyline itself, is a poor version of The Crow, without all the coolness of course, and without the exceptional feeling of empathy for the main character. Where The Crow had dark, brooding, Gothic brilliance, with a classic and memorable score, this movie failed at everything... except at being bad, that is. If revenge story lines were drinks, The Crow would be a fine vintage Champagne, whereas 10 Dead Men would be p*ss flavoured water.
Where it fails in the storyline department, it fails equally as spectacularly in the action genre department. The fight scenes are patently contrived and badly executed, and the gore effects brilliantly poor.
The acting itself is so appallingly bad, that the viewer is forced to consider the possibility that Boyask abandoned the traditional auditioning route, and instead opted for the less orthodox method of approaching likely looking characters in bars, and asking them if they wanted to be in his movie. Seriously, the acting is so bad, that at times even the walking looks strained and put-on.
Doug Bradley's narration seals the deal. It comes across as a badly written afterthought; an addition to the moving picture storyboard. It's almost as if the director realised that the acting talent within the cast pool was utterly incapable of putting the rather tired storyline across, and threw it in as a necessary evil. The movie is however, all the better for it.
And therein lies the brilliance in this movie. It is so unintentionally bad, that it compels you to keep watching, right up to the rather predictable and clichéd ending. One needs to look to the deliberately awful genius of Peter Jackson's 1987 movie "Bad Taste" to see this sort of dreadful. Where movies deliberately made this bad miss the mark of awful by the very act of trying to be such, this movie succeeds in spades entirely by accident... It is that which makes this movie worth watching.
I would have loved to have given this movie a 10 vote, if for no other reason than the maker's sheer lack of shame for releasing it. In the end, I gave it one star, because awful REALLY IS the best description for it... and that's why you should watch it.
This is by far the worst British film I have ever seen. An absolute disgrace to my eyes, ears and general well being. Its suppose to be a 'action thriller' but turned out to be the unintentional 'Comedy of the year'. Me and my mates had a right good laugh at this tripe. God knows where we stumbled upon this steaming pile of dog toffee but it was soon discarded from my presence. I hate it that much it has a special place in my heart. We watched it several times and even viewed the 'making of', what a top laugh that was. I was tortured with the theme tune, little quotes and reminders of scenes to this day. All in all the term 'hate from the pit of my stomach' is thrown around too much these days but Ten Dead Men really fits the bill. The cast and crew should be ashamed of what they have done and let loose on the unsuspecting public. Ten men took Ryans life way. Ten men had to pay. Including Brendan Carr, Lee Latchford Evans, Terry Stone and that idiot 'the Projects Manager'.
AVOID AT ALL COSTS!!!
AVOID AT ALL COSTS!!!
This film is so utterly dreadful that I couldn't finish it. It's obvious that the "actors" were just martial artists plucked from a gym and had no acting ability whatsoever. There's been no story development past whatever gangster films the writer/director and producer decided to use elements of and lastly there's a voice-over ... which made me cringe every time I heard it, and insisted on telegraphing the story.
The story is not so much conveyed to us, but dictated to us which is just sloppy. Didactic films are not the way to go here.
It's at that point I stopped the DVD and checked out the IMDb. Guys, you proudly proclaim that this is your 40th film together. Did you actually bother learning anything from the previous 39? Things that are essential in film-making such as story, character, frame composition, lighting, sound design, music and directing? It's obvious that while you have the talent (or luck) to get projects off the ground, you've no idea about how to execute a film.
In summation, either watch a bunch of really good films and learn to see how they work ... or just stop now and let other people have a go. I really hope this isn't representative of your body of work but i've an odd feeling it is.
The story is not so much conveyed to us, but dictated to us which is just sloppy. Didactic films are not the way to go here.
It's at that point I stopped the DVD and checked out the IMDb. Guys, you proudly proclaim that this is your 40th film together. Did you actually bother learning anything from the previous 39? Things that are essential in film-making such as story, character, frame composition, lighting, sound design, music and directing? It's obvious that while you have the talent (or luck) to get projects off the ground, you've no idea about how to execute a film.
In summation, either watch a bunch of really good films and learn to see how they work ... or just stop now and let other people have a go. I really hope this isn't representative of your body of work but i've an odd feeling it is.
I never give up on a film, but I jacked this one in after only 20 Min's just now. Bad camera shots, equally bad editing and sound post production. The score is one of the worst I've ever heard. I really could knock up up better one right now (even the instruments/sounds used are cheap ass midi tacky rubbish).
And to cap it all, (bearing in mind this is meant to be a hard bloke sorta film), it's only got Lee Latchford-Evans from a crappy British Village People-esquire pop band called 'Steps' that destroyed the airwaves for a good ten years or so.. trying to act hard/gangster. Even if your not British and don't know who he is, it's still not gonna sit right.
I get the feeling the whole thing is devised and made by inexperienced, retired cage fighters still high on after show testosterone fuelled steroid binges.
And to cap it all, (bearing in mind this is meant to be a hard bloke sorta film), it's only got Lee Latchford-Evans from a crappy British Village People-esquire pop band called 'Steps' that destroyed the airwaves for a good ten years or so.. trying to act hard/gangster. Even if your not British and don't know who he is, it's still not gonna sit right.
I get the feeling the whole thing is devised and made by inexperienced, retired cage fighters still high on after show testosterone fuelled steroid binges.
I could only get about 3 minutes into this video. Most of the reason for this is because it is, in fact, a video and not a film. This is an important distinguishing feature, because the use of a video camera here has made the piece look amateurish despite some decent camera work and far above average editing. Everything is there to make this a mediocre film... except the film. A better camera and an actual professional sound crew would have made this video something worthy of the video rental vending machine I got it from. Unless you are a film student and want to view this from the point of view of a director/ editor, then I strongly recommend that you avoid spending any money on this at all.
Le saviez-vous
- AnecdotesThe movie was filmed to replace the higher budget feature 'Fixers', a film that had it's finance pulled at the last min. The film was originally intended as a finance trailer for Fixers but took on a life of it's own...
- Crédits fousProducers DB is short for producers Drinking buddy, a credit the producer always gives to his colleague Nick Milnes
- Versions alternatives'Ten Dead Men' has two versions, a desaturated colour version and a black & white accented colour version also.
- ConnexionsFeatured in Conversations with Dead Men (2008)
- Bandes originalesNo Bad Deed
Written, Produced & Performed by Damian Velika
© 2007 Damian Velika
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- 10 Dead Men
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 £GB (estimé)
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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