Ajouter une intrigue dans votre langueThe girl next door, having coffee, lunch with a friend, shopping, unaware she is becoming an obsession. She has been chosen. A young woman awakes to find herself imprisoned in a serial kille... Tout lireThe girl next door, having coffee, lunch with a friend, shopping, unaware she is becoming an obsession. She has been chosen. A young woman awakes to find herself imprisoned in a serial killer's basement. She is not the first to be entrapped in this diabolical torture chamber. She... Tout lireThe girl next door, having coffee, lunch with a friend, shopping, unaware she is becoming an obsession. She has been chosen. A young woman awakes to find herself imprisoned in a serial killer's basement. She is not the first to be entrapped in this diabolical torture chamber. She is not the first to captivate his perverse affection, Herman has been searching for the p... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
Avis à la une
The film starts out with some of the most awful shaky cam I've ever seen. If the viewer is prone to motion sickness, this may be a bit unbearable for them... I'm not overly susceptible, but another five minutes and this film would have been ejected. Luckily, it stops after the introduction.
And once the shaky cam goes away, we realize something that makes or breaks an independent film. In this case, it makes it: a good story. Thanks, Christopher Nelson. Sure, I've read multiple reviews saying this film covers familiar ground. And they're right. There's nothing particularly unique about a kidnapper and his victim. We could use a twist -- like a female kidnapper and a male victim. But as far as this archetype is concerned, I think they executed it well.
About the acting... the lead actor (James DuMont) is a bit silly, but fit the quirkiness of the role. The lead actress (Michelle Tomlinson) is solid. I don't think she stands out, I don't think this will launch her career... but she did well.
The quotations on the box are a bit weak --do you really need multiple quotes from my friends at Pretty Scary? -- but the movie was good. If you're a supporter of independent film, this certainly is worth your time. Not the most polished, not the greatest film of the year... but it held my attention and the attention of my friend Seth, which is more than we can say for most films when we're drunk off our butts.
But I finally watched this film after finding it on NETFlIX and my review goes as follows. Enjoy!
I really don't think this is a bad film, If your in the mood for a no brains, relaxing evening snuggled up ready to sink your teeth into a new cheesy slasher film.
But just one question. What is with the stickycam video quality? Are they just trying to imitate the shaky cam like in big budget action movies? I really don't understand. This film would of looked and been so much better if they would of just filmed it normal. Maybe with a little bit of floating atmospheric camera work still in it.
But with the sticky cam film quality I find this a little bit too much. Just make the damn movie without shaking the camera like your having a seizure, or don't make a film like this, like your watching a webcam through a 14.4bps dial up modem! When the hell did this kind of camera work become cool? It's not! It's so nauseating, I want to puke when I see it!
These stupid DP's these days, think that shaking the camera in an action scene like your having a sudden earthquake or seizure is so cool! They also think by doing this it adds intensity, fear,or excitement!
Well it don't all it does is make everyone think that they been drinking beer in the desert for 12 hrs!
Please no more shakycam or in this case it's younger brother sticky cam! Now I understand that the writers, and mainly the director wants us to feel what the characters in this film are feeling, but doing it through shakycam syndrome, or sticky digicam, well I've only seen one film where that works, and that was Saving Private Ryan, when this kind of camera work was first played with. They only used this in scenes with gun fire making impact, or a lot of explosions going off. This is the only time this style of filming works.
Don't use it for fight scenes, because you can't see who's hitting who, and don't use this style in your film, just because you think the director of photography is funny because he's been having a seizure for the last three months while filming.
There are many other ways to show emotions in a film. Whatever emotion that may be! Just ask David Lynch. He seems to create emotion through colour and just the score of the film. Do you ever see him shooting a film while he's in full on seizure mode! No you don't!
Thanks for reading.
Every once in a while you get to see a performance that reminds you why you go to the movies and James DuMont's performance it subtle, deep and compelling.
I was also glad to see the film had some substance beyond what I originally thought. It has a lot to say about isolation and need the for love. Both of which DuMont captures vividly. Making an otherwise awful character sympathetic. No small feat with a role like this and one that could have very easily been overplayed.
Please don't let my going on about DuMont detract anything at all from Michelle Tomlinson's wonderful performance. The two actors are equally matched in this clever cat and mouse game of love and survival.
Now I think it would be great to see them together in a romantic comedy.
I was glad I saw this movie and I think you will be as well.
Whatever. The film actually opens with a bloody chick who escapes and runs through the streets but no one sees her. She gets recaptured and croaks.
There's one huge problem with this movie which could have easily been solved -- the director is incompetent. It appears as if the entire movie is films with an over shaky jumpy hand held camera. After about 30 seconds of watching the frames jump around, you want to throw up.
Did he think he was being creative? I think he didn't know what he was doing.
It's could have been a fun diversion in the hands of another filmmaker. Instead, 6 full stars are removed for sheer incompetence. Next time buy a $20 tri-pod. The chopping belongs in the story, not on the film, sherlock. Better yet. Give up. You suck.
The story told in "The Cellar Door" was adequate for what it turned out to be. It was actually, just another stalker who captures prey and keeps it in the basement type of movie. You know the type, once you've seen one you have essentially seen them all. And the storyline told in this movie was rather predictable as well.
The cast ensemble in the movie was rather small, and sadly the cast wasn't putting on particularly memorable performances. And the fact that the characters portrayed in the movie were generic and non-distinct wasn't really helping either.
"The Cellar Door" is adequately paced which was a definite plus. However, the movie was struggling with the fact that it was just another generic torture flick.
This is clearly not a multi million dollar and the production level clearly shows that. But despite that, then I will say that they actually managed to do well enough with their endeavor.
This movie might be worth your time and effort for a single viewing if you have nothing better to watch at hand, but it is hardly a movie that you will go out of your way to get your hands on.
Le saviez-vous
- GaffesWhen Herman was stalking Rudy and her friend while in the SUV, you can see the cameraman's reflection when he drives away.
- ConnexionsFollowed by The Cellar Door 2: Preymates
Meilleurs choix
- How long is The Cellar Door?Alimenté par Alexa
Détails
Box-office
- Budget
- 250 000 $US (estimé)
- Durée
- 1h 26min(86 min)
- Couleur
- Rapport de forme
- 1.85 : 1