Un récit dramatique des interviews télévisées post-Watergate entre l'animateur britannique David Frost et l'ancien président Richard Nixon.Un récit dramatique des interviews télévisées post-Watergate entre l'animateur britannique David Frost et l'ancien président Richard Nixon.Un récit dramatique des interviews télévisées post-Watergate entre l'animateur britannique David Frost et l'ancien président Richard Nixon.
- Nommé pour 5 Oscars
- 23 victoires et 81 nominations au total
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My reluctance had to do with the expectation that it will offer nothing new to somebody who lived through the Watergate years and saw the Frost interviews (although remembering surprisingly little of them).
Ron Howard's film is anything but ho-hum - if anything it's a bit too gussied up to be exciting. There is an element of discernible manipulation of the audience, but mostly it works, and you don't long resist it.
The (relatively) unsung hero of the film besides Howard, Frank Langella's tremendous Nixon, and Michael Sheen's excellent Frost is the screenwriter: once again Peter Morgan (of "The Last King of Scotland" and "The Queen") engages mind and heart, and doesn't let go. Sam Rockwell's James Reston, Jr. and Oliver Platt's Bob Zelnick (Frost's two collaborators) are outstanding, and Kevin Bacon's Nixon-worshipping Jack Brennan is the actor's best work in a long time.
Morgan and Howard manage to make the viewer think constantly of another criminal President without saying or showing anything overt - they just let history, past and present, speak.
I had a strange, uncomfortable thought watching "Frost/Nixon": even if some future film "humanizes" (not excuses) Bush the way Nixon comes through this one, W. would still remain a malevolent midget against Nixon's accomplishments and actual *brain*. How far we have fallen.
Truly... An Historic Encounter of 2 great personaliies... Presented with panache and gripping dramatic flare!
The morning after the Watergate break-in, I brought the newspaper to my university, showing the brief article to everyone who would look. "Tricky Dick is at the bottom of this" I insisted..."NO! He wouldn't be that Stupid!" most of them replied.
In Nixon/Frost we get an insightful look at a gifted, multi-faceted, conflicted personality in all its haunting glory. Nixon was many things. Stupid was not one of them. A Ron Howard Movie about a TV interview? I was very skeptical, to say the least. One single viewing made me a true believer.
Ron Howard has crafted an instant Classic masterpiece. Ripe with couched metaphors and subtle tripwire dialogue, the film's power flows from Ron Howard's ability to present us with the cinematic equivalent of a 100 minute TV close-up of its title characters. Frost/Nixon turns a microscope on both Nixon's strengths and a shopping list of inner demons. Simultaneously vindictive, petty, rancorous, insecure and ever ready to play the victim, more than anything else, Frank Langella's uncanny performance evokes not any hatred, but great pathos.
History is replete with flawed geniuses. But only during the past half century or so... has there been a media obsessed with exposing them for the entire world to see. Michael Sheen is inspired as David Frost, undergoing a great onscreen catharsis. And the re-creation of the interviews is sublime! Cleverly and convincingly Presented as two deftly talented sparring partners, Frost/Nixon is an immensely entertaining/informative slice of history that should satisfy even the most discerning cinematic gourmet.
ENJOY! / DISFRUTELA! 9*********
For all many of us who lived through the Nixon presidency and Watergate, this is not the stuff of nostalgia or happy reminiscence. And when the Nixon tapes were published and his bigotry against just about everyone was revealed in explicit "expletive deleted" language, it was time to get disgusted all over again.
Here, portrayed by Frank Langella, we see Nixon as a lonely, vulnerable, angry, and bitter human being, a man who's made a bed he must sleep in for the next twenty years. We also see a manipulative and highly intelligent individual who, despite a great deal of success, had no self-worth. It's the feeling of being an outsider, of never being good enough, that led him to some atrocious decisions.
It's Langella's performance and Michael Sheen's wonderful performance as David Frost -- playboy, comedian, talk show host, and party-giver turned investigative journalist -- that anchor "Frost/Nixon." They are given great support by Kevin Bacon as Nixon's protective assistant, Jack Brennan, Sam Rockwell as James Reston, determined that Nixon pay for Watergate, as well as Oliver Platt, Matthew Mcfadyen, and Toby Jones.
I found the determination of Frost as he attempted to raise financing for the interviews and get networks interested -- with no luck -- very admirable and inspiring. And his gut instinct paid off for him big time.
I transcribed an interview with Nixon that took place in his home in the 1980s, as well as a speech he made during one of the Presidential election periods. He was a brilliant speaker, and as an interviewee, when the interview was over, he engaged the reporter in a very friendly personal conversation.
In the end, both those listening experiences made me sad, as did this film. For everything he achieved, Richard Nixon had undeveloped gifts and potential. He robbed the world of a lot more than the ability to trust government. But in the end, as the film shows, he robbed himself the most.
Le saviez-vous
- AnecdotesFrank Langella and Michael Sheen repeated the roles they created on stage. Ron Howard would only agree to direct if the studio would allow both actors to appear in the film version.
- GaffesFrost and Nixon behave as if they've never met before. In real life, Frost interviewed Nixon when he ran for president in 1968. Nixon enjoyed the interview so much that after he was elected, he met with Frost in the White House to discuss producing a television special.
- Citations
Richard Nixon: That's our tragedy, you and I Mr. Frost. No matter how high we get, they still look down at us.
David Frost: I really don't know what you're talking about.
Richard Nixon: Yes you do. Now come on. No matter how many awards or column inches are written about you, or how high the elected office is, it's still not enough. We still feel like the little man. The loser. They told us we were a hundred times, the smart asses in college, the high ups. The well-born. The people who's respect we really wanted. Really craved. And isn't that why we work so hard now, why we fight for every inch? Scrambling our way up in undignified fashion. If we're honest for a minute, if we reflect privately, just for a moment, if we allow ourselves a glimpse into that shadowy place we call our soul, isn't that why we're here? Now? The two of us. Looking for a way back into the sun. Into the limelight. Back onto the winner's podium. Because we can feel it slipping away. We were headed, both of us, for the dirt. The place the snobs always told us that we'd end up. Face in the dust, humiliated all the more for having tried. So pitifully hard. Well, to *hell with that*! We're not going to let that happen, either of us. We're going to show those bums, we're going to make 'em choke on our continued success. Our continued headlines! Our continued awards! And power! And glory! We are gonna make those mother fuckers *choke*!
- Crédits fousMichael Sheen and Frank Langella are credited simultaneously before the title. Sheen's name is on a lower level, but further to the left; while Langella's is higher up, but pushed to the right. Therefore, depending on whether you read the card top-to-bottom or left-to-right, either actor can be seen as being credited first.
- ConnexionsFeatured in At the Movies: Summer Special 2008/09 (2008)
- Bandes originalesBy George It's David Frost
Written by George Martin (as George Henry Martin)
Performed by Atli Örvarsson
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Frost/Nixon - La entrevista del escándalo
- Lieux de tournage
- Palos Verdes Estates, Californie, États-Unis(Nixon "San Clemente" Compound)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 18 622 031 $US
- Week-end de sortie aux États-Unis et au Canada
- 180 708 $US
- 7 déc. 2008
- Montant brut mondial
- 27 426 335 $US
- Durée
- 2h 2min(122 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1