The Loss of a Teardrop Diamond

This Tennessee Williams period story focuses on life in the south in the late twenties. Williams enthusiast and director Jodie Markell brings the overlooked play to the screen. While not for everyone, Loss of a teardrop diamond is a change of pace and refreshing as a breath of cool evening river wind.

The story begins with the character of Fisher Willow, who returns to her father's Mississippi river plantation after an education in Europe. Fisher is played by Brice Dallas Howard and is as smooth as Jack Daniels in this sultry southern role. Social troubles have plagued Fisher after her father has committed a despised act toward the southern end of the community by blowing the river levee on his property. Fisher becomes rebellious and indignant to a society who blames her for her fathers sins.

For reasons unknown to the audience Fisher has developed a strong attraction to Jimmy Dobyne. It seems that Jimmy's family has seen better times. Since the years his grandfather was governor of the state, his family has fallen from prominence into near poverty. Jimmy's alcoholic father finds himself dependent on employment from the Willow family.

It appears Fisher's Aunt Cornelia is in control of the family and demands Fisher complete her social debut. Fisher employs Jimmy to escort her to the debutante parties, that her aunt Cornelia, has insisted she attend. Jimmy who feels manipulated and somewhat controlled resists Fishers advances toward him.

The story, while somewhat tame does contains some racy scenes that center around a Halloween party where things get out of hand. These scenes would have been tricky if not impossible to film in the fifties. No doubt from experiences in his early life, and probably from places like New Orleans, Williams creates a mosaic of wildly contrasting characters to illustrate this story. With the lives of so many different characters coming together, the sparks begin to fly toward the end of this film.

For those of us who don't get to the theater much and depend on the cinema for our acting thrills, this film is just downright fun. The fact that it got made in this century is a pleasant and amusing surprise. Like "An Education", this film features a few strong unknown cast that are outstanding. It also features phenomenal stars Ellen Burstyn and Ann-Margret in wonderful, surprising cameos. Chris Evans shines-has their been a sexier role for a young actor? Bryce Dallas Howard is a wonder, and really pulls off a very demanding leading place in this film. Now blink you eyes and the plot takes you to a movie experience from before 1950. But that is exactly what is so fun. Southern style romance, twisted identical twins, dead bodies up the stairs-it is also somewhat predicable but very lovingly portrayed. I really like this film, exactly because I love the experience of pulling up to a movie theater on a cold winter night a getting the same good time my parents did in their day-a warm, sweet and somewhat bitter romance with a clear sense of time and place.

Don't go to this film expecting fireworks. Go for movie magic served Southern style by actors who are real and very good. This is what entertainment is about, and unfortunately it is a lost art these days.

This film tells the story of a governor's grandson who lives a poor life with his constantly drunken father. He catches the eye of an heiress who is obnoxious and is very unpopular. He has to make a choice whether to respond to her advances.

"The Loss of a Teardrop Diamond" is quite a strange movie because the main character is very unlikeable. She is rude and manipulative, and basically not a joy to be around. Fortunately, Chris Evans provides the eye candy for viewers. His character is very much the opposite of Fisher, which provides a bit of morals to balance the film's atmosphere. The story itself is quite plain for some strange reason. Though things do happen, and there is suspense and tension, I just don't care for the characters and I can't get into the film. The ending doesn't have enough closure regarding the diamonds, I think. The elderly woman's fate and the relationship between Fisher and Jimmy is also slightly too ambiguous.

I am a major fan of the works of Tennessee Williams and have everything that he has ever wrote that has been published. I also have all of the original 15 film adaptations of his work and all the remakes over the years. Tennesee Williams wrote this screenplay in 1980, but it was published posthumously in 1984. Then, we had to wait 24 years for it to be filmed. From my research, the film was made in 2008, but not released until January 2010. I do not understand the film industry's priorities that would withhold a film for two years. The film follows Tennessee Williams' screenplay very closely except for an added first scene that sets the tone for the screenplay's first scene where the underlying conflict is discussed but not shown. For most viewers, this added additional scene makes the conflict more understood rather than relying on the dialog to pick it up. It is refreshing to see a Tennessee Williams film where his screenplay is used. The majority of the screenplays for the 15 classic films were written by Gore Vidal to "clean them up" for audiences and censors. I will not discuss a synopsis of the film's characters and action. Instead, I recommend that if you like the drama of Tennessee Williams that you see this new film.

As a rule I despise the collective works of Tennessee Williams, but this production really works. Everything from the authentic costumes and sets to the collection of actors (a far cry from the melodramatic Leigh, Taylor, Brando and rest of the troupe of old previously favored for earlier renditions of Williams' work). Chris Evans and Bryce Dallas give an amazing performance, and compliments to the remaining cast and crew for making an awful piece of literature come alive in a most surprisingly delightful way.