Cleaner

Cleaner is a surprisingly boring and lackluster movie beautifully photographed. The casting is superb and would seem to be a sure recipe for cinematic success--Samuel L. Jackson, Ed Harris, Eve Mendes and Luis Guzman. The dialog is decent and well acted. The plot is where this movie just completely drops the ball.

The plot begins mildly unbelievably--A crime scene cleaner becomes unwittingly immersed in the cover up of a homicide--and then just snowballs downhill from there into a huge police cover-up (I don't want to "spoil" anything for any potential viewers) with an unbelievable plot twist and then ends in a thoroughly stupid and highly implausible ending.

The upside and downside is this movie is beautifully filmed and with such talent, thought and effort that the cinematography itself keeps you thinking it has to get better and it only gets worse.

I hope Ed Harris got paid a lot of money to do this film! Ed does a great job with the little he has to go with and proves what a great actor he is. Eva Mendes does a poor job playing a recent widow to murdered husband (is she angry/sad/sexy/conspiratorial/or just a gold-digger who married a sugar daddy who just got knocked off?). Luis Guzman does a solid job as usual.

I seem to enjoy the movies where Samuel L. Jackson plays a supporting role or shares the lead rather than being the sole lead e.g. Pulp Fiction, The Negotiator, A Time To Kill, etc... In Cleaner he does a reasonable job with a poor plot until the end where his acting coupled with a bad plot twist left me wondering what I could have done better with the time it took to watch Cleaner.

All in all I wish this cast and DoP would have had a better script. I would recommend that Matt Aldrich stick to acting and give up the script-writing. As I think everything was done well except for the storyline/plot aka the script. I give kudos to Renny Harlin (director) for a job well done.

What ever happened to Hollywood creativity? There was an interesting idea , about the guy who cleans up the crime scenes and discovers the cover-up of some kind. So far so good, and then it all goes downhill It takes all of grand 5 minutes to completely figure out the whole plot. This movie is ridden with the tritest of clichés. Characters couldn't be more boring and predictable. And the tragic part is,in all of this you could see the potential for a great thriller. It looks like the talentless, behind the scenes moneymakers, once again asserted their rights and ruined yet another movie. Will someone finally get rid of this morons and let the filmmakers do their job as they seem fit.

This is a fun, relatively forgettable little flick. I saw a documentary on real life cleaners of this sort, and that is a nasty business.

Samuel L Jackson does a good job, like he normally does. Cleaner is entertaining, and I think it does a pretty decent job sucking you into the story. Eva Mendes walks around looking like some computer animated hottie (that's just how she looks!) and also gets the job done.

OK, let me address the elephant in the living room, here.. How did Renny Harlin go from something easily watchable and entertaining like this, to The Legend of Hercules? I just don't get that. Moving on.

Cleaner won't keep you up at night, it probably won't be your all time favorite, but you are entertained while it lasts. Watching Jackson clean and talk about cleaning is pretty fun.

Tom Cutler is a crime scene cleaner – his company is contracted to remove the blood and gore left behind when the authorities have removed the bodies. A former cop, Tom is also a widower with a teenage daughter to look after. Tom gets a job like any other and cleans the mess from a bloody murder in a rich neighbourhood so that nothing remains for the family to see. He goes back the next day to find the family home but that they have no knowledge of his work or indeed that anything untoward happened. Trying to contact the cop who gave Tom the job turns out to be a dead end and a fake name, meaning that Tom has effectively deleted all evidence of a murder before anyone else knew about it. When the police launch a "missing persons" enquiry into a high-profile man in a police corruption case, Tom quickly finds himself up to his neck in trouble.

The cast attracted me to this and I wondered why, with all these people involved, I hadn't heard of it. Watching it helped me understand why it never came to my attention because it doesn't ever get going before it hurts itself. The concept is good enough as we have a former police officer now cleaning crime scenes used to delete the record of murder. On paper what happens also works well as skeletons come out of the closet and the stakes get higher as Tom nears the truth, however when it comes to delivery on screen, it all falls apart. The opening of the film is brisk enough but when it gets to the point where it has to start doing something (ie specifically when the crime is discovered) the film seems to slip into neutral gear and just coast on as before. As a result we get lots of stuff that don't work and should have been minimised or removed and also lots of stuff that is too average to impress.

What I am talking about is the lack of pace and tension in the film; I know that Tom is an older character and that a good thriller doesn't need shouting or running to engage but this film definitely needs some energy injected into it. It drags its way through the plot to the obvious conclusion (and, detail aside, it is pretty obvious) and it never really made me sit up and take notice. A lot of the problem is with the writing because on one hand we clearly have a film that is put together as a thriller but then on the other hand the writer seems keen to drive the film from the characters. Thus we have scenes of domestic troubles, moments with characters revealing things about themselves and, to be blunt, too much talking. It wouldn't matter if the film did this in a way that engaged me but at the same time it is attracting you with the thriller plot so that all this other stuff feels like a waste of time – they could have worked together but here they don't.

The cast can do nothing with it either, although none of them really help themselves. Considering what better films all those involved have done, it is disappointing to see them struggle or fail in different ways. Jackson appears to have been mis-directed because he is looking for something from within his character instead of just flicking into "thriller mode". Neither the material nor the film rewards this approach and his performance ends up feeling like another distraction. He does work well with Palmer though (who herself is very good) but again this whole side of the film feels like a distraction. Harris is obvious and a bit lazy, while Guzmán plays it the way you expect. Mendes is the biggest let-down for me. I know many don't rate her but I think she is good at what she does but, here, she just struggles with her dialogue and character and is about as poor as I think I've seen her.

Overall then what we have here is a flat film that never really sparks into life in any regard. The thriller core lacks energy and the associated threads of family etc are not allowed to grow and end up just being distractions. You can see the potential but without decided what it wants to be, general uncertainty has prevented anyone working too hard and has produced a surprisingly sluggish and dull affair.

The concept of cleaner is really interesting. An ex-cop becoming a crime scene cleaner. It's unique. We usually see ex cops becoming PI's or something similar. It's kinda gross to think about it and even more to see it but it's a real thing so it got my attention. The cast is also excellent. Big names like Samuel L. Jackson and Ed Harris will always catch your attention. Unfortunately that's where the good ends.

The convoluted plot is weak and unbelievable. Corruption, murders, betrayal, vengeance, affairs... it's like a bad telenovela. The ending is as weak as the plot. When the credits roll you're left with the thought of "what the hell was that?" Maybe someday someone can take the good idea and make it into something worth watching. This was not.