Ajouter une intrigue dans votre langueFollows the 19th century adventures of George Washington "Wash" Black, an 11-year-old boy on a Barbados sugar plantation who must flee after a gruesome death threatens to turn his life upsid... Tout lireFollows the 19th century adventures of George Washington "Wash" Black, an 11-year-old boy on a Barbados sugar plantation who must flee after a gruesome death threatens to turn his life upside down.Follows the 19th century adventures of George Washington "Wash" Black, an 11-year-old boy on a Barbados sugar plantation who must flee after a gruesome death threatens to turn his life upside down.
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This is a fresh take on the slave trade period, with gorgeous cinematography, excellent acting and directing, and great character development. Without giving away spoilers, the storyline is focused on the fragile hopefulness of new found freedom, despite the constant threat of being re-captured. This series delivers a satisfying feels good element throughout. 10/10.
This isn't just another slave series but naturally it takes place in the 1800s so there are moments where slavery comes into play. The series is about George Washington Black and his journey as a young adult learning advanced technology. He's an inspired black inventor. Lola Evan's is the co star. Her acting is excellent and she's very pretty. Sterling browns character is charismatic but he doesn't really have an accent and talks in modern day slang which can ruin the immersion.
Overall this show is kind of boring. The protagonist looks like Ed Sheeran. The plot is slow and predictable. I'd be surprised if this gets renewed for a 2nd season.
Overall this show is kind of boring. The protagonist looks like Ed Sheeran. The plot is slow and predictable. I'd be surprised if this gets renewed for a 2nd season.
One of the things I've learned as a woman who lives in Halifax NS, is that pickling isn't an easy process nor is it a quick one. I think that exemplifies the opinion I have of this show. It is as many before me have pined, a slow burn, but one worth waiting for, if anyone were to actually appreciate the patience and art of pickling.
The show is not for the faint of heart, but it's also for those who are full of hope and wonder and education. I do not possess any black ethnicity, and I don't pretend to understand some of the complexities of the story relating to such, but I do know what it's like to be of mixed race. Given the previous reviews of the show, I am not one that knows the original source material. However, I find that inconsequential in terms of evaluating a narrative.
This narrative is one to be sought after, and revered, especially given where I now live compared to where I grew up. I think most people would agree. This is a fantasy belayed in a manner that fits the main characters story.
Not a faithful telling in terms of accurate and time period historical relevancy, it, however, gives the viewer an understanding of the sentiment of the era... Which is perhaps the whole purpose isn't it? It is sad that some people who chose to only end their watching at the fifth episode, or ones that regaled against a true adaption of its source material, negate it as to their dismay. But it is also to the dismay of someone who is going to actually give a fair and honest review of a show.
This isn't a fairytale. This is also not a true telling of many who suffered amongst its characters journeys, but it is a symbolic representation of what it is to be disenfranchised and treated with bigotry and hatred. That is not a new concept, nor is it one uniquely circumspect upon its black characters. It is one of many, especially given female ones regardless of its title character. As a descendant of indigenous peoples in this country, yes, Canada, not a 51st state, I saw many characters that had no voice and it represented a frustrating farcical truth; the history of North America's colonialism roots. However, you want to perceive the show, whether by a black perspective, one of imperialism and colonialism, or one of indigenous circumspection, it all comes to the same conclusion.
This is meant to be a fantasy and a story-telling of something that we all want to believe could happen or could have happened, were the circumstances different in that era of the 19th century. I think it unkind of those to give it a one star rating, simply based on five episodes of watching and not a full representation of the whole. I would never presume to make an assumption upon a show without watching the entirety of it, once available, nor would I presume to understand the complexities and suffering of those that the story tells of. However, in terms of enjoyment, I did very much enjoy it. The mini-series compelled me to keep watching, as with the person who seemed to say that they watched five episodes, but cut it off immediately, yet the series obviously appealed enough to their interest that they watched hours of a show without turning it off. And I believe that that may count in favour of its credibility and watch-ability. The actors performances are quite compelling - regardless of the famous names that are tied to it. I found myself more entranced by those lesser-known in the acting community, which gives me hope for the future of productions and cinema. You might be brought in by larger names because of their recognition, but you stay for the components of which these intriguing people tell their stories on the screen and on their expressive faces. One should take note of their future endeavours, as I believe the real talent in this production lies there as well. I think it has are many failings, which include but are not limited to; they reduced the backstory of many characters and then tried an overarching attempt to make it more fantastical. I have seen commentary by those who have said the same as I am saying now, but if you were curious if it's worth the watch... I would say that you should give it a try. If you were compelled by its story, you should watch it. If you were interested, instead, where the story goes, you should watch it. It is by no means an example of perfect television, but it is a great example of entertaining those who need to understand the histories surrounding this period of time and the underground railroad. Having lived in Halifax, NS, I know what it is to be engaged by its past, as well as the history of those who made their way to this land in safe Haven.
It is neither by no means a perfect lesson in history, but perhaps the embodiment of spirit to the historical relevancy in these lands, and hopefully one that will inspire the viewer to delve deeper into its complex legacy in modern-day society. A critic of those who don't tell history in a proper manner, I still feel this is a spiritual recollection of feelings amongst those to whom the story is entrenched and told by. It is a story told by those who wish to educate the world and its viewers by intrinsic altruism, as well as the rhetoric of hope.
I hope that this mini-series "Fly's" amongst its watchers. Fly along with them as you may.
The show is not for the faint of heart, but it's also for those who are full of hope and wonder and education. I do not possess any black ethnicity, and I don't pretend to understand some of the complexities of the story relating to such, but I do know what it's like to be of mixed race. Given the previous reviews of the show, I am not one that knows the original source material. However, I find that inconsequential in terms of evaluating a narrative.
This narrative is one to be sought after, and revered, especially given where I now live compared to where I grew up. I think most people would agree. This is a fantasy belayed in a manner that fits the main characters story.
Not a faithful telling in terms of accurate and time period historical relevancy, it, however, gives the viewer an understanding of the sentiment of the era... Which is perhaps the whole purpose isn't it? It is sad that some people who chose to only end their watching at the fifth episode, or ones that regaled against a true adaption of its source material, negate it as to their dismay. But it is also to the dismay of someone who is going to actually give a fair and honest review of a show.
This isn't a fairytale. This is also not a true telling of many who suffered amongst its characters journeys, but it is a symbolic representation of what it is to be disenfranchised and treated with bigotry and hatred. That is not a new concept, nor is it one uniquely circumspect upon its black characters. It is one of many, especially given female ones regardless of its title character. As a descendant of indigenous peoples in this country, yes, Canada, not a 51st state, I saw many characters that had no voice and it represented a frustrating farcical truth; the history of North America's colonialism roots. However, you want to perceive the show, whether by a black perspective, one of imperialism and colonialism, or one of indigenous circumspection, it all comes to the same conclusion.
This is meant to be a fantasy and a story-telling of something that we all want to believe could happen or could have happened, were the circumstances different in that era of the 19th century. I think it unkind of those to give it a one star rating, simply based on five episodes of watching and not a full representation of the whole. I would never presume to make an assumption upon a show without watching the entirety of it, once available, nor would I presume to understand the complexities and suffering of those that the story tells of. However, in terms of enjoyment, I did very much enjoy it. The mini-series compelled me to keep watching, as with the person who seemed to say that they watched five episodes, but cut it off immediately, yet the series obviously appealed enough to their interest that they watched hours of a show without turning it off. And I believe that that may count in favour of its credibility and watch-ability. The actors performances are quite compelling - regardless of the famous names that are tied to it. I found myself more entranced by those lesser-known in the acting community, which gives me hope for the future of productions and cinema. You might be brought in by larger names because of their recognition, but you stay for the components of which these intriguing people tell their stories on the screen and on their expressive faces. One should take note of their future endeavours, as I believe the real talent in this production lies there as well. I think it has are many failings, which include but are not limited to; they reduced the backstory of many characters and then tried an overarching attempt to make it more fantastical. I have seen commentary by those who have said the same as I am saying now, but if you were curious if it's worth the watch... I would say that you should give it a try. If you were compelled by its story, you should watch it. If you were interested, instead, where the story goes, you should watch it. It is by no means an example of perfect television, but it is a great example of entertaining those who need to understand the histories surrounding this period of time and the underground railroad. Having lived in Halifax, NS, I know what it is to be engaged by its past, as well as the history of those who made their way to this land in safe Haven.
It is neither by no means a perfect lesson in history, but perhaps the embodiment of spirit to the historical relevancy in these lands, and hopefully one that will inspire the viewer to delve deeper into its complex legacy in modern-day society. A critic of those who don't tell history in a proper manner, I still feel this is a spiritual recollection of feelings amongst those to whom the story is entrenched and told by. It is a story told by those who wish to educate the world and its viewers by intrinsic altruism, as well as the rhetoric of hope.
I hope that this mini-series "Fly's" amongst its watchers. Fly along with them as you may.
Washington Black is visually spectacular - Barbados, Victorian London, Moroccan deserts, icy Antarctica - the show looks like a globe-trotting epic with a massive budget. But the writing doesn't rise to the same level. The tone is oddly childish for a story about slavery and identity, and the logic often stretches belief (a child from Barbados tracked across continents in the 1800s?).
Eddie Karanja is fantastic as young Wash, and McGee adds rare complexity. It's also refreshing to see free Black characters portrayed as artists and leaders, not just victims. The love story is simple but sincere. Titch feels like a caricature, and Willard has Chuck Norris plot armor.
Gorgeous to watch. Frustrating to follow.
Eddie Karanja is fantastic as young Wash, and McGee adds rare complexity. It's also refreshing to see free Black characters portrayed as artists and leaders, not just victims. The love story is simple but sincere. Titch feels like a caricature, and Willard has Chuck Norris plot armor.
Gorgeous to watch. Frustrating to follow.
The themes of racism, colonisation, tribal traditions, prejudice, greed, childhood trauma, conditioning, envy, love, powerlessness, hope, science and friendship are touched upon, but it remains a fairy tale, simplified for children's eyes. If you have already outgrown the child's perspective, it is difficult to follow this simplified story. You have already realized that life is not that simple, that many things don't make sense, that reality often pulls the rug out from under your feet without any symbolism or mysticism behind it. Many who are exhausted by a system that is still not fair for everyone may be frustrated by this simplification. In this respect, you can be entertained by beautiful images, interesting actors, costumes, interesting hairstyles and backdrops, landscapes and conversations. All kinds of emotions are generated because it's about a child. It's comparable to fast food. Everything is quite nice and looks pretty, but it lacks important nutrients and somehow you don't really get full from it. And as usual with fairy tales, the story ends where life really gets going and becomes difficult, everyday life.
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