NOTE IMDb
4,2/10
3,2 k
MA NOTE
Une version moderne du conte classique d'Oliver Twist.Une version moderne du conte classique d'Oliver Twist.Une version moderne du conte classique d'Oliver Twist.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Finley Sebastian Pearson
- Young Oliver 2
- (as Finley Pearson)
Adam J. Bernard
- Taxi Driver
- (as Adam J Bernard)
Avis à la une
Other reviews have criticised Twist for being a Parkour film. I would say that this is its only redeeming feature.
It would be wrong to call all of the acting "wooden" but the overall standard is very low and Rita Ora must know this is not her strong suit.
The references to Twist, Dodge, Fagin and Sykes just remind you that you could be watching a much (much) better film.
The dialogue is clumsy and mechanical, with youth references crowbarred in with unintended comedic consequences.
But some of the running and jumping is very good!
I can honestly say this movie was hard to sit through. I started to get headaches from the running and jumping scenes that added very little to the movie. Michael Caine was also awful. It's like he took the easy money then put in no effort. Then again there wasn't much to put effort towards. I'll be honest, most of the acting here was awful from Caine to Ora to Headley. Only Noel Clarke worked.
Give this a miss. Another Sky production that fails to be worth it.
Liked the idea of Oliver Twist being set in modern times, but this is poorly executed. The makers have tried way too hard to be gritty and street, so much so that it's like a parody of gangsta films. I mean, David Walliams makes an appearance for goodness sake. Throwing in a soundtrack featuring 90's Brit bands doesn't make it edgy either. Weak storyline, poor acting and unconvincing 'criminals' With the likes of Headey and Caine in it, it really should have been better.
So many familiar faces. Terrible movie. I suspect it's sky financing cheap movies due to lack of big movies made 2020 and to save buying big movies... I have rated 4 cos it was presented in 4k.. but.....god it's bad.
Greetings again from the darkness. This is billed as "a modern take on the classic tale of Oliver Twist". The problem with that is this feels neither modern, nor in line with the renowned Charles Dickins novel. Mostly it feels like a failed attempt at copying Guy Ritchie's SNATCH, or the KINGSMAN movies, or even the NOW YOU SEE ME movies. Directed by Martin Owen with a script by John Wrathall, Sally Collett and six other credited contributing writers (in addition to the inspiration from Dickens), this film simply lacks the entertainment value necessary for any type of positive recommendation. So I won't be writing much here, only addressing what we see on screen.
Raff Law (Jude Law's son) nabbed his first starring role as Twist, a street artist living on his own. One day he stumbles into Dodge (Rita Ora), Batesy (Franz Drameh), and Red (Sophie Simnett) who introduce him to Fagin (two-time Oscar winner Michael Caine), who presides over this group of criminal misfits. The offer of free clothes, decent housing, a team to work with, and a possible romance, is enough to entice Twist out of his rooftop tent.
This is really a simple art heist movie with multiple scenes of parkour included in place of real danger or creative thrills. David Walliams plays the target, and as a bonus, ripping him off would settle an old score for Fagin, and the over-the-top psychopath Sikes (Lena Headey). Somehow out of step in a movie with no real step is a recurring gag featuring a traffic cop played by Leigh Warden. It's unclear if this was held over from an early slapstick version of the film, or if it was intended to portray Twist as an outlaw.
Noel Clark maintains his dignity as Detective Brownlow, and Ms. Headey attempts to liven things up, but mostly the characters are forgettable due to an all too simple story and a lack of development. The annoying music doesn't help, and neither does the lack of any insightful social commentary (a Dickens specialty). It seems obvious the filmmakers were trying to create something edgy and modern, and go so far as to open with a jab at Carol Reed's 1968 musical OLIVER!, by having narrator Twist state there will be "No singing. No dancing. And no happy ending." If a filmmaker risks re-making or re-imagining a classic story, they must be ready for the comparisons. This one falls well short of that 1968 version, as well as David Lean's 1948 OLIVER TWIST, with Alec Guinness as Fagin.
In theaters and On Demand starting July 30, 2021.
Raff Law (Jude Law's son) nabbed his first starring role as Twist, a street artist living on his own. One day he stumbles into Dodge (Rita Ora), Batesy (Franz Drameh), and Red (Sophie Simnett) who introduce him to Fagin (two-time Oscar winner Michael Caine), who presides over this group of criminal misfits. The offer of free clothes, decent housing, a team to work with, and a possible romance, is enough to entice Twist out of his rooftop tent.
This is really a simple art heist movie with multiple scenes of parkour included in place of real danger or creative thrills. David Walliams plays the target, and as a bonus, ripping him off would settle an old score for Fagin, and the over-the-top psychopath Sikes (Lena Headey). Somehow out of step in a movie with no real step is a recurring gag featuring a traffic cop played by Leigh Warden. It's unclear if this was held over from an early slapstick version of the film, or if it was intended to portray Twist as an outlaw.
Noel Clark maintains his dignity as Detective Brownlow, and Ms. Headey attempts to liven things up, but mostly the characters are forgettable due to an all too simple story and a lack of development. The annoying music doesn't help, and neither does the lack of any insightful social commentary (a Dickens specialty). It seems obvious the filmmakers were trying to create something edgy and modern, and go so far as to open with a jab at Carol Reed's 1968 musical OLIVER!, by having narrator Twist state there will be "No singing. No dancing. And no happy ending." If a filmmaker risks re-making or re-imagining a classic story, they must be ready for the comparisons. This one falls well short of that 1968 version, as well as David Lean's 1948 OLIVER TWIST, with Alec Guinness as Fagin.
In theaters and On Demand starting July 30, 2021.
Le saviez-vous
- AnecdotesThe Rotten Tomatoes critics consensus reads "The real Twist in this lunkheaded Dickens update is the involvement of Michael Caine, who hopefully got another terrific house out of it." This is a reference to Les Dents de la mer 4 : La Revanche (1987), a legendary cinematic turkey for which Sir Michael Caine was paid handsomely. Caine later admitted "I have never seen it [Jaws: The Revenge], but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific."
- GaffesAt around the 40 minute mark, Fagin is discussing doctor Losberne and at one point mistakenly refers to him as Losborne.
- ConnexionsReferences Robin Hood and His Merry Men (1908)
- Bandes originalesKeep It Moving
Written by Adam Smeaton
Performed by Adam Smeaton (as Dubkiller)
Published by Sentric Music
Licensed courtesy of Riptide Music
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Twist?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Siêu Trộm Đường Phố
- Lieux de tournage
- Romford, Essex, Angleterre, Royaume-Uni(Parkour scene with Oliver)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 509 904 $US
- Durée1 heure 30 minutes
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant