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IMDbPro

You Don't Nomi

  • 2019
  • Unrated
  • 1h 32min
NOTE IMDb
6,7/10
1,4 k
MA NOTE
You Don't Nomi (2019)
Paul Verhoeven's 'Showgirls' was met by critics and audiences with near universal derision. 'You Don't Nomi' traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
Lire trailer2:11
2 Videos
28 photos
Documentaire

Ajouter une intrigue dans votre languePaul Verhoeven's Showgirls (1995) was met by critics and audiences with near-universal derision. "You Don't Nomi" traces the film's redemptive journey from notorious flop to cult classic, an... Tout lirePaul Verhoeven's Showgirls (1995) was met by critics and audiences with near-universal derision. "You Don't Nomi" traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.Paul Verhoeven's Showgirls (1995) was met by critics and audiences with near-universal derision. "You Don't Nomi" traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

  • Réalisation
    • Jeffrey McHale
  • Casting principal
    • Toon Agterberg
    • Nancy Allen
    • Kevin Bacon
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    1,4 k
    MA NOTE
    • Réalisation
      • Jeffrey McHale
    • Casting principal
      • Toon Agterberg
      • Nancy Allen
      • Kevin Bacon
    • 18avis d'utilisateurs
    • 55avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos2

    Official Trailer
    Trailer 2:11
    Official Trailer
    You Don't Nomi
    Trailer 2:11
    You Don't Nomi
    You Don't Nomi
    Trailer 2:11
    You Don't Nomi

    Photos27

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    Rôles principaux66

    Modifier
    Toon Agterberg
    • Self
    • (images d'archives)
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    Nancy Allen
    Nancy Allen
    • Self
    • (images d'archives)
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    Kevin Bacon
    Kevin Bacon
    • Self
    • (images d'archives)
    Matthew Baume
    • Self
    • (voix)
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    Jennifer Beals
    Jennifer Beals
    • Self
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    Elizabeth Berkley
    Elizabeth Berkley
    • Self
    • (images d'archives)
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    Ronnie Bierman
    Ronnie Bierman
    • Self
    • (images d'archives)
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    Jake Busey
    Jake Busey
    • Self
    • (images d'archives)
    • …
    Nicolas Cage
    Nicolas Cage
    • Self
    • (images d'archives)
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    Glenn Close
    Glenn Close
    • Alex Forrest
    • (images d'archives)
    Jeffery Conway
    • Self
    Ronny Cox
    Ronny Cox
    • Self
    • (images d'archives)
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    Joan Crawford
    Joan Crawford
    • Self
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    Robert Davi
    Robert Davi
    • Self
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    Sylvia de Leur
    • Self
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    Michael Douglas
    Michael Douglas
    • Self
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    George Dzundza
    George Dzundza
    • Self
    • (images d'archives)
    • …
    Joe Eszterhas
    Joe Eszterhas
    • Self
    • (images d'archives)
    • …
    • Réalisation
      • Jeffrey McHale
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    6,71.3K
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    Avis à la une

    6tvamsterdam

    Finally in 2021, on public TV in the Netherlands

    The great thing about Showgirls (1995) is that it gives a semi-futuristic image of a wasteland while at the moment it was shot it is taking place in reality. It was history in the making. In fact Paul Verhoeven created a dramatized documentary by hiring actors and a scenario writer. It was not a bad movie but a bad dream about American society. That's against the American Dream. Showing Americans that they are in a Third World Country was in those years the biggest taboo. The documentary You Don't Nomi does not come to this conclusion, it describes the fuzz and confusion from a film press perspective, wondering why after so many years the movie regained respect. Ask Paul Verhoeven to do a movie about the recent Capitol attack and he will show the ugliness of the patriots, including woman. Showgirls is about that. Show the ugliness of the American way of setting up a sex industry and not able to handle it. A third world country, in 1995 nobody in the US was thinking of it this way... only an outsider could see it.
    7kosmasp

    But I do

    Or don't I? Actually who knows ... Nomi? And of course there are other interpretations of that word. Maybe one of the most wicked things about the movie - the characters name. Know me - no me - no! Me! - as you can see you make it what you think it should be. And maybe some won't like how certain people view this movie. But then again, why are watching this? I personally thought the audio commentary was enjoyable enough and most topics that are being highlighted there, get repeated here.

    But you also get to see how some just cherish the movie, by reanacting it. But also how different some view it! Is it a feminists worst nightmare or does it show and depict how powerful women are? I don't have to tell you how to feel about the movie, you are the one deciding. And no one can make you have fun watching the movie Showgirls, but maybe the documentary brings you closer to that point. Especially considering where Berkley came from and where she went after that movie ... all depicted here. I almost feel sorry for her. But she accepted that the movie will always be a part of her and she relishes in it. One of the things you will learn here ... for fans of Showgirls mostly, but can work for others too. Still it makes sense to have seen the movie to fully understand or have the complete context
    9mcsinteriors

    Fun & enjoyable, except for one thing....

    If you're a fan of Showgirls for what it is, an over-the-top disaster that you can't look away from, then you'll enjoy this documentary. I found it entertaining and witty. Whether people want to admit it or not, Showgirls has become a cult-classic. You can analyze to death just l how bad it is, or you can just sit back and enjoy it in all of its awfulness. I choose to do the latter. To me, Showgirls is so bad that's it's good. This documentary does a good job of playing to that angle for fans, with the exception of one thing....

    There is one "feminist" female commentator who chooses to pick the movie apart for its depiction of women. She must use the word 'misogynist' 50 times!!! It's exhausting listening to her. Isn't true feminism being able to do whatever the hell you want with your own body??? If that's showing your boobs on the big screen for 90 minutes and getting paid to do it, well so be it. She seems to only be in favor of female-empowerment when it fits her mold of what that encompasses.

    If you can just tune her out, this is a really enjoyable documentary for fans of Showgirls.
    9bizzywiththefizzy

    Heartfelt Love Letter to a Beloved Cult Classic

    I've always loved 'Showgirls' so was delighted to see that a documentary had been released exploring a film dragged through the ringer & accused of being sleazy garbage.

    As a queer female, lots of things about Showgirls and Nomi's crazy journey spoke to me such as the concept of 'chosen families'.

    'You Don't Nomi' is an absolute must see, putting 'Showgirls' in its rightful spot amongst high camp, delightfully & unashamedly OTT classics including 'Mommie Dearest', 'Valley of the Dolls', 'Cobra Woman', 'The Room', 'Plan 9 From Outer Space' & 'The Rocky Horror Picture Show'.

    This thoughtful documentary deserves all the awards it will certainly win.
    7m-sileo

    The Vindication

    "You Don't Nomi" (2019), directed by Jeffrey McHale, is a documentary that affectionately and meticulously examines the infamous "Showgirls" (1995), the film by Paul Verhoeven and Joe Eszterhas that was harshly criticized upon its release and has since gained a cult following. Through a montage of archival footage and audio interviews with critics and fans, the documentary attempts to answer a central question: where does the true value of "Showgirls" lie?

    One of the main focuses of "You Don't Nomi" is the theory that "Showgirls" is not simply a poorly executed film but rather a biting satire and sociocultural commentary that deliberately uses sex and nudity to unsettle the audience. According to this interpretation, Elizabeth Berkley's supposedly "terrible acting" is not a reflection of her lack of talent but a conscious choice by Verhoeven to amplify the film's intentions.

    The documentary also examines Paul Verhoeven's career, highlighting his tendency to use provocative material to elicit strong reactions from audiences. However, this exploration feels somewhat superficial and does not delve deeply enough into the impact of his filmography. Despite this, the film offers intriguing observations about visual and narrative elements of "Showgirls," such as the recurring use of mirrors, the symbolism of the name "Nomi," and the widescreen compositions that establish connections with other works by the director.

    One of the most notable contributions comes from April Kidwell, who played Nomi in the Off-Broadway parody adaptation "Showgirls! The Musical." However, her participation focuses more on the personal significance the film had for her rather than an analysis of its artistic value. Through a vast array of clips, including negative reviews, parodies, fan gatherings, and iconic scenes from the original film, "You Don't Nomi" documents the critical and popular reevaluation that "Showgirls" has undergone over time.

    For "Showgirls" fans, this documentary represents a vindication and provides ample evidence to support their defense of the film. However, for those who still see it as a cinematic disaster, "You Don't Nomi" is unlikely to change their perception. Ultimately, McHale offers a passionate yet biased analysis of a work that continues to divide opinions and whose legacy keeps evolving in pop culture.

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      Featured in Mark Kermode's Secrets of Cinema: Cult Movies (2021)

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    Détails

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    • Date de sortie
      • 2 juillet 2020 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • 從前有個美國舞孃
    • Sociétés de production
      • Grade Five Films
      • XYZ Films
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    • Durée
      1 heure 32 minutes
    • Couleur
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