Ajouter une intrigue dans votre languePeggy Sawyer, a talented young performer with stars in her eyes gets her big break on Broadway.Peggy Sawyer, a talented young performer with stars in her eyes gets her big break on Broadway.Peggy Sawyer, a talented young performer with stars in her eyes gets her big break on Broadway.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
OK, once you get past all the British actors doing American 1930s accents and settle into the familiar story, this is a solid and enjoyable production. You also have to get past this Dorothy Brock's being at least a decade too old for the part.
Bonnie Langford sings OK as Dorothy but seems likes she's doing an impression of Andrea Martin. Her Brock is too old and too nasty, which makes her gracious exit a bit hard to believe. Faring better is Tom Lister as the frantic Julian. He's the only cast member who actually acts well and his singing voice is fine.
Peggy Sawyer is portrayed by a semi-frumpy Clare Halse (it may be just the hideous wig) who never quite captures that "star quality" the show is all about. She dances better than she sings. But she seems too short.
But Philip Bertioli is a joyous Billy who brings a much needed pizazz to his character, and his dancing is excellent. Also noteworthy is Jasna Ivir as Maggie the producer. She brings a big Tessie O'Shea energy to the show.
The music of Harry Warren and Al Dubin is timeless. And it's a joy to hear and the dancing numbers are very well done. Some of the cuts to close-ups are jarring.
The 1933 film starred Bebe Daniels, Warner Baxter, Ruby Keeler, and Dick Powell. The original 1980 Broadway production starred Tammy Grimes, Jerry Orbach, Wanda Richert, Lee Roy Reams, and Carole Cook.
Bonnie Langford sings OK as Dorothy but seems likes she's doing an impression of Andrea Martin. Her Brock is too old and too nasty, which makes her gracious exit a bit hard to believe. Faring better is Tom Lister as the frantic Julian. He's the only cast member who actually acts well and his singing voice is fine.
Peggy Sawyer is portrayed by a semi-frumpy Clare Halse (it may be just the hideous wig) who never quite captures that "star quality" the show is all about. She dances better than she sings. But she seems too short.
But Philip Bertioli is a joyous Billy who brings a much needed pizazz to his character, and his dancing is excellent. Also noteworthy is Jasna Ivir as Maggie the producer. She brings a big Tessie O'Shea energy to the show.
The music of Harry Warren and Al Dubin is timeless. And it's a joy to hear and the dancing numbers are very well done. Some of the cuts to close-ups are jarring.
The 1933 film starred Bebe Daniels, Warner Baxter, Ruby Keeler, and Dick Powell. The original 1980 Broadway production starred Tammy Grimes, Jerry Orbach, Wanda Richert, Lee Roy Reams, and Carole Cook.
This musical is the Mother of Broadway shows. Every performance is great, the musical score is beautiful. This musical will give you a glimpse of old Broadway.
I saw the David Merrick version twice in London, and have seen this latest version 3 times in London. So to see it again after the show closed, in the cinemas was an added bonus. I left out a star (making a perfect 10) because the camera concentrated on close ups rather than showing the dancing. So I now understand why Fred Astaire wanted full length body camera work when making his films.
It is the best theatre musical ever - if you are a lover of tap dancing,, and this show has it in spades. Personal preference, but Sheena Easton made a far better Dorothy Brock than Bonnie Langford. And Clare Halse - one sensational tap dancer, should have shared the applause at the end with BL and Tom Lister.
It was brilliant to relive all the amazing dancing, but lacked the atmosphere of the live theatre. Saying that, I thought there would be a dvd to buy at the end, but sadly not. Perhaps a trick has been missed on merchandising.
It is the best theatre musical ever - if you are a lover of tap dancing,, and this show has it in spades. Personal preference, but Sheena Easton made a far better Dorothy Brock than Bonnie Langford. And Clare Halse - one sensational tap dancer, should have shared the applause at the end with BL and Tom Lister.
It was brilliant to relive all the amazing dancing, but lacked the atmosphere of the live theatre. Saying that, I thought there would be a dvd to buy at the end, but sadly not. Perhaps a trick has been missed on merchandising.
If I were just rating this based on the performances, I would give it 10 stars. The tap dancing is especially phenomenal. However, the show was boring, predictable, and basic. Nothing makes these characters stand out and I could predict every plot point before it happened. The songs had particularly boring lyrics and though the melodies were enjoyable, none were catchy or memorable. If you're just here to see a lot of good tap dancing, you'll probably enjoy it.
This production is wonderful. The tap dancing is beyond fantastic. Each number in the first half is standing ovation worthy. The second half drags a bit, brought down by the book (script). But still wonderful to watch and the numbers are Broadway perfect.
Le saviez-vous
- GaffesSawyer goes to Philadelphia Broad Street Station to take a train to Allentown, PA. Broad Street Station was a Pennsylvania Railroad terminal and the Pennsy did not go to Allentown. To get to Allentown, Sawyer would have had to go to the Reading Terminal.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 187 440 $US
- Montant brut mondial
- 658 976 $US
- Durée2 heures 35 minutes
- Couleur
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