My People, My Country

I think it is a fantastic work ,all the people who lived in China knows that it is not easy during these years.Chinese people have a lighting future, come on ,go ahead.

A well done film with a distinct slice of life, unsung heroes theme. Each piece is more of a glimpse into people who lived throughout various momentous periods in Chinese history, rather than especially focused around plot development. A little bit heavy handed with the patriotism theme, but that's to be expected considering the movie's purpose. Although in my opinion there were two standout stories, all seven pieces were interesting and distinct enough that time didn't drag on.

If I'm not Chinese I would probably give it a one-star. Every plot is made to force people to feel emotional, even when the story is so undeveloped. There's tooooo much politics in this film. I get it, this is a big thing, we are a great country. But at the same time, this theme is so repetitive, I can literally write a commentary essay on this without watching the film.

It's really ironic how if you comment negatively about this movie on a Chinese website, and people go like "OMG are you even Chinese" "Well, this whole point is for us to remember the history, and know our own country well."

If so, why is the film so BADLY made??? Why is the theme so overused, I could guess the ending before the film actually ends.

A good intention, but a trash film.

The relatively best of the seven is Ning Hao's "Hello Beijing" and Guan Hu's "Eve". The two directors have extensive commercial film experience. Their stability is precisely because they have adopted the most classic and traditional dramas. mode. Ning Hao chose the character-driven arc to show the dramatic tension. Although the plot development is strongly predictable and outdated, it has to be said to be the most complete. Only the taxi driver played by Ge You in the seven departments is The most humanized and closest to the lives of citizens, the unique sense of market humor in Ning Hao's movies minimizes stereotypes here, so "Hello Beijing" can even be said to have author characteristics.

Play "Little people in big events" or "little people meet big events" are not only about methodology but also about values.

Audiovisual Close-ups, slow motion, and music rendering are overused, like TV specials.

theme In addition to "national power", should we also show "people's wealth"?

To sacrifice your love, family and everything, just to make the government LOOK GOOD even it's dirty and rotten inside? And this is something to be proud of and cry for? I honestly don't see the point here, but at least we can see how far someone can go after getting brainwashed. Probably nowadays only people from China and Northern Koreans will feel for this film.