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7,2/10
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1945, Leningrad. La 2ème Guerre Mondiale a dévasté la ville, laissant ses habitants épuisés, physiquement et mentalement. Deux jeunes femmes cherchent l'espoir, alors qu'elles s'efforcent de... Tout lire1945, Leningrad. La 2ème Guerre Mondiale a dévasté la ville, laissant ses habitants épuisés, physiquement et mentalement. Deux jeunes femmes cherchent l'espoir, alors qu'elles s'efforcent de reconstruire leur vie parmi les ruines.1945, Leningrad. La 2ème Guerre Mondiale a dévasté la ville, laissant ses habitants épuisés, physiquement et mentalement. Deux jeunes femmes cherchent l'espoir, alors qu'elles s'efforcent de reconstruire leur vie parmi les ruines.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 32 victoires et 56 nominations au total
Kseniya Kutepova
- Lyubov Petrovna
- (as Ksenia Kutepova)
Avis à la une
Leningrad, 1945. In the aftermath of World War II, within the remaining ruins, two young women, Iya and Masha, try to give a purpose to their meaningless lives. They met at the front during this endless war but they stayed in touch, probably because they felt alone and were desperately disillusioned. They now live in the present, without any perspective for their future that they do not even try to consider. The complete disarray!
Une grande fille (2019) is darkly sad, with an extremely but deliberately slow pace. If you are depressed before you even consider this movie, you should probably envisage another viewing. Otherwise, this film is breathtakingly beautiful and is excellently filmed. Moreover, the gorgeous actresses Viktoria Miroshnichenko (Iya) and Kseniya Kutepova (Lyubov Petrovna) shine despite a voluntarily sober play.
As a synthesis: 7/8 of 10
Une grande fille (2019) is darkly sad, with an extremely but deliberately slow pace. If you are depressed before you even consider this movie, you should probably envisage another viewing. Otherwise, this film is breathtakingly beautiful and is excellently filmed. Moreover, the gorgeous actresses Viktoria Miroshnichenko (Iya) and Kseniya Kutepova (Lyubov Petrovna) shine despite a voluntarily sober play.
As a synthesis: 7/8 of 10
I just think that people who are not from Russia or not from a former USSR republic don't understand how deep and important this film is. we are (russians and ex-soviets) are so used to the glorification of WW2, but this film doesn't do it. no, it shows how bleak and joyless the life after war is and it may not seem so groundbreaking for the western viewer but it is for me. also Kantemir Balagov isn't even 30 years old and he is a master of the craft alreasy. it means something.
The Russian film Dylda was shown in the U.S. with the translated title Bean Pole (2019). It was co-written and directed by Kantemir Balagov
The movie is set in Leningrad right after World War II. Viktoria Miroshnichenko plays Iya, who has suffered brain damage in combat during the war. She has been discharged, and now works as a nurse or attendant at a hospital for wounded soldiers. (She is, indeed, a head taller than the other women, and very slender, so that's why she's called Bean Pole.)
She is joined at the hospital by her wartime friend, Masha, portrayed by Vasilisa Perelygina. Masha, who was also wounded, stayed in combat until the war ended. When we first see her, she's still wearing her army uniform.
The film was very grim, as it focused on the wounded men in the hospital, and the physical and emotional problems of the two women. I was surprised that there was very little anti-Stalinist material. In the movie, the government recognizes the sacrifices that the people have made, and appears to be doing its best to help. I don't know whether this reflects the reality of the time or not.
This is a complex film, because it portrays two very different women, each of whom has suffered terribly, and both of whom are trying to bring some normalcy into their lives.
As far as I can remember, there were only a few moments where anyone smiled in the movie. Those were hard times, and people were glum and depressed.
However, the film is so well constructed, and so well acted, that it's worth seeking out and watching. We saw Dylda at Rochester's excellent Little Theatre. However, it should work well enough on the small screen. The film has a solid IMDb rating of 7.2. I think it's even better than that.
The movie is set in Leningrad right after World War II. Viktoria Miroshnichenko plays Iya, who has suffered brain damage in combat during the war. She has been discharged, and now works as a nurse or attendant at a hospital for wounded soldiers. (She is, indeed, a head taller than the other women, and very slender, so that's why she's called Bean Pole.)
She is joined at the hospital by her wartime friend, Masha, portrayed by Vasilisa Perelygina. Masha, who was also wounded, stayed in combat until the war ended. When we first see her, she's still wearing her army uniform.
The film was very grim, as it focused on the wounded men in the hospital, and the physical and emotional problems of the two women. I was surprised that there was very little anti-Stalinist material. In the movie, the government recognizes the sacrifices that the people have made, and appears to be doing its best to help. I don't know whether this reflects the reality of the time or not.
This is a complex film, because it portrays two very different women, each of whom has suffered terribly, and both of whom are trying to bring some normalcy into their lives.
As far as I can remember, there were only a few moments where anyone smiled in the movie. Those were hard times, and people were glum and depressed.
However, the film is so well constructed, and so well acted, that it's worth seeking out and watching. We saw Dylda at Rochester's excellent Little Theatre. However, it should work well enough on the small screen. The film has a solid IMDb rating of 7.2. I think it's even better than that.
A fascinating slow burn that is as exhilarating as it is difficult at times to watch.
"Beanpole" is actually a good movie to be watching during the 2020 COVID pandemic, as it's a reminder to a whole population of people who've never experienced any significant hardship how much worse things could be. Watch a movie about post WWII Russia and then ask yourself how big a deal it is that Trader Joe's was out of your favorite brand of crackers again.
The towering actress Viktoria Miroshnichenko, as the film's title character, and Vasilisa Perelygina, as her friend who's recently returned from the front, give amazing performances navigating exceptionally difficult material. This is one of those movies that would be off putting if the direction and acting didn't strike just the right tone. It's one of those movies about which people say "I didn't like any of the characters" as a way to dismiss the whole thing. But, like the best character studies, "Beanpole" doesn't care whether or not you like anyone in it. It instead asks you to live with the characters for awhile and see if you can empathize with them, and understand their choices based on the circumstances in which they find themselves.
And, directing and acting aside, the film looks beautiful. For a film set in such a drab time and setting, it uses saturated colors, especially green and red, to tie images visually to the mental states of the characters.
The movie year still has a way to go, but I imagine this one will make my own personal shortlist of favorites.
Grade: A
"Beanpole" is actually a good movie to be watching during the 2020 COVID pandemic, as it's a reminder to a whole population of people who've never experienced any significant hardship how much worse things could be. Watch a movie about post WWII Russia and then ask yourself how big a deal it is that Trader Joe's was out of your favorite brand of crackers again.
The towering actress Viktoria Miroshnichenko, as the film's title character, and Vasilisa Perelygina, as her friend who's recently returned from the front, give amazing performances navigating exceptionally difficult material. This is one of those movies that would be off putting if the direction and acting didn't strike just the right tone. It's one of those movies about which people say "I didn't like any of the characters" as a way to dismiss the whole thing. But, like the best character studies, "Beanpole" doesn't care whether or not you like anyone in it. It instead asks you to live with the characters for awhile and see if you can empathize with them, and understand their choices based on the circumstances in which they find themselves.
And, directing and acting aside, the film looks beautiful. For a film set in such a drab time and setting, it uses saturated colors, especially green and red, to tie images visually to the mental states of the characters.
The movie year still has a way to go, but I imagine this one will make my own personal shortlist of favorites.
Grade: A
This movie is an intense and thoughtful exploration of relationships between survivors of war. The desire to find meaning and love and connection drive people to do beautiful and desperate things, and in the end to find either peace or conflict within depending on what they can accept and create within their minds. Beautifully acted.
Le saviez-vous
- AnecdotesKantemir Balagov's main source of inspiration was Nobel Prize winner Svetlana Alexievich's book "War Does Not Have a Woman's Face", written in 1983.
- Citations
Nikolay Ivanovich: Where would he have seen a dog? They've all been eaten.
- ConnexionsReferenced in Vecherniy Urgant: Iowa (2019)
Meilleurs choix
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- How long is Beanpole?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Beanpole
- Lieux de tournage
- Saint-Pétersbourg, Russia(setting of the action)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 196 258 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 008 $US
- 2 févr. 2020
- Montant brut mondial
- 1 591 621 $US
- Durée2 heures 10 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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