Dreamin' Wild

IN A NUTSHELL: This heartful movie is based on the true story of musical duo Donnie and Joe Emerson, who spent everything they had to produce a record in the 1970s. After thirty years of obscurity, their music was suddenly hailed as a lost masterpiece.

The movie has already been nominated for the "Graffetta d'Oro for Best Film" at the Venice Film Festival in 2022.

The film was directed by Academy Award and Emmy-nominated Bill Pohlad, who also wrote it with Steven Kurutz.

THINGS I LIKED: We all knew Zooey Deschanel could sing, but I didn't know Casey Affleck could! They make a great pair in this movie, although I would have loved to see and hear Zooey more than she appears in the film.

The rest of the great cast includes Walton Goggins, Beau Bridges, Chris Messina, and young actors Jack Dylan Grazer and Noah Jupe. Well done!

The movie was filmed in Spokane, Washington in 2021.

I think a lot of viewers are going to be able to relate to the story of trying to be successful, yet not quite getting there when they want to. It's an inspirational story that will encourage you to be persistent and never stop dreaming.

We get to hear clips of some really great music.

We get to see some video clips of the real people the movie is based on at the end of the movie.

THINGS I DIDN'T LIKE: Some viewers might be confused by the timeline and flashbacks.

I thought it was interesting that we don't see the opening credits until 20 minutes into the movie.

I would like to have learned even more about the brothers and where to find their music today. For example, are they making more albums? Are they still actively performing? How can we support them?

TIPS FOR PARENTS: Some kids may be bored.

Siblings fight.

No profanity or objectionable content.

Kissing.

Casey is mesmerizing in this. No one else could play this part either. It's a beautiful, sweet and incredibly shot film. No one overacts, and so much is said without words too. Beau Bridges at his best. Walton and Zooey go deep too. There isn't one laugh, but you won't notice. It's heavy, deep, nostalgic, and reminds us what we do for love and faith in people, and the responsibility or guilt that comes with it. The music is great too. In a summer of big movies, this small movie shines brighter. Sure to become a cult classic and win awards. Loved every minute of it. I don't give tens, ever. This deserves my ten rating. Catch it in theatres this week, but it'll grow in popularity on stream for certain.

Greetings again from the darkness. Very few actors are more proficient than Oscar winner Casy Affleck at taking on the role of a tortured soul and making us care. If you are one (like me) who wiled away many hours scouring LP bins at music stores, then you likely recall the "Dreamin' Wild" album from Donnie and Joe Emerson. It was a horrible album cover featuring the two young brothers in white jumpsuits. The self-produced album flopped, and writer-director Bill Pohlad has adapted the in-depth article penned by Steven Kurutz to dramatize the backstory, while filling in the real-life effects.

A vivid dream of success at an early age startles an older Donnie Emerson (Casey Affleck) awake. This is how Pohlad opens the film. Reality strikes as he once again realizes that recurring dream never came true, and now he runs a foundering recording studio and plays wedding gigs with his wife Nancy (Zooey Deschanel). Director Pohlad plays with timelines in an unconventional manner much as he did in his excellent Brian Wilson biopic LOVE & MERCY (2014). Noah Jupe and Jack Dylan Grazer play the young Donnie and Joe, respectively, while Walton Goggins plays grownup Joe, the less talented, though quite eager drumming brother.

This is a beautifully crafted film, though a bit unusual for a musician biopic. It's not so much a story of music as it is a glimpse at the psychology of a musician. On the family farm in rural Fruitvale, Washington, teenage Donnie writes and performs songs. His ever-optimistic and always supportive father (a terrific Beau Bridges) mortgages the farm to build the boys an onsite recording studio so that they can pursue music, while keeping up with farming chores. When nothing happens with the album, dad loses a big chunk of the farm, and everyone just moves on with life. Well, Donnie doesn't so much move on as brood about a shattered dream. Thirty plus years later, an independent record producer (Chris Messina) shows up and informs the brothers that their album has found a second life online and there is interest in a new pressing, as well as a special concert and even a tour.

It's at this point where we see just how deep the waters run for Donnie. He is reticent to allow himself to dream again ... despite encouraging his own kids to do so. He's a pensive man carrying the burden of guilt and shame as a son and failed artist. It takes courage to try again, although a tortured artist remains tortured regardless of any level of success. The second shot finds the dreamlike hit "Baby" front and center. It's an ethereal song perfectly suited to Donnie's temperament and a testament to his talent.

Director Pohlad brilliantly utilizes flashbacks throughout so that we understand what these folks have endured, and how differently they each react to the second shot at fame and respect. Often it takes a jolt in the present to permit us to come to terms with the unresolved feelings of the past, and we not only get to see Donnie make peace with his brother and father, but in a brilliant cinematic sequence, also with his younger self. Pohlad's film plays as a fitting tribute to Donnie Emerson, but also as inspiration to all the dreamers.

Releasing digital and On Demand beginning September 26, 2023.

When I saw the trailer, I was intrigued about this story, so I checked out the background of it online and thought this might be a movie worth watching.

The music aspect of the movie is well done. And the actors all play their parts well.

But I felt a lack of connection at the end of the day. It really was a half hour or hour MTV special that was stretched out too long. I really couldn't buy into the angst that Don was feeling, even though I could understand where it was coming from. It just felt repetitive. Especially all of the speeches that happen in the movie. Usually a movie will have one or two big speeches. This one seemed to have many 'oscar' moments that just weighed it down too much.

I also didn't like the cliched 'older self meets younger self'. I think that's been played to death, and is just cheesy now.

I am glad for the Emerson family and I hope they are continuing to rake in the money from the album. It was nice seeing the real voice of Donnie as it is today, he definitely is a gifted singer. But the movie just didn't resonate with me, and that's coming from a music lover.

A gem of a story, reminiscent of a short story by Sherwood Anderson, Richard Ford, Eudora Welty, Raymond Carver, Jim Harrison, or the Irish writer Claire Keegan. There's a surface plainness and apparent accessibility, seemingly easily penetrable.

But small issues of moral choice build up, we see mature feelings wrestle with the idealism of youth.

Characters we thought we could easily understand become more complex. This focus on the seriousness of life goes to the heart of the matter: family loyalty, honor, compassion, forgiveness (and self-forgiveness). "Dreaming' Wild" has a fundamental directness that casts a profound, direct light on the austere interior of the Emerson family.

Its precision and pacing is writerly, it gives the viewer time to think.

Remarkable performances by Casey Affleck, Beau Bridges, Walton Goggins, Noah June, and Jack Dylan Grazer. And Chris Messina.