Argo
Iran, 1979. En clandestin en tant que producteur de film à Hollywood à la recherche d'un emplacement pour un film de science-fiction, un agent du CIA lance une opération dangereuse afin de d... Tout lireIran, 1979. En clandestin en tant que producteur de film à Hollywood à la recherche d'un emplacement pour un film de science-fiction, un agent du CIA lance une opération dangereuse afin de délivrer six Américains à Téhéran pendant la crise des otages.Iran, 1979. En clandestin en tant que producteur de film à Hollywood à la recherche d'un emplacement pour un film de science-fiction, un agent du CIA lance une opération dangereuse afin de délivrer six Américains à Téhéran pendant la crise des otages.
- Réalisation
- Scénaristes
- Stars
- Récompensé par 3 Oscars
- 96 victoires et 156 nominations au total
Avis à la une
Quite suspenseful!
But the real nail biter is their exit from Iran. As in other movies of this ilk, the chase heats up with the Iranians on the heels of the Americans. Affleck throws into this chase a huge boulder of an obstacle when President Carter pulls the plug on the film crew ex-filtration & decides to go with Delta soldiers instead. If you want to know what happens, I advise you to see the movie or read the news accounts.
This just goes to show you that not all CIA covert actions are led by armed fighters like Jason Bourne and launched by the Treadstone department. Affleck's character doesn't even carry a gun--he carries a script instead.
One of the Smartest Thrillers in Years
**** (out of 4)
Excellent thriller based around the secret CIA mission to try and rescue six Americans hiding out in Iran shortly after the hostage crisis broke out. CIA agent Tony Mendez (Ben Affleck) decides to hatch a plot to make a fake movie and get the six out. It's only early November as I write this but I'm going to make a bold prediction that ARGO hears its name called out quite a few times come Oscar night. Director Affleck has once again created an incredibly well-made, incredibly tense and downright entertaining thriller that works on all levels and really comes across as something special. We've seen hostage movies before and we've seen political movies before but there's never been anything quite like ARGO. Thank God it's based on a true story or else who would believe this story? The secret mission of the CIA is just so incredible that it has to be true and using the Hollywood backdrop just makes for some pretty fun scenes and especially when you know a couple of the names like Oscar-winner John Chambers. The actual look of the film is quite striking as you certainly feel as if you're in the middle of the 1979-80 time period. Affleck has a great eye for the style of the picture and the cross between the 2.35:1 aspect ratio and some of 8 and 16mm footage. The performances are also another major plus with Affleck, Alan Arkin, John Goodman and Bryan Cranston all doing terrific work. Each and every actor no matter how small or major their part really comes across terrific and this helps brings so much credit to the story. I'm certainly not going to ruin the final thirty-minutes but they'll have you on the edge of your seat the entire time. After GONE BABY GONE and THE TOWN, Affleck had certainly put his name on the map for young directors and now ARGO just takes that to a new level. This here is certainly one of the best movies of the year and one of the smartest and most intelligent thrillers in a very long time.
Hollywood Hyperbole
Based on writings of CIA operative Tony Mendez who engineered the escape of six American diplomats who were lucky enough to get out of Iran during the Ayatollah Khomeini craziness during the Iran hostage crisis, Affleck who sports a heavy beard that makes him totally unrecognizable as Affleck, but no doubt Mendez had such a growth. Only the voice lets you know from time to time that it is Affleck.
Our protagonist has a history of pulling off good intelligence coups and he's given an assignment by his superiors. When they learn that the American diplomats are hiding at the Canadian ambassador's home he has to devise a scheme to get them out. He's one of several people put on this problem. His solution is to appeal to the Iranian's sense of celebrity. Affleck creates the cover story of a movie being shot in Iran, a science fiction spectacular like Star Wars and these folks were there scouting locations in the desert. Hollywood contacts John Goodman and Alan Arkin were most helpful, their sense of Hollywood hyperbole comes in handy. In fact both make several jokes about the movie capital. Arkin got a Best Supporting Actor nomination.
Of course we know what happened. I remember the news breaking that the Canadians had gotten these diplomats out who should have been hostages along with the others. The Iranians huffed and puffed and vowed divine retribution on Canada for aiding the Great Satan. It all came to naught however.
Argo which is the title of the pretend science fiction epic so far represents the summit of Ben Affleck's career. Why he did not get nominated for Best Actor and Director is quite beyond me if the Academy thought the film that good. Now that the story is declassified we now see that the CIA can occasionally get it right.
Argo
Vibrant blend of humor, tension, and history
Director Ben Affleck proves here just how incredibly mature and restrained a filmmaker he's become, molding what is inherently a political story, yet wisely setting aside the politics. He masterfully handles the changes in tone very fluidly, from one moment being edge of your seat tension, to the next of inspired comic relief. It brings back memories of 70's thrillers, when craft and entertaining went together hand-in-hand.
The cast of veteran character-actors is worth the price of admission alone. Nearly every speaking role is occupied by a recognizable face, with the likes of Philip Baker Hall, Bob Gunton, Michael Parks, Kyle Chandler, John Goodman, Bryan Cranston, Alan Arkin, and more. This is easily the best cast of 2012 and, better yet, they all brought out there A game.
'Argo' is not a film to miss, its subject matter being more relevant than ever and will be a major contender come award season (and deservedly so.)
9/10 -Pycs
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Bande-son
Le saviez-vous
- AnecdotesIn an interview with Piers Morgan, former President Jimmy Carter said that he believes the film was a "great drama", and it deserved to win an Oscar for best film. However, Carter noted that although "ninety percent of the contributions to the ideas, and the consummation of the plan was Canadian", the film "gives almost full credit to the American C.I.A. With that exception, the movie's very good," Carter said, but "the main hero, in my opinion, was Ken Taylor, who was the Canadian ambassador, who orchestrated the entire process."
- GaffesIt is stated that the British and New Zealand embassies refused to help staff from the American embassy. This was not true. Both the British and the New Zealand embassies sheltered the Americans, then helped to pass them on to the Canadians. Britain's Arthur Wyatt was later awarded the Companion of the Order of St. Michael and St. George for the risks that he took.
- Citations
Jack O'Donnell: This is the best bad idea we have, sir. By far.
- Crédits fousPast the photos of cast members and the real people they play, there's audio from an interview with then-President Jimmy Carter talking about the crisis.
- Versions alternativesAfter it screened at the Toronto International Film Festival, the postscript at the end credits was changed because it was felt that it slighted Canada's involvement in the rescue of the American hostages.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #21.11 (2012)
- Bandes originalesUpside Down
from Dans la vallée d'Elah (2007)
Written by Mark Isham
Courtesy of Warner Bros. Entertainment Inc./Summit Entertainment, LLC
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Escape from Tehran
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 136 025 503 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 458 109 $US
- 14 oct. 2012
- Montant brut mondial
- 232 325 503 $US
- Durée
- 2h(120 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1




