The Father
- 2020
- Tous publics
- 1h 37min
Un homme refuse toute aide de sa fille au fur et à mesure qu'il vieillit. Alors qu'il essaie de comprendre ce qui se passe autour de lui, il commence à douter de ses proches, de son esprit e... Tout lireUn homme refuse toute aide de sa fille au fur et à mesure qu'il vieillit. Alors qu'il essaie de comprendre ce qui se passe autour de lui, il commence à douter de ses proches, de son esprit et même de sa propre réalité.Un homme refuse toute aide de sa fille au fur et à mesure qu'il vieillit. Alors qu'il essaie de comprendre ce qui se passe autour de lui, il commence à douter de ses proches, de son esprit et même de sa propre réalité.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 38 victoires et 169 nominations au total
Résumé
Reviewers say 'The Father' is a poignant film exploring dementia's impact, lauded for its realistic portrayal and Anthony Hopkins' exceptional performance. The direction, using disorienting visuals, effectively immerses viewers in the protagonist's reality. However, some find the depiction too extreme, suggesting it may not fully represent all dementia experiences. Overall, it's a compelling, thought-provoking film on a universal struggle.
Avis à la une
Wow. This story is expertly crafted that I just don't know what is real and what isn't. Amazing acting too.
And then you get Anthony Hopkins in THE FATHER. This is a devastatingly, heartbreakingly-brilliant performance and a great film. Hopkins' range is incredible. He goes from charming and funny to menacing to wholly lost in seconds. From man to child on a dime. It's a powerful rumination on a terrifying disease, bolstered by Sir Tony at his finest, a strong supporting turn from Olivia Colman, and an excellent script by Christopher Hampton and Florian Zeller (based on Zeller's play). It's a daring move to tell the story from the perspective of Hopkins' character as his mind increasingly deteriorates. A savvy one too, as the audience is forced to engage to truly understand what is real, who is who, and where precisely we are in our protagonist's gut-wrenching journey. This may be Hopkins best work, a late-career revelation that once again reminds us why he's one of our finest cinematic performers. Be warned. If you've ever been touched by the tragedy of dementia, this film could wreck you.
This movie was shot in May 2019 just a few months before the COVID-19 pandemic was recognized. The writer-director says he wrote this with Anthony Hopkins, who was 81, in mind. The movie has a number of well established actors but the story's impact depends on Hopkins and he achieves this as very few might be able to do.
Usually movies dealing with aging and dementia depict it from the points of view of all the others around, friends, family members, medical personnel. This does the opposite, it depicts it from the point of view of the afflicted person. As such I found myself totally confused after about 20 minutes but eventually understood why it had to be this way. We are seeing what Anthony (character's name) sees and experiences, the confusion as to where he is and his failure to recognize people he knows.
In many ways this is a hard movie to watch because we know people who have gone through dementia and its inevitable end, or know people who are in the early stages of it. For that reason my wife chose not to watch this movie.
For the subject matter it is a very good movie.
Usually movies dealing with aging and dementia depict it from the points of view of all the others around, friends, family members, medical personnel. This does the opposite, it depicts it from the point of view of the afflicted person. As such I found myself totally confused after about 20 minutes but eventually understood why it had to be this way. We are seeing what Anthony (character's name) sees and experiences, the confusion as to where he is and his failure to recognize people he knows.
In many ways this is a hard movie to watch because we know people who have gone through dementia and its inevitable end, or know people who are in the early stages of it. For that reason my wife chose not to watch this movie.
For the subject matter it is a very good movie.
The Father couldn't be more realistic when talking about Alzheimer's disease. I've seen my grandfather walking that path. He was a smart man but once the dementia kicked in he was barely recognizable, which was a hard thing to witness when you knew him as the intellectual he was. The Father just nailed this subject, bringing back so many memories, memories we would rather forget but that you can't. Living with a loved one with this disease isn't easy at all, certainly not when that person sometimes doesn't remember who you are. I didn't knew Anthony Hopkins won an Oscar for his role, but after watching this movie I can only say it's highly deserved. It's probably one of his better performances ever, and that at 83 years old. The Father isn't a movie that will give you a lot of joy, it's sad and scary but certainly worth watching. Nobody wants to have a loved one suffering from dementia, it's a nightmare to live with. I remember my grandfather starting to smoke a cigarette like it was a thing he always did and that whilst he stopped more than forty years ago. I remember him telling me he was going crazy after asking me the same question for the twentieth time in barely an hour. He knew it was all going downhill, he knew he was a burden to everybody, and that must hurt when you are still that little bit lucid to understand that. I watched several movies about dementia but this one is just the most realistic. It's sad but that's life, everybody should watch it so they can be prepared if the disease ever would hit a loved one.
This is one of the hardest movie reviews I've ever had to write in my life.
Mainly because of the films subject matter, Dementia.
I've seen my own father succumb to this dreaded disease and it scares the hell out of my, worse than any horror movie I've watched.
I sadly remember some of the last words my own father spoke to me were, "Be a good boy at School today." I was 46 at the time.
The beauty of "The Father" is how Director, Florian Zeller, takes you into this descent of losing your grip on reality through the eyes of the marvellous veteran and Academy Award wining actor, Sir Anthony Hopkins.
At times his character Anthony is part Hannibal Lecter and at others a peaceful, but confused ageing Father to Olivia Colmans, Anne.
Another Academy Award winner who puts in a highly believable performance as his daughter who's trying to deal with helping a man who refuses to accept assistance from her or carers.
Fun Fact: Colman was named Anne is both roles she's been Oscar nominated for.
Also great supporting roles form Mark Gatiss, Olivia Williams, Imogen Poots and Rufus Sewell.
Overall "The Father" has been nominated for 6 Oscars, after already having over 20 wins in other awards and once you've seen this film you'll know why it deserves to win in Hollywood.
At 83, Hopkins, is the oldest winner of a Best Male Actor BAFTA and a dark horse to scoop up the big one.
This film feels like everything he has learnt in his craft is on display effortlessly for 97 minutes.
It's hard to believe this is Zellers' feature film directorial debut, because it's a masterclass in cinema adapted from his own acclaimed play "Le Pere" from 2012.
The role of Anthony was specifically written for Hopkins.
One of the things that got the living legend to agree to this film apart from the top shelf script (adapted by Christopher Hampton) was the inclusion of one of Hopkins favourite pieces of music from Georges Bizet Opera "The Pearl Fishers".
He's always dreamt of making a movie with this music in it.
With lines from Anthony like: "I feel as if I'm losing all my leaves" "The Father" is so close to perfect I'm giving it 10 stars.
Mainly because of the films subject matter, Dementia.
I've seen my own father succumb to this dreaded disease and it scares the hell out of my, worse than any horror movie I've watched.
I sadly remember some of the last words my own father spoke to me were, "Be a good boy at School today." I was 46 at the time.
The beauty of "The Father" is how Director, Florian Zeller, takes you into this descent of losing your grip on reality through the eyes of the marvellous veteran and Academy Award wining actor, Sir Anthony Hopkins.
At times his character Anthony is part Hannibal Lecter and at others a peaceful, but confused ageing Father to Olivia Colmans, Anne.
Another Academy Award winner who puts in a highly believable performance as his daughter who's trying to deal with helping a man who refuses to accept assistance from her or carers.
Fun Fact: Colman was named Anne is both roles she's been Oscar nominated for.
Also great supporting roles form Mark Gatiss, Olivia Williams, Imogen Poots and Rufus Sewell.
Overall "The Father" has been nominated for 6 Oscars, after already having over 20 wins in other awards and once you've seen this film you'll know why it deserves to win in Hollywood.
At 83, Hopkins, is the oldest winner of a Best Male Actor BAFTA and a dark horse to scoop up the big one.
This film feels like everything he has learnt in his craft is on display effortlessly for 97 minutes.
It's hard to believe this is Zellers' feature film directorial debut, because it's a masterclass in cinema adapted from his own acclaimed play "Le Pere" from 2012.
The role of Anthony was specifically written for Hopkins.
One of the things that got the living legend to agree to this film apart from the top shelf script (adapted by Christopher Hampton) was the inclusion of one of Hopkins favourite pieces of music from Georges Bizet Opera "The Pearl Fishers".
He's always dreamt of making a movie with this music in it.
With lines from Anthony like: "I feel as if I'm losing all my leaves" "The Father" is so close to perfect I'm giving it 10 stars.
Le saviez-vous
- AnecdotesFlorian Zeller wanted Sir Anthony Hopkins specifically for the part. He sent Hopkins the script in 2017 and waited for a reply. In the meantime, he did not pursue production with any other actors in the lead role. He said if Hopkins had not agreed to the film, then it likely would have been made in French instead.
- ConnexionsFeatured in CBC News: Toronto: Épisode datant du 18 septembre 2020 (2020)
- Bandes originalesCold Wind Var. 1 - Day 1
Music by Ludovico Einaudi
Piano: Ludovico Einaudi
Violin/Viola: Federico Mecozzi
Cello: Redi Hasa
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Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 122 771 $US
- Montant brut mondial
- 24 048 935 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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