NOTE IMDb
3,4/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueFor 400 years, Barroz, a loyal servant, has guarded da Gama's treasure. Bound by a centuries-old magic, he awaits the arrival of a true descendant worthy of claiming it.For 400 years, Barroz, a loyal servant, has guarded da Gama's treasure. Bound by a centuries-old magic, he awaits the arrival of a true descendant worthy of claiming it.For 400 years, Barroz, a loyal servant, has guarded da Gama's treasure. Bound by a centuries-old magic, he awaits the arrival of a true descendant worthy of claiming it.
- Récompenses
- 1 victoire au total
Avis à la une
2 star for excellent and 1 star for the animated song sequence. Nothing else works in this. Even lal looked lost in his own creation. Somasundaram had the worst role and he failed in providing any elevation to it. The lead girl's acting was pathetic. Too many unknown faces with bad acting. De gama looked silly. The puppet / doll companion character had so much promise but bad dialogues ruined it. Super stretched first half with absolutely nothing happening. Second half was faster in comparison but I was exhausted by interval time itself. My kid slept through most of the first half and was slightly entertained by the second half 3D gimmick shots. Worst malayalam movie I watched this year hands down. The folklore had so much potential. It would have worked better with full animation and some better editing and some elevated plots.
The worst movie ever.... Thought that it was going to give a minimum standard...
The underwater scene was so substandard
A high school student can give better results..
I don't even understand where was the effects
The acting of all were very pathetic... waste of time and money
A substandard serial is much better than this
The best movie for a good sleep
Mohanlal please don't direct anymore movie
Even my 11 year old was asking why is he giving keys in slow motion
I just wanted ro get up and run away in between
Music was more than pathetic I wish there was at least one thing good in the movie.
Music was more than pathetic I wish there was at least one thing good in the movie.
Baroz impresses technically, especially with its stunning 3D effects and world-class visuals crafted by the talented Santhosh Sivan. The background score (BGM) is exceptional, elevating the cinematic experience, though the songs are just passable. Mohanlal's acting stands out as a major positive, showcasing his unparalleled screen presence.
However, the movie falters in several areas. The casting feels underwhelming, with many actors failing to match the standard set by Mohanlal. The story is clichéd and predictable, and the script misses the opportunity to develop its promising premise. Dialogues lack impact, and the overall delivery feels weak, failing to engage the audience. The narrative progression is sluggish, and the movie struggles to maintain interest due to its lack of momentum and depth.
Despite its technical brilliance and Mohanlal's performance, Baroz ultimately ends up as a visually stunning yet narratively disappointing film. It's a classic example of style over substance, leaving the audience wanting more in terms of storytelling and execution.
However, the movie falters in several areas. The casting feels underwhelming, with many actors failing to match the standard set by Mohanlal. The story is clichéd and predictable, and the script misses the opportunity to develop its promising premise. Dialogues lack impact, and the overall delivery feels weak, failing to engage the audience. The narrative progression is sluggish, and the movie struggles to maintain interest due to its lack of momentum and depth.
Despite its technical brilliance and Mohanlal's performance, Baroz ultimately ends up as a visually stunning yet narratively disappointing film. It's a classic example of style over substance, leaving the audience wanting more in terms of storytelling and execution.
There is a saying, "Do not throw good money after bad". Barroz is the perfect example for this. Mohanlal's dream project, a movie that went through it's own production hell and inspite of hiccups and challenges, he persisted in trying to bring his vision on screen wherein he should have given up at least 3 years back with things not going his way and some of his usual accomplices walked away from the project.
There are little to no redeeming qualities in the movie. The cast and especially Mohanlal just falter so badly, you wonder how this could have been his dream directorial venture. The story has been destroyed, if ever there was one conceived. The acting is just terrible on so many fronts and performances are just so sub par that you even wonder if these are actors or people just picked up from the streets and asked to pitch in. There really seems to be no explanation for where the budget went especially in a movie with only one superstar who is the director and terrible CGI and mostly domestic locations. Most of the foreign collaborators, again not big names, have brought in zero value again leading to the mystery of what happened to the budget. The music especially disappoints and songs like "Isabella" are just jarring and painful to listen to.
Overall Mohanlal proves that he is best in front of the camera and not behind it, unless he is just producing it and not taking the creative decisions. This is a movie to be skipped unless for academic purposes where is serves as the perfect case study on how not to make a fantasy movie.
There are little to no redeeming qualities in the movie. The cast and especially Mohanlal just falter so badly, you wonder how this could have been his dream directorial venture. The story has been destroyed, if ever there was one conceived. The acting is just terrible on so many fronts and performances are just so sub par that you even wonder if these are actors or people just picked up from the streets and asked to pitch in. There really seems to be no explanation for where the budget went especially in a movie with only one superstar who is the director and terrible CGI and mostly domestic locations. Most of the foreign collaborators, again not big names, have brought in zero value again leading to the mystery of what happened to the budget. The music especially disappoints and songs like "Isabella" are just jarring and painful to listen to.
Overall Mohanlal proves that he is best in front of the camera and not behind it, unless he is just producing it and not taking the creative decisions. This is a movie to be skipped unless for academic purposes where is serves as the perfect case study on how not to make a fantasy movie.
The movie 'Barroz' isn't worthy of a rating. The script is weak, and the cast's performances are largely unbearable, with the complete actor Mohanlal being an exception, although he felt like a shadow of his former self. The dialogues and dubbing were equally disappointing.
The only positives are the impressive visual effects and Mohanlal's performance.
The film could have been more engaging with an animated backstory exploring D'Gama's treasure and the bond between D'Gama and Barroz, which might have helped create a stronger emotional connection with the characters.
Overall, the movie was a complete dud.
The only positives are the impressive visual effects and Mohanlal's performance.
The film could have been more engaging with an animated backstory exploring D'Gama's treasure and the bond between D'Gama and Barroz, which might have helped create a stronger emotional connection with the characters.
Overall, the movie was a complete dud.
Le saviez-vous
- AnecdotesMohanlal's directorial debut after more than four decades long career as an actor, producer and distributor.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Barroz: Guardian of Treasures
- Lieux de tournage
- Goa, Inde(Location)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 000 ₹ (estimé)
- Montant brut mondial
- 349 690 $US
- Durée2 heures 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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