Julie (en 12 chapitres)

Renate Reinsve is giving one of the performances of the year in this turbulent movie about what it's like being alive.

I came home from this and told my wife how much it reminded me of "Annie Hall" at times. And then later I was reading a profile of the writer and director, Joachim Trier, which mentioned that "Annie Hall" specifically was a huge inspiration for him as a film maker. So there you go.

Is Reinsve the worst person in the world? Hardly. She's a warm, loving woman, trying to figure out how to give love to others and yet get what she needs and feels she deserves herself. What happens when those two things seem mutually exclusive? Welcome to human relationships.

The movie is very funny in its first half, and then gets very sad in its last half. But it's never emotionally manipulative. It makes the case that it's ok to look out for yourself and your needs, but also that part of growing as a person is learning that the world isn't all about you.

Grade: A.

It's been a couple of hours since I watched this, and I'll admit, it's been hard to figure out how to give some thoughts on it through text.

I will say it resonated with me emotionally- far more than your average movie. I really felt it, y'know? Not in a way that's going to make me reshape my life or change what I'm doing day to day necessarily, but there was something to it that makes me sure it's going to stick in my brain for weeks, maybe months or even years to come.

I can't go much further than that. It's a wonderful, sometimes funny, sometimes bittersweet, sometimes soul-crushing film, and all the emotions are explored and interweaved perfectly.

There are so many great scenes... the scene where time freezes, the "what is cheating" scene, the scene in and around the hospital, the scene with the magic mushrooms... it's almost like every single chapter in the film is a highlight, and it all fits together almost perfectly.

It's a special film- the more I think about it, the better it gets, and the more it resonates. Also features some of the best acting I've seen in a while from its two leads, Renate Reinsve and Anders Danielsen Lie. They're so compelling it's almost alarming how invested you get in their characters, maybe because they begin to feel like real people, at a point. Especially in the last half-hour or so- I was blown away by how real they felt, and how easily I believed that these two characters had known each other for years.

Might be a 5/5 on a rewatch, in all honesty. Life being tough and all at the moment, I was distracted by some of my own problems while watching these fictional characters deal with theirs. But the moments of crossover were extremely cathartic, and as a film, it flows so well, and didn't feel two hours long, despite having pacing that wasn't afraid to slow down from time to time.

Well, how about that.

I actually wrote quite a lot.

Good films will do that to you.

The Worst Person in the World is Triers last film in his Oslo trilogy (Reprise, Oslo August 31th), and it's about a women named Julie (Reinsve) whom is struggling to find her place in the world.

Virtue is the quality of being a good person and doing the right things, both for yourself and for others. I believe that Trier is problematizing this in this film by asking the question about whether or not you should do whats expected from the world around you, like settling for a more or less standardized life in forms of career and familiy, or if you should be out there and experiment to find your place in a rather confusing modern society.

Julie is on her way into her thirties and is in a relationship with Aksel (Danielsen). She is an indecisive individual when it comes to what to make out of her life. Aksel, being in his mid forties, is ready to have a familiy of his own, but Julie is not ready for that just yet. Her search for an meaningful existence leads her to another man named Eivind (Norddrum), which she falls in love with. She leaves Aksel in hope for that this time, things will be different, but will it be so?

This film is beautiful and intelligent. The way it depitcs todays social relations and culture in Norway, and probably other places in the world, is spot-on. All characters are deep and profound, where everyone of them playes an important role in the story no matter how big their part is on the screen. Everything seems to be in its right place.

The Worst Person in the World is another great film by Joachim Trier.

The heroine ofJoachim Trier's latest film 'The Worst Person in the World' (2021) is about 30 years old, but she still hasn't managed to find a profession that would give full meaning to her life, or the man she would like to be with and spend the rest of her life, or what could make her happy. It is, if you wish, the film of her searches and the failure of these searches in a hurried and individualistic world. This contemporary Norwegian counter-heroine is one of the most complex and interesting female characters I have seen on screen in recent years. Renate Reinsve's formidable performance brought her a well-deserved award for female performance at the Cannes Film Festival. This is one of the important reasons, but not the only one for which this film is worth seeing.

Julie (Renate Reinsve) is an intelligent and intellectually gifted young woman. She starts studying medicine and then gives up, starts studying psychology and abandons this as well, decides to become a photographer and works in parallel and as a bookseller at a bookstore. Her parents are divorced, she is closer to her mother (who is worried about her daughter's un-decisions) while her distant and indifferent father is a negative model that probably makes her wary of relationships with men. And yet she falls in love, not with one man but with two: with a comics book writer and cartoonist about 14 years her senior who wants a child and with a seller at a pastry shop who wants to have fun and maybe to get rid of his previous girlfriend who is more interested by ecology and vegetarianism. Time passes, life advances, but it is not clear in which direction.

I guess that one of 'Joachim Trier's sources of inspiration are Woody Allen's older and newer films. The organization of the story in 12 chapters plus a prologue and an epilogue, the well-matched use in this case of off-screen voice, the relationship between lovers separated by age gap, the presence of parents in the lives of mature people, all these they reminded Allen. Even the almost exclusively urban setting seems inspired by his films, with a local touch, of course. If you haven't visited Oslo (like me) by the time you finish watching this movie you will feel the desire to visit this city, which looks colorful, sophisticated, and ... warm (most of the story seems to take place in the summer). The location in time is clear, thanks to the pandemic masks that the characters wear in the epilogue. Just count a few years back. There are at least two chapters in the film with original cinematography that fits well into the logic of the story - the imaginary or real encounter between lovers looking for and finding each other with the rest of the world frozen around and the sequence of the 'experimentation' with hallucinogenic mushrooms. 'The Worst Person in the World' is the story of an imperfect woman with an imperfect life, as are the lives of most of us, a woman who is certainly not the worst person in the world, and the film about her is made interestingly and well acted. Recommended viewing.

Greetings again from the darkness. It's often fun when an innovative filmmaker turns a stodgy genre upside down and offers us a new take. And who better to flip over the frequently stale mode of romantic-comedies than Norwegian auteur Joachim Trier? Co-written with his frequent collaborator Eskil Vogt, the film could also be described as a dramady or a thirty-ish coming-of-age tale. Regardless of the label, it's entertaining and thought-provoking, as well as being a bit dark in parts (some of these also being quite funny). This is being called the final film in Trier's "Oslo Trilogy", three loosely connected films including REPRISE (2006) and OSLO, AUGUST 31 (2011).

Each of the films represents quite a shift in tone, and this latest revolves around Julie, played exceptionally well by Renate Reinsve. Trier structures the film as 12 chapters plus a prologue and epilogue. The prologue is brilliant and allows us to quickly grasp what we need to know about Julie. She changes her life goals multiple times - from doctor to psychologist to photographer, and later while working in a bookstore, she decides to be a writer. Thankfully we are spared the details in her essay on oral sex in the #MeToo era. Julie is impulsive to a fault. She has confidence but can't commit to a direction - she's confident in her uncertainty.

As she approaches 30, Julie is struggling to find her way. She's not so much lost as struggling to deal with her jumbled thoughts. Can you lose your identity if you haven't yet formed one? That seems to be the crux of Julie's inner-struggles, even as she finds a seemingly good fit for a partner. Aksel (a terrific Anders Danielsen Lie) is a successful graphic artist, and he seems to understand Julie. Their relationship builds over time, even as their individual visions and goals diverge. The best life partner still comes with challenges when you still aren't sure who you are as a person.

Julie feels herself slipping away, and that's when her impulsive nature reappears. During a special event for Aksel, she walks out and spontaneously crashes a local wedding reception. This leads to a meet cute and flirty time with Eivind (Herbert Nordrum). Both he and she are in steady relationships, but only Bill Clinton could determine if the time Julie and Eivind spend together is cheating or not. Ms. Reinsve perfectly captures the spirit of Julie. Although she's often a bit flustered, when she does smile, she radiates like a young Shelley Fabares.

Much has been made of Ms. Reinsve's performance and she certainly deserves the accolades. However, we shouldn't overlook the outstanding work of Anders Danielsen Lie in a difficult role. Filmmaker Joachim Trier's previous work also includes THELMA (2017) and LOUDER THAN BOMBS (2015), and his creativity is most welcome. Two sequences stand out in his latest. In one, the world shifts into 'freeze frame' mode as Julie runs through the streets of Oslo to find her new love, and in the second, we follow her in the midst of a drug hallucination after experimenting with mushrooms. In the story, Trier focuses on the dynamics between partners and how the stages of life can complicate things. It's charming and funny, but also quite serious, as he certainly doesn't buy into the ideal that movies must have happy endings. In regard to the title, rather than describe Julie, it's more likely meant to explain how many people think of themselves as they make decisions and mistakes - it's really a show of humanity. And quite a good one.

Opening in limited theaters on February 4, 2022.