Psychosynthesis

Noam has done an amazing job writing directing and editing this film. Mysterious, chilling, assured and meditative cinema from start to finish. Superb acting by the whole cast, gorgeous 4x3 Cinematography/Lighting, great score. All around wow, heavy dark flick.

The plot evolves in a satisfying way with new information added in each scene... Alice's (Stephanie Pearson) step by step change from sick and fragile, into a force to be reckoned with, was well thought out and emotionally resonant, both script-wise, and acting-wise... definitely rattled me. You can see the darkness grow in her eyes as the scenes progress. I liked the twist with Johnny Day's character (will refrain from spoilers). Was also very impressed with Olive (Gracelyn Hanon Awad)!

Noam you are an inspiration to independent filmmakers everywhere. Can't wait to see the next one!

A really tightly plotted, tense piece of filmmaking! There's no fat on the script at all and it really zips through it's 71 min runtime. It's great all round but I was particularly impressed with the cinematography - the bold colour palette, framing and aspect ratio feel claustrophobic and the atmosphere created really keeps you hooked. I didn't really like the characters and I predicted the ending very early on - but it didn't feel like they were 'the point' of the film so didn't spoil my enjoyment at all.

As someone who's been following Noam Kroll's excellent blog for a while, I was very interested in seeing his second feature, Psychosynthesis. And while not perfect (the running time is too short to develop all the nuances of the characters), I'm really impressed with what Kroll has managed to achieve with such a limited time and budget. Despite its DIY nature, it sure looks like a real movie (more than some garbage I've seen on VOD) and the visuals are quite engrossing. The acting is good (specially the husband) and the low key nature of the project gives it some much needed authenticity. For people who like small and ambiguous character studies, Psychosynthesis is pretty much a must see even if it doesn't break any new ground. Nice job.

In a perfect world, this movie would still be a waste of time. The storyline goes nowhere, it wants to and had the possibility to, but the person writing this story must have fallen asleep while writing because he loses his way.

Believe it or not, the scores in the film were melodramatic and way too loud on accusation. There is no nudity, but there is one sex scene, you can only see the woman's facial expression no body parts shown.

The acting in the film was at a novice level, this film truly was a waste of time. I could only wonder how the film was financed and made it to prime TV'.

I was looking forward to watching this film directed by Noam Kroll, who I've "followed" for a few years now. The plot and concept were interesting, and the cinematography itself was great... but I was rather disappointed in it. I felt the movie moved at a glacial pace, with A LOT of breathing space in between and within the scenes. I thought the first interesting thing (besides the concept) didn't occur until almost an hour in, and that's only 10 minutes before it ends. For a 71 minute film, I thought the story was stretched as much as it could've been. I didn't particularly care for the acting, although not a whole lot was required of the actors either. I also found some of the profanity odd (almost forced) in places, like the husband f-bombing his weak, sick wife to get in the car to go to the hospital, rather than (God forbid) helping her. The ending is justifiably ambiguous, but also has at least one major hole (unless I didn't see the fix) relating to the character "getting away with it." Overall, definitely a low-budget film that used the most of its resources, but I felt could've been better and at least a little more interesting.