Madame Claude

A subtle exploration of female relationships with an added dynamic of sex. Aesthetically and fashion wise it is absolutely beautiful and the acting is great. The narrative format of following someone from when they just joined the brothel at the height of its success to when it was ultimately shut down and Mme Claude put in prison was enthralling. I completely do not understand the negative reviews on here. I mean, someone says 'why did she go to America?' Bruh have you ever heard of trying to escape prison???? A very common thing for heads of criminal organisations to do!?! Personally, I don't understand why I'd never heard of this woman before especially given how tied up to the French gov it all was. Yet if it was a male head of a criminal organisation I probably would've heard of them....

A drama based on real events.

It is about the life of a pimp woman in France and everything that goes into running such a business.

Quality.

Slightly parsimonious.

The time spectacularly recreated.

Good costumes and hairstyles.

Music instead.

Well-managed nude and sexual scenes, far from looking grotesque, add the touch to the film.

Talk about corruption, the prostitution business, what you have to do to survive in it. Of loneliness, love and what guides a person to get there.

The voice-over gives the film agility to get to know the character better.

Good performances.

Safety pin.

It carries the tone of French movies.

Editing does not help at times and it becomes somewhat confusing.

Trying to think what the point of this film is. Is it purely biographical? Probably. Are there any cinematic values? Probably not. An environment of prostitution would lend itself to some character development. There is none. Okay, there may be some other redeeming features. An interesting storyline, some surprises and plot twists. Nope. Normal acting and direction, nothing superb. This film doesn't rise above mediocrity.

Summary

Interesting and at times controversial biopic of the most influential pimp woman in France. Also a film about the many and sometimes surprising but inevitable derivations of high-end pimping.

Review

Madame Claude is concerned above all with the heyday of who was the most exalted and famous pimp woman in France during the presidencies of de Gaulle and Pompidou, how she ran her "house" and her "mansion" and her relationship with the circles of power.

This Silvie Verhayde partial biopic of Fernande Grudet, aka Madame Claude, focuses on three aspects. On the one hand, she was the pimp of the most exclusive network of female prostitution for more than a decade, which led her to link with circles of power, organized crime and others that the viewer will discover, striking a dangerous balance between them. Coupled with her sixties setting, this sometimes surprising but unavoidable aspect of high-end pimping lends the film, at times, a fascinating and sophisticated spy-movie climate. Do not demand a broad development of these subplots from this film as if it were a documentary or a miniseries; they simply place us in what the protagonist negotiated, trafficked and dealt with.

The other two aspects, closely related to each other, have to do with his private life and the way in which he managed his network, concentrated in high-end brothels (houses and later mansions), describing how he related to "his" prostitutes and the "Community" or "family" that they made up, which the film describes in an unbiased way, but without sparing any of its facets. This description of the intimate realm of VIP prostitution (and by extension of prostitution in general) will be controversial for some. In particular, Madame Claude's bond with whoever was her right hand, the enigmatic Sidonie (in a very good performance by Garance Mallinier, protagonist of the notable Voracious), develops. The director and actress Hafzsia Herzi also appears in the role of another call girl.

Karole Roche carries out a very good interpretation, combining toughness, dryness and passion of her difficult and complex character, showing a Madame Claude determined to make a place in the male power plot, exercising tight control of her prostitution network with a imprint that went from the maternal to the despotic and ruthless and going through the difficult relationship with her family.

The re-enactment of the period is very successful, with a soundtrack with French themes from the period very conveniently located and the usual European casualness in the intimate scenes.

Fernande Grudet's life is a fascinating story but the film falls short of making it compelling. The main focus is on the requisites of the sex sex trade: how she manages her burgeoning business and the growing power and influence that go with it. It does little to dive into the interesting characters that inhabit her story.

Given the story's potential, one could imagine dramatic encounters with the police and her influential clients. But when such opportunities arise, the encounters happen mostly matter-of-factly except for that memorable meeting of Sidonie and her father in the restaurant where he got his comeuppance.