Gulabo Sitabo

This film shows all the conundrum revolving around a certain property in a chucklesome manner. As Mirza is trying to be the legal owner of the Haveli, he involves a lawyer into the matter. And, as Bankey is trying to protect the rights and roof of the tenants, the government gets involved. Everyone has their personal interest in the property, the lawyer wants to sell the land off to the builder and the government uses all its tricks to acquire the land. These things are totally shown in a dramatized and a humorous manner and it doesn't all come heavy with information or emotions. It is a purely- light hearted film. Also, due appreciation needs to be given to Amitabh Bacchan's acting. His large nose, his way of speaking and walking complement to the character that Bacchan is playing and not the other way round. Ayushmann Khurrana and Amitabh Bacchan play their characters so well that it is hard to imagine the film with any other actors. Vijay Raaz plays as an officer of the Archaeological Department and Brijendra Kala plays the lawyer and no words are needed for their performances.

Every actor in this movie did justice to their respective roles. The cinematography was done elegantly to capture the rawness. Music was inciting calmness.

But all of this was dragged down by an extremely slow pace. Watch this if you can be patient or iur are gonna loose interest in first 30-40 mins.

Inspired by Allahabad's famous traditional Puppet show: Gulabo & Sitabo the film not only carry's the same name but also the same traits of Gulabo & Sitabo along with their argumentative relationship. Well the movie might not be everyone's cup of tea but trust me when you see this film with satirical lens you'll realize how real and bitter the film is exposing human nature describing the irony of human relationships taking advantage from each others situation. The film is a slow burn takes its complete time to introduce and to make every character familiar which was completely justified as this movie heavily relies on its supporting casts rather only to its leads. Vijay Raaz as Gyanesh Shukla a government officer from archeological department was totally lit no doubt his performance was one of the best in the movie, as usual full marks to him, other supporting casts includes Brijendra Kala as Lawyer & Srishti Shrivastava as bold & a street smart sister of Baankey were equally good and make their presence felt. Talking about the leads the Deadly Duo the legend Amitabh as Mirza & in-form Khurrana as Bankey, their chemistry specifically in argumentative scenes were lit and not only that the USP of the movie is actually the constant arguments between the characters which at times were not completely hilarious or laughable but very natural and relatable. Take it as disappointment or surprise Ayushmann's impact in the movie is low may be because of his character's requirement, on the contrary the star of the show is definitely Amitabh Bachchan the persona and the efforts that was required to play that character totally nailed by Mr. Bachchan even in his late 70's he not failing to impress he was simply effortless. Not the best work from Shoojit Sircar but some solid performances makes it a watch worthy movie

Amitabh Bachchan is one of the greatest actors that I can imagine, and with each new film he proves it beyond the slightest shadow of a doubt. In this film, he plays Mirza, a disgustingly greedy old miser, and his transformative acting elevates his name a little more in stature, if that sounds possible anymore. Hardly recognizable under heavy prosthetics, he erases everything he can possibly be associated with to become Mirza in a performance that is incredibly well-detailed and yet looks so unaffected and lacking in self-consciousness. With his blurry and indistinct speech, quiet tone, lame and gawky gait, and the watchfulness in his eyes as he attentively listens to his costars, Bachchan mumbles his way through the film and captures with amazing precision the external fuzziness of this pathetic old man but also the clarity of his indecent, acquisitive intentions. What he does with a role that could so easily have become a caricature is beyond words, but above all, at the end of the day, it's just such a commanding act - watching him is a true cinematic experience in and of itself.

This is, by and large, the trump card of Gulabo Sitabo, an amusing satire which could have been a stupendous movie had it just edited out some of the massive overdetailing and the many subplots. The film boasts of respectable production values, great sets and decorations, and the dialogue is really very good. The irony is just palpable in this film, which has many characters all of whom are immoral and quite ridiculous in their own way and with their different misdemeanors. The music is also great, and the score is good albeit too obvious and redundant at points. Among the other actors, Ayushmann Khurrana enjoys playing unlikable as Bachchan's foe, but it is clearly Farrukh Jaffar, in a miniscule role spread out across the film (which still gives her top-billing, probably courtesy Bachchan), who steals the show with her incredible dialogue delivery. She is a delight all the way. The conclusion of the story is comic and tragic in its irony, presenting a nice message on the price of greed, which often makes people lose much more on their way to reaching much less. Still, it is Bachchan who makes it a must-watch.

Gulabo Sitabo is a well-crafted satirical film with a picturesquely crumbling mansion at its center. It's a film rich in details, be it the characters, relationships, desires, lust, insecurities, or the ploy. Amitabh Bachchan plays the grouchy 'Mirza' with a character actor's delicacy and attention to detail. Ayushmann Khurrana once again brings something new to the table with his body language, which portrays sadness and bitterness borne out of poverty. Vijay Raaz is effortless as ever, and Brijendra Kala is also terrific. Shrishti Shrivastava deserves a special mention. Last but not the least, Farrukh Jafar is an absolute delight to watch. Despite few dull moments and a bit slow, the film manages to string all the loose ends well together in the end. The thoughtfully well-written songs in the backdrop add texture to the film. In short, the film explores different traits of the mortals with an underlying message through a simple, quirky, and enchanting story in a subtly humorous way. In case you miss it, the director's nonchalant reference of the chair depicts it all in the end.