Once Were Brothers: Robbie Robertson & The Band

I love the history and the old footage of one of my favorite groups, both the concert films and the personal shots, but this documentary is horribly biased toward Robbie Robertson, while three people who might tell a different tale are dead. In particular, Robbie says that after The Last Waltz, "everybody just forgot to come back." This ignores the fact that he declared the group done, without asking the other four members, and ignores the fact that they went on to record multiple albums without him. Again, I'm glad this film exists, but I worry that anyone would consider it to be the complete story.

"Once Were Brothers: Robbie Robertson And The Band" invites you to sit back and relax, while Robbie Robertson and other music royalty dive into the mystical journey of a great rock band. . In this documentary, singer/songwriter Robbie Robertson tells the candid story about the creation of one of the most enduring bands in the history of popular music, The Band. . There's something about The Band that always draws me in. Maybe it's the music, maybe it's their short lived musical journey, maybe it's how mysterious they seemed, but one thing is for sure is that not all bands have withstood what these guys have been through. Seeing Robertson tell personal stories about himself and the band is ultimately gratifying. I still think that Scorsese's "The Last Waltz" is the ultimate music doc and concert but this doc is a solid full framed story about these incredible musicians. The final moments of this film are nothing short of heart-wrenching and beautiful. Fans of music and The Band will enjoy this ride. . Follow @snobmedia for more reviews!

I was in tears by the end of the show. I started out jaded. Thinking this is some Robbie puff piece...and it is. But so much more. It's a love letter to his friends.

Before even commenting on the film, which I had the pleasure to see during the TIFF opening night showing, one needs to address the controversy that precludes it. The feud between Levon Helm and Robbie Robertson, and the sides many fans fall into, paints the film into a corner. It constantly dances around the bitter aspects of their relationship, portraying Robbie as saddened by the visceral animosity directed at him. Yes, the movie is based on Robbie's book, and Levon can no longer refute the claims made, but perhaps it is time to give Robbie a chance to explain his perspective. There was no way an autobiographical film would display the conflict in an unbiased and fair manner, since that is not what the film is about. It is about Robbie and his journey with The Band, their rise and dissolution as seen through his eyes, and his final reminiscence on a time when he truly was part of a brotherhood that he lost. Robbie is never critical of Levon, perhaps even sympathetic, but his pain does feel real. The story is emotional and endearing, supported by the multitude of supporting voices including Ronnie Hawkins (who steals the show!), Bruce Springsteen, Martin Scorcese, and managers, friends, and family who knew The Band the best.

Beyond the story as told by the many participants lending their reflections to this doc, I must say that the filmmaking is quite well done. Daniel Roher weaves a film with archival footage, testimonials, and the legendary music into something that is exciting to watch for any fan of The Band. It is emotionally touching, funny, insightful, and ultimately a great tribute. Yes it is Robbie's portrait of The Band, but it nevertheless faithfully chronicles a musical force that would influence generations to come.

"I pulled into Nazareth, I was feelin' 'bout half-past dead." The Band's The Weight featuring Levon Helm

With that song, the world of mid-century America became aware of a new sound, Americana: a country rock with soul and surpassingly genial musicians. Daniel Roher's Once Were Brothers: Robbie Robertson and the Band is a memorable documentary as well as a most engaging history of the colorful era of '60's and '70's rock, where loud, sensual music eclipsed any other form in previous cultural changes.

With the producing guidance of Martin Scorsese, who helmed The Last Waltz about the Band's final concert, Robbie Robertson, guitarist and songwriter, guides us through his teen years and hookup with musicians who themselves would hook up with Bob Dylan, to help him tour to the boos of audiences that just didn't get the electric guitar: Dylan exclaims, "They were gallant knights for standing behind me."

Deftly carrying us through photo album pics and original music, this remarkable doc makes it feel like we are there, reliving the charismatic troupe's glory days and eventually its struggle with drugs. As Robbie says, "It was so beautiful, it went up in flames."

However, it's a story well told, even down to the homely shots of Robbie courting Dominique and their eventually blissful marriage.

Heroin emerges (as it frequently seems to do) with devastating effect on the gifted Levon. Through it all, Robbie lets us know how much he loved this brotherhood, and we see the contribution he continues to make to the welfare of music and people.

We have been blessed in the last few years with outstanding films about music-let Once were Brothers be at the top of the list: It was "a sound you've never heard before, but like they've always been here." Bruce Springsteen